19th Century

The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America.

“[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE

In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution.

Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor.

Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York.

Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today.

Praise for The Life and the Adventures of a Haunted Convict

“One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post

“Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine

“Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle

“[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian

“A sensational, novelistic telling of an eventful life.”—The Paris Review

“Vivid and painful.”—NPR

“Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press

One of the classics of English children's literature, and one of the earliest books written specifically for boys, this novel's steady popularity has given it an influence well beyond the upper middle-class world that it describes. It tells a story central to an understanding of Victorian life, but its freshness helps to distinguish it from the narrow schoolboy adventures that it later inspired. The book includes an introduction and notes by Andrew Sanders.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Daisy Miller is a fascinating portrait of a young woman from Schenectady, New York, who, traveling in Europe, runs afoul of the socially pretentious American expatriate community in Rome. First published in 1878, the novella brought American novelist Henry James (1843–1916), then living in London, his first international success. Like many of James' early works, it portrays a venturesome American girl in the treacherous waters of European society — a theme that would culminate in his 1881 masterpiece, The Portrait of a Lady.

On the surface, Daisy Miller unfolds a simple story of a young American girl's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New World, Daisy Miller is an ideal introduction to the work of one of America's greatest writers of fiction.

Great Expectations • Hard Times • "The Cricket on the Hearth"

Giant omnibus edition collects two of Dickens greatest novels plus a short story.

Complete and Unabridged.

Wuthering Heights • Jane Eyre • Agnes Grey

Three very different novels of love, rebellion and duty, by the world-renowned Bronte sisters.

Complete and unabridged.

Three masterpieces from one of the Victorian era's most celebrated feminist novelists. Middlemarch, Eliot's most famous work, paints a rich and complex portrait of English society. In Silas Marner, an embittered man retreats from the outside world, thinking only of work and money. Then his wealth is stolen, and a young foundling comes into his life and changes everything. Also included: the short story "Amos Barton".

The curse of Matthew Maule descends on seven generations of the inhabitants of an old New England house.  Nathaniel Hawthorne's works are imbued with a mixture of the actual and the imaginary, and The House of the Seven Gables in an enduring example.  The puritanical Colonel Pyncheon is the embodiment of Hawthorne's own grandfather, a judge at the Salem witch trials; the gloomy gabled house typifies his own depressing home.  It is this masterful blending of the spiritual and the symbolic that allows Hawthorne's haunted house to stand firm where many a weaker one has fallen.

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised in 1843 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels.

Martin Chuzzlewit was raised by his grandfather and namesakae. Years before, Martin senior takes the precaution of raising an orphaned girl, Mary. She is to be his nursemaid, with the understanding that she would be well cared for only for as long as he lived. She would thus have great motivation to care for his well-being, in contrast to his relatives, who only want to inherit his money. However, his grandson Martin, falls in love with Mary and wishes to marry her, ruining senior Martin's plans. When Martin refuses to give up the engagement, his grandfather disinherits him.

Martin becomes an apprentice to Seth Pecksniff, a greedy architect. Instead of teaching his students, he lives off their tuition fees and has them do draughting work that he passes off as his own. He has two spoiled daughters, Merry and Cherry. Unbeknown to Martin, Pecksniff has actually taken him on to establish closer ties with the wealthy grandfather, thinking that this will gain Pecksniff a prominent place in the will.

Young Martin befriends Tom Pinch, a kind-hearted soul whose late grandmother had given Pecksniff all she had, believing Pecksniff would make an architect and gentleman of him. Pinch is incapable of believing any of the bad things others tell him of Pecksniff, and always defends him vociferously. Pinch works for exploitatively low wages, while believing he is the unworthy recipient of Pecksniff's charity.

When Martin senior hears of his grandson's new life, he demands that Pecksniff kick young Martin out. Then, Martin senior moves in and falls under Pecksniff's control. During this time, Pinch falls in love with Mary, but does not declare it, knowing of her attachment to young Martin.

