G

Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eliza who must order the chaos.

"Bee Season is a profound delight, an amazement, a beauty, and is, I hope, a book of the longest of seasons."
—Jane Hamilton, author of A Map of the World and The Book of Ruth

Myla Goldberg's keen eye for detail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.

Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller, Bee Season marks the arrival of an extraordinarily talented new writer.

"Myla Goldberg's Bee Season is a bittersweet coming-of-age in which wise little Eliza Naumann's quirky passion for spelling bees unites and divides her family while revealing universal truths about the often crippling pain of love."
—Martha McPhee, author of Bright Angel Time

"There is such joy and pain thrumming inside Myla Goldberg's spelling bees! She delicately captures one family's spinning out by concentrating equally on the beauty and the despair. Bee Season is a heartbreaking first novel."
—Aimee Bender, author of The Girl in the Flammable Skirt

"In a story told with unique delicacy and brave inventiveness, a young girl, innocent and all-knowing, learns how much there is to lose, and what it takes to win."
—Elizabeth Strout, author of Amy and Isabelle

A brilliant debut mystery in a classic vein: Detective Cormoran Strike investigates a supermodel's suicide.

"Robert Galbraith has written a highly entertaining book... Even better, he has introduced an appealing protagonist in Strike, who's sure to be the star of many sequels to come.... its narrative moves forward with propulsive suspense. More important, Strike and his now-permanent assistant, Robin (playing Nora to his Nick, Salander to his Blomkvist), have become a team--a team whose further adventures the reader cannot help eagerly awaiting."―Michiko Kakutani, New York Times

After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, and creditors are calling. He has also just broken up with his longtime girlfriend and is living in his office.

Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, known to her friends as the Cuckoo, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

You may think you know detectives, but you've never met one quite like Strike. You may think you know about the wealthy and famous, but you've never seen them under an investigation like this.

Introducing Cormoran Strike, this is the acclaimed first crime novel by J.K. Rowling, writing under the pseudonym Robert Galbraith.

Carmen Taylor demands justice for the murder of her sister. The police will not help her forcing her to rely on the man who aided the prime suspect escape conviction. That investigation leads the pair into a world of drugs, prostitution, money laundering, and murder that the police and the District Attorney seem unwilling to pursue. Was Carmen's sister's death a Crime of Passion?

“The Lines We Leave Behind is mesmerizing; a deeply affecting story of treachery, deception, sacrifice, and loss. Beautifully written and completely absorbing…” —Karen Dionne, author of the internationally bestselling The Marsh King’s Daughter

England, 1947: A young woman finds herself under close observation in an insane asylum, charged with a violent crime she has no memory of committing. As she tries to make sense of her recent past, she recalls very little.

But she still remembers wartime in Yugoslavia. There she and her lover risked everything to carry out dangerous work resisting the Germans—a heroic campaign in which many brave comrades were lost. After that, the trail disappears into confusion. How did she come to be trapped in a living nightmare?

As she struggles to piece together the missing years of her life, she will have to confront the harrowing experiences of her special-operations work and peacetime marriage. Only then can she hope to regain the vital memories that will uncover the truth: is she really a violent criminal…or was she betrayed?

Hollis Henry never intended to work for global marketing magnate Hubertus Bigend again. But now she’s broke, and Bigend has just the thing to get her back in the game...

Milgrim can disappear in almost any setting, and his Russian is perfectly idiomatic—so much so that he spoke it with his therapist in the secret Swiss clinic where Bigend paid for him to be cured of his addiction...

Garreth doesn't owe Bigend a thing. But he does have friends from whom he can call in the kinds of favors powerful people need when things go sideways...

They all have something Bigend wants as he finds himself outmaneuvered and adrift, after a Department of Defense contract for combat-wear turns out to be the gateway drug for arms dealers so shadowy they can out-Bigend Bigend himself.

“Zero History is [Gibson’s] best yet, a triumph of science fiction as social criticism and adventure.”—BoingBoing.net

Among the masters of modern French literature, André Gide (1869–1951) concerned himself with the motivation and function of the will, with self-cultivation, and the conduct of the individual in the modern world. His perception, integrity, and purity of style brought him much acclaim, including the Nobel Prize for Literature in 1947.