One of Martin Senior's greedy relatives is his brother, Anthony Chuzzlewit, who is in business with his son, Jonas. Despite considerable wealth, they live miserly, cruel lives, with Jonas constantly berating his father, eager for the old man to die so he can inherit. Anthony dies abruptly and under suspicious circumstances, leaving his wealth to Jonas. Jonas then woos Cherry, whilst arguing constantly with Merry. He then abruptly declares to Pecksniff that he wants to marry Merry, and jilts Cherry.

Jonas, meanwhile, becomes entangled with the unscrupulous Montague Tigg and joins in his pyramid scheme-like insurance scam. At the beginning of the book he is a petty thief and hanger-on of a Chuzzlewit relative, Chevy Slyme. Tigg cheats young Martin out of a valuable pocket watch and uses the funds to transform himself into a seemingly fine man. This façade convinces investors that he must be an important businessman from whom they may greatly profit. Jonas eventually ends up murdering Tigg, who has acquired some kind of information on him.

At this time, Tom Pinch finally sees his employer's true character. Pinch goes to London to seek employment, and rescues his governess sister Ruth, whom he discovers has been mistreated by the family employing her. Pinch quickly receives an ideal job from a mysterious employer, with the help of an equally mysterious Mr. Fips….

"Our Mutual Friend" was first published in monthly parts in 1864-5 and was Dickens' last completed novel. It is rich in imagery and themes, a monument to Dickens' abiding concern with the structure and potential for change and progress at all levels of society. In its use of language and departure from Victorian realism it prefigures the great modernist writings of T.S.Eliot and Virginia Woolf. This edition includes extensive explanatory notes and significant manuscript variants.

One of the most famous poems in the English language, "The Raven" first appeared in the January 29, 1845, edition of the New York Evening Mirror. It brought Edgar Allan Poe, then in his mid-30s and a well-known poet, critic, and short story writer, his first taste of celebrity on a grand scale. "The Raven" remains Poe's best-known work, yet it is only one of a dazzling series of poems and stories that won him an enduring place in world literature.

This volume contains "The Raven" and 40 others of Edgar Allan Poe's most memorable poems, among them "The Bells," "Ulalume," "Israfel," "To Helen," "The Conqueror Worm," "Eldorado," and "Annabel Lee." Together they reveal the extraordinary spectrum of Poe's personality — his idealism; his visionary qualities; his responsiveness to beauty, to love, and to women; and his susceptibility to the eerie and the morbid. They reveal, too, his virtuoso command of poetic language, rhythms, and figures of speech — command that would make his one of the most distinctive voices in all of poetry.

The best-loved, bestselling poem ever published, brought up to date with a sumptuous new look.

"An attractive new edition with a lengthy essay by Tony Briggs, who characterises the poem, memorably, as 'the story of the apocalypse told to us by a kind uncle.'"  —Daily Mail

Edward FitzGerald's much-loved, often-quoted, bestselling 1859 translation of the RUBAIYAT, with Attar's charming narrative poem, BIRD PARLIAMENT. Also featuring an extensive new introduction with notes and chronology.

"A lovely new edition . . . Professor Briggs does us all a favour by putting before our red and weary eyes FitzGerald and this legacy from an older Iran."  —Times

Awake! for Morning in the Bowl of Night
Has flung the Stone that put the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

A Christmas Carol is one of Dickens' best known novels. It tells the hugely entertaining story of an old miser called Ebenezer Scrooge who is miraculously transformed after he meets the Ghosts of Christmases past, Present and Yet to Come.  Just as accessible and enjoyable for today's modern readers as it would have been when first published over a century ago, the novel is one of the great works of English literature and continues to be widely read throughout the world.

Gustave Flaubert (1821-1880), French novelist and short story writer, was considered to be a master of style, obsessively devoted to finding the right word ("le mot juste"), in every piece of literature he produced. As a child he expressed great imagination and took in all the stories he could from his nurse and neighbors, and in doing so, he prepared himself for a life consumed by literature and history. In addition to his "Madame Bovary", his first published novel and the one considered to be his masterpiece, Flaubert is remembered for his great historical romance, "Salammbô". This novel draws largely from Book I of Polybius' "Histories", and combines the history of the First Punic War and the mythology of ancient Carthage in a fashion that has never been equaled. Flaubert sealed his reputation with the publication of this sophisticated novel in 1862, as audiences were entranced with its lush and brilliantly detailed descriptions of a little-known, but fascinating, period of history.

Set during the Jacobite rising in Scotland in 1745, this novel springs from Scott's childhood recollections and his desire to preserve in writing the features of life in the Highlands and Lowlands of Scotland. Waverley was first published anonymously in 1814 and was Scott's first novel.

Persuasion, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

In her final novel, as in her earlier ones, Jane Austen uses a love story to explore and gently satirize social pretensions and emotional confusion. Persuasion follows the romance of Anne Elliot and naval officer Frederick Wentworth. They were happily engaged until Anne’s friend, Lady Russell, persuaded her that Frederick was “unworthy.” Now, eight years later, Frederick returns, a wealthy captain in the navy, while Anne’s family teeters on the edge of bankruptcy. They still love each other, but their past mistakes threaten to keep them apart.

Austen may seem to paint on a small canvas, but her characters contain the full range of human passion and moral complexity, and the author’s generous spirit renders them all with understanding, compassion, and humor.

Susan Ostrov Weisser is a professor of English at Adelphi University, where she specializes in nineteenth-century literature and women’s studies. Weisser also wrote the introduction to the Barnes & Noble Classics edition of Jane Eyre.

"One of the greatest love stories in world literature."--Vladimir Nabokov

A magnificent drama of vengeance, infidelity, and retribution, Anna Karenina portrays the moving story of people whose emotions conflict with the dominant social mores of their time. Sensual, rebellious Anna falls deeply and passionately in love with the handsome Count Vronsky. When she refuses to conduct the discreet affair that her cold, ambitious husband (and Russian high society) would condone, she is doomed. Set against the tragic love of Anna and Vronsky, the plight of the melancholy nobleman Konstantine Levin unfolds. In doubt about the meaning of life, haunted by thoughts of suicide, Levin's struggles echo Tolstoy's own spiritual crisis. But Anna's inner turmoil mirrors the own emotional imprisonment and mental disintegration of a woman who dares to transgress the strictures of a patriarchal world. In Anna Karenina Leo Tolstoy brought to perfection the novel of social realism and created a masterpiece that bared the Russian soul.

A desperate young man plans the perfect crime -- the murder of a despicable pawnbroker, an old women no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime, to transgress moral law -- if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, a fascinating detective thriller infused with philosophical, religious and social commentary. Raskolnikov, an impoverished student living in a garret in the gloomy slums of St. Petersburg, carries out his grotesque scheme and plunges into a hell of persecution, madness and terror. Crime And Punishment takes the reader on a journey into the darkest recesses of the criminal and depraved mind, and exposes the soul of a man possessed by both good and evil ... a man who cannot escape his own conscience.

In a grimy boardinghouse in a dismal Parisian neighborhood, Balzac sets the stage for his 1834 study of paternal love, of greed, envy, and despair. Pere Goriot tells the story of a nineteenth-century counterpart to King Lear, a father so blindly devoted to his undeserving daughters that his tragic realization - "I loved them too much for them to love me at all" - comes too late. This best-known of Balzac's Comedie humaine novels has all the stylistic elements one might expect: unnerving psychological analyses; vivid physical descriptions, acute observations of the rules governing Parisian society, disarming wit, and unbridled passion.