The Immoralist (written in 1901, published in 1902), one of his best-known works, deals with the unhappy consequences of amoral hedonism. Filled with similarities of Gide's own life, it is the story of Michel, who, during three years of travel in Europe and North Africa, tries to rise above good and evil and allow his passions (including his attraction to young Arab boys) free rein; in doing so, he neglects his wife, Marceline, who eventually dies of tuberculosis. The book is in the form of Michel's attempt to justify his conduct to his friends.

Notable for its fusion of autobiographical elements with both biblical and classical clarity and lack of clutter, The Immoralist marks a decided shift in Gide's prose style and a somewhat decadent floweriness to his later classical clarity and lack of clutter. This nobility and simplicity of style is skillfully retained in this excellent new translation by Stanley Appelbaum, which also preserves the passion and intensity of the original.

In the corridors of Chicago's top law firm: 

Twenty-six-year-old Adam Hall stands on the brink  of a brilliant legal career. Now he is risking it  all for a death-row killer and an impossible case.  

Maximum Security Unit, Mississippi State  Prison: 

Sam Cayhall is a former Klansman  and unrepentant racist now facing the death penalty  for a fatal bombing in 1967. He has run out of  chances -- except for one: the young, liberal Chicago  lawyer who just happens to be his grandson. While  the executioners prepare the gas chamber, while  the protesters gather and the TV  cameras wait, Adam has only days, hours, minutes  to save his client. For between the two men is a  chasm of shame, family lies, and secrets --  including the one secret that could save Sam Cayhall's  life...or cost Adam his. 

"A dark and  thoughtful tale pulsing wit moral uncertainties...  Grisham is at his best."  --People. 

"Compelling... Powerful...  The Chamber will make readers think  long and hard about the death penalty." --  USA Today. 

"His best  yet." -- The Houston Post.  

"Mesmerizing... with an authority and  originality... and with a grasp of literary  complexity that makes Scott Turow's novels pale by  comparison -- Grisham returns." -- San  Francisco Chronicle.

“Greenwood’s glowing dark ruby of a novel brilliantly transforms the true crime story that inspired Nabokov’s Lolita. Shatteringly original and eloquently written....So ferociously suspenseful, I found myself holding my breath.” ―Caroline Leavitt, New York Times bestselling author of Pictures of You

Camden, NJ, 1948. When 11 year-old Sally Horner steals a notebook from the local Woolworth's, she has no way of knowing that 52 year-old Frank LaSalle, fresh out of prison, is watching her, preparing to make his move. Accosting her outside the store, Frank convinces Sally that he’s an FBI agent who can have her arrested in a minute―unless she does as he says.

This chilling novel traces the next two harrowing years as Frank mentally and physically assaults Sally while the two of them travel westward from Camden to San Jose, forever altering not only her life, but the lives of her family, friends, and those she meets along the way.

Based on the experiences of real-life kidnapping victim Sally Horner and her captor, whose story shocked the nation and inspired Vladimir Nabokov to write his controversial and iconic Lolita, this heart-pounding story by award-winning author T. Greenwood at last gives a voice to Sally herself.

"Thoughtfully rendered." ―Vanity Fair

"Chilling...a perfect read." ―Bustle

“A beautifully written, unnerving tragedy woven from equal measures of hope and menace.” ―Booklist (starred review)

“Heartrending....Readers who relish novels based on true events will be both riveted and disturbed by this retelling of one of America’s most famous abduction cases.” ―Library Journal (starred review)

“Riveting suspense....Grace touches this dark tale....Greenwood’s story will spellbind readers.” ―Publishers Weekly

"Unflinching but compassionate, Greenwood deftly unravels the devastating layers of malice and carelessness that tore Sally from her family, but also the love and perseverance that eventually brought her home.” ―Bryn Greenwood, author of the New York Times bestseller All the Ugly and Wonderful Things

“Greenwood’s glowing dark ruby of a novel brilliantly transforms the true crime story that inspired Nabokov’s Lolita. Shatteringly original and eloquently written, Rust and Stardust is a lot about how what we believe to be true can shape or ruin a life, and the bright lure of innocence pitted against the murk of evil. So ferociously suspenseful, I found myself holding my breath, and so gorgeous and so unsettling in all the roads it might have taken, I kept rereading pages.” ―Caroline Leavitt, New York Times bestselling author of Pictures of You and Cruel Beautiful World