ABOUT THE AUTHOR

Honoré de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie Humaine, which presents a panorama of French life in the years after the 1815 Fall of Napoleon Bonaparte.

Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac and Henry James, as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.

An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was apprenticed in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie Humaine reflects his real-life difficulties, and includes scenes from his own experience.

Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal drama, and he lost more than one friend over critical reviews. In 1850, Balzac married Ewelina Hańska, a Polish aristocrat and his longtime love; he died in Paris five months later.
Bio from Wikipedia, the free encyclopedia. Photo by Louis-Auguste Bisson [Public domain], via Wikimedia Commons.

The Nether World is a novel written by the English author George Gissing. The plot concerns several poor families living in the slums of 19th century London. Rich in naturalistic detail, the novel concentrates on the individual problems and hardships which result from the typical shortages experienced by the lower classes - want of money, employment and decent living conditions.

". . . for there is no folly of the beast of the earth which is not infinitely outdone by the madness of men." — from the book

"Call me Ishmael" is the iconic opening line of Herman Melville’s classic American novel, Moby-Dick.Ishmael is a seaman aboard the whaling vessel, Pequod, under the vengeful captain, Ahab. Maniacally seeking retribution from the great white sperm whale called Moby-Dick — the whale responsible for the captain’s missing leg — Ahab leads the crew on a quest to kill the infamous beast. A fictional work based on actual events, Moby-Dick is a classic that has been enjoyed for generations and is now available as part of the Word Cloud Classic series, making it a stylish and affordable addition to any library.

About the Author

Herman Melville (1819–1891) was an American writer best known for the novel Moby-Dick. His first three books gained much contemporary attention, but after a fast-blooming literary success in the late 1840s, his popularity declined precipitously and never recovered during his lifetime.

Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.

The arrival of two newcomers in the quiet village of Mellstock arouses a bitter feud and leaves a convoluted love affair in its wake. While the Reverend Maybold creates a furore among the village's musicians with his decision to abolish the church's traditional "string choir" and replace it with a modern mechanical organ, the new schoolteacher, Fancy Day, causes an upheaval of a more romantic nature, winning the hearts of three very different men—a local farmer, a church musician and Maybold himself. Under the Greenwood Tree follows the ensuing maze of intrigue and passion with gentle humour and sympathy, deftly evoking the richness of village life, yet tinged with melancholy for a rural world that Hardy saw fast disappearing.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The arrival of two newcomers in the quiet village of Mellstock arouses a bitter feud and leaves a convoluted love affair in its wake. While the Reverend Maybold creates a furore among the village's musicians with his decision to abolish the church's traditional "string choir" and replace it with a modern mechanical organ, the new schoolteacher, Fancy Day, causes an upheaval of a more romantic nature, winning the hearts of three very different men—a local farmer, a church musician and Maybold himself. Under the Greenwood Tree follows the ensuing maze of intrigue and passion with gentle humour and sympathy, deftly evoking the richness of village life, yet tinged with melancholy for a rural world that Hardy saw fast disappearing.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Patricia Ingham is a Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. she is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.

A haunting study of guilt and lost love

“Hardy’s world is a world that can never disappear.” —Margaret Drabble

In a fit of drunken anger, Michael Henchard sells his wife and baby daughter for five guineas at a country fair. Over the course of the following years, he manages to establish himself as a respected and prosperous pillar of the community of Casterbridge, but behind his success there always lurk the shameful secret of his past and a personality prone to self-destructive pride and temper. Subtitled "A Story of a Man of Character," Hardy's powerful and sympathetic study of the heroic but deeply flawed Henchard is also an intensely dramatic work, tragically played out against the vivid backdrop of a close-knit Dorsetshire town. 

This edition includes an introduction, chronology of Hardy's life and works, the illustrations for the original serial issue, place names, maps, glossary, full explanatory notes as well as Hardy's prefaces to the 1895 and 1912 editions.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Keith Wilson is a Professor of English at the University of Ottawa and has edited Hardy's Fiddler of the Reels and Other Stories for Penguin Classics.

“The finest English novel.”—Arnold Bennett

When country-girl Grace Melbury returns home from her middle-class school she feels she has risen above her suitor, the simple woodsman Giles Winterborne. Though marriage had been discussed between her and Giles, Grace finds herself captivated by Dr Edred Fitzpiers, a sophisticated newcomer to the area—a relationship that is encouraged by her socially ambitious father. Hardy's novel of betrayal, disillusionment and moral compromise depicts a secluded community coming to terms with the disastrous impact of outside influences. And in his portrayal of Giles Winterborne, Hardy shows a man who responds deeply to the forces of the natural world, thought they ultimately betray him.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Patricia Ingham is a Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. she is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.

A heartbreaking portrayal of a woman faced by an impossible choice in the pursuit of happiness 

“[Tess of the D’Urbervilles is] Hardy’s finest, most complex and most notorious novel . . . The novel is not a mere plea for compassion for the eternal victim, though that is the banner it flies. It also involves a profound questioning of contemporary morality.” –from the Introduction by Patricia Ingham

When Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D'Urbervilles and seek a portion of their family fortune, meeting her 'cousin' Alec proves to be her downfall. A very different man, Angel Clare, seems to offer her love and salvation, but Tess must choose whether to reveal her past or remain silent in the hope of a peaceful future. With its sensitive depiction of the wronged Tess and powerful criticism of social convention, Tess of the D'Urbervilles, subtitled "A Pure Woman," is one of the most moving and poetic of Hardy's novels.

Based on the three-volume first edition that shocked readers when first published in 1891, this edition includes as appendices: Hardy's Prefaces, the Landscapes of Tess, episodes originally censored from the Graphic periodical version, and a selection of the Graphic illustrations.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Tim Dolin teaches English at the University of Newcastle, New South Wales.

Margaret R. Higonnet teaches English and Comparative Literature at the University of Connecticut.

The daughter of a wealthy railway magnate, Paula Power inherits De Stancy Castle, an ancient castle in need of modernization. She commissions George Somerset, a young architect, to undertake the work. Somerset falls in love with Paula but she, the Laodicean of the title, is torn between his admiration and that of Captain De Stancy, whose old-world romanticism contrasts with Somerset's forward-looking attitude. Paula's vacillation, however, is not only romantic. Her ambiguity regarding religion, politics and social progress is a reflection of the author's own. This new Penguin Classics edition of Hardy's text contains an introduction and notes that illuminate and clarify these themes, and draws parallels between the text and the author's life and views.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

ABOUT THE AUTHOR

Thomas Hardy, was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. Charles Dickens was another important influence. Like Dickens, he was highly critical of much in Victorian society, though Hardy focused more on a declining rural society.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of novels, including Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). Hardy's poetry, though prolific, was not as well received during his lifetime. It was rediscovered in the 1950s, when Hardy's poetry had a significant influence on the Movement poets of the 1950s and 1960s, including Philip Larkin.

Most of his fictional works – initially published as serials in magazines – were set in the semi-fictional region of Wessex. They explored tragic characters struggling against their passions and social circumstances. Hardy's Wessex is based on the medieval Anglo-Saxon kingdom and eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England.
Bio from Wikipedia, the free encyclopedia.

Thomas Hardy’s impassioned novel of courtship in rural life

“Far from the Madding Crowd is the first of Thomas Hardy’s great novels, and the first to sound the tragic note
for which his fiction is best remembered.”--Margaret Drabble

In Thomas Hardy’s first major literary success, independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, the soldier-seducer Sergeant Troy, and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. One of his first works set in the semi-fictional region of Wessex, Hardy’s novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships. 

This edition, based on Hardy’s original 1874 manuscript, is the complete novel he never saw published, and restores its full candor and innovation. Rosemarie Morgan’s introduction discusses the history of its publication, as well as the biblical and classical allusions that permeate the novel.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840–1928), whose writing immortalized the semi-fictional Wessex countryside and dramatized his sense of the inevitable tragedy of life, wrote fifteen novels, including The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895). He is also renowned as one of the greatest poets of his era.

Rosemarie Morgan is a professor of English at Yale. Her many works on Thomas Hardy include Women and Sexuality in the Novels of Thomas Hardy and Cancelled Words: Rediscovering Thomas Hardy.

Shannon Russell is an assistant professor of English at John Cabot University in Rome.

When Elfrise Swanston meets Stephen Smith she is attracted to his handsome face, gentle bearing and the sense of mystery which surrounds him. Although distressed to find that the mystery consists only in the humbleness of his origins, she remains true to their youthful vows. But societal pressures, and the advent of the superior Henry Knight, eventually displace her affections. Knight, however, proves to be an uncompromising moralist who, obsessed with fears about Elfride's sexual past, destroys her happiness. Writing of the struggle between classes and sexes, Hardy drew heavily on his own relationships, and in the introduction, Pamela Dalziel discovers fascinating parallels between Hardy's life and his art.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this tale of star-crossed love, Hardy sets the emotional lives of his two lovers against the background of the stellar universe. The unhappily married Lady Constantine breaks all the rules of social decorum when she falls in love with Swithin St. Cleeve, an astronomer who is ten years her junior. Her husband's death leaves the lovers free to marry, but the discovery of a legacy forces them apart. This is Hardy's most complete treatment of the theme of love across the class and age divide and the fullest expression of his fascination with science and astronomy.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Patricia Ingham is a Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. she is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.

‘You are ambitious, Eustacia–no not exactly ambitious, luxurious. I ought to be of the same vein, to make you happy, I suppose’

"This is the quality Hardy shares with the great writers...this setting behind the small action the terrific action of unfathomed nature."--D. H. Lawrence

Tempestuous Eustacia Vye passes her days dreaming of passionate love and the escape it may bring from the small community of Egdon Heath.  Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

Penny Boumelha’s introduction examines the classical and mythological references and the interplay of class and sexuality in the novel. This edition, essentially Hardy’s original book version of the novel, also includes notes, a glossary, chronology and bibliography.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) wrote novels and poetry, much of which is set in the semi-imaginary county of Wessex. His novels include Far From the Madding Crowd (1874), The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the D'Urbervilles (1891) and Jude the Obscure (1895). He published his first volume of poetry, Wessex Poems, in 1898 and continued to publish collections of poems until his death.

Patricia Ingham is Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. She is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.

In The Pursuit of the Well-Beloved (1892) and The Well-Beloved (1897), Hardy writes two different versions of a strange story set in the weird landscape of Portland.  The central figure is a man obsessed both with the search for his ideal woman and with sculpting the perfect figure of a naked Aphrodite. The pursuit finally fixes on three women called Avice Caro—grandmother, mother and daughter—in a way that mixes tragedy and high farce.

The books were written one before and one after his "last" novel, Jude the Obscure (1895). Both stories are richly ambiguous but the first shows the successful exercise of masculine power and the second shows women triumphant. The double work, coming at the end of Hardy's long career as a novelist, anticipates modernist writing by offering not merely alternative endings but alternative plots. This edition is the first to provide both separate texts and separate commentaries.

In her introduction, Patricia Ingham explores Hardy's preoccupation with contingency and 'might-have-beens' in female-male relationships.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) wrote novels and poetry, much of which is set in the semi-imaginary county of Wessex. His novels include Far From the Madding Crowd (1874), The Return of the Native (1878), The Mayor of Casterbridge(1886), Tess of the D'Urbervilles(1891) and Jude the Obscure (1895). He published his first volume of poetry, Wessex Poems, in 1898 and continued to publish collections of poems until his death.

Patricia Ingham is Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. She is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.