"A riveting and thoughtful exploration of how the dark secrets of a terrible crime affect and hurt so many―and how light and hope persist in the face of such horrors. Greenwood writes with such compassion and feeling, and she is such a confident, skillful storyteller, that you'll stay up late to find out the fates of her memorable, beautiful characters." ―Edan Lepucki, New York Times bestselling author of California and Woman No. 17

"A harrowing, ripped-from-the-headlines story of lives altered in the blink of an eye, once again proving her eloquence and dexterity as an author.” ―Mary Kubica, New York Times bestselling author of The Good Girl

"A lyrical and haunting meditation on family, love, and survival, this novel―and Sally Horner―stayed with me long after I turned the last page." ―Jillian Cantor, author of Margot

About the Author

T. GREENWOOD's novels have sold over 250,000 copies. She has received grants from the Sherwood Anderson Foundation, Christopher Isherwood Foundation, National Endowment for the Arts, and the Maryland State Arts Council. Her novel Bodies of Water was a 2014 Lambda Literary Awards Finalist; Two Rivers and Grace were each named Best General Fiction Book at the San Diego Book Awards, and Where I Lost Her was a Globe and Mail bestseller in 2016. Greenwood lives with her family in San Diego.

Secrets threaten the faithful as Pastor George Landris, the charismatic leader of the Followers of Jesus Faith Worship Center, faces a tough choice, and a troubled woman learns that uncovering the past can test one's deepest faith...

As the ever-conning Memory Patterson tries to convince everyone that she has changed for the better, Johnnie Mae has her own troubles as she deals with pregnancy complications, which force her husband, Pastor Landris, to make an impossible choice.

“[Grisham] is exceptionally good at what he does. . . . Indeed, right now in this country, nobody does it better.”—The Washington Post

In his final hours in the Oval Office, the outgoing President grants a controversial last-minute pardon to Joel Backman, a notorious Washington power broker who has spent the last six years hidden away in a federal prison. What no one knows is that the President issues the pardon only after receiving enormous pressure from the CIA. It seems Backman, in his power broker heyday, may have obtained secrets that compromise the world’s most sophisticated satellite surveillance system.

Backman is quietly smuggled out of the country in a military cargo plane, given a new name, a new identity, and a new home in Italy. Eventually, after he has settled into his new life, the CIA will leak his whereabouts to the Israelis, the Russians, the Chinese, and the Saudis. Then the CIA will do what it does best: sit back and watch. The question is not whether Backman will survive—there is no chance of that. The question the CIA needs answered is, who will kill him?

“Most and best of all, it’s Grisham living up to his reputation as a great storyteller.”—Entertainment Weekly

“A fast-paced, fun read with echoes of something deeper. The author’s command of pop fiction delivers crisp, sharp prose.”—TheBoston Globe
 
“Where Grisham leads, millions of readers follow.”—New York Daily News

About the Author

Since first publishing A Time to Kill in 1988, Grisham has written one novel a year (his other books are The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, The Testament, The Brethren, A Painted House, Skipping Christmas, The Summons, The King of Torts, Bleachers, The Last Juror, and The Broker) and all of them have become international bestsellers. The Innocent Man (October 2006) marks his first foray into non-fiction.

Grisham lives with his wife Renee and their two children Ty and Shea. The family splits their time between their Victorian home on a farm in Mississippi and a plantation near Charlottesville, VA.

"In No Space for Further Burials, Feryal Ali Gauhar has crafted a novel of unrelenting truth held in transcendent prose and an exquisite grace. There is no easy redemption here, but there is light and more light."—Chris Abani, author of GraceLand and Song for Night

"In writing through the eyes of an American captive in Afghanistan, Feryal Ali Gauhar has fashioned a fascinating two-way mirror in which we see the author creating an Other confronting Otherness. As in Richard Powers' hostage novel Ploughing in the Dark, the mask of character reveals as much as it conceals."—Stewart O'Nan, author of Songs for the Missing

"An unbearably beautiful book, one you will not soon forget. . . . What Gauhar shows us is that in a war there are only those who die and those who survive, and sometimes even those lines get blurred. And that's what keeps you hungrily turning the pages."—Radhika Jha, author of Smell

Set in Afghanistan in late 2002, No Space for Further Burials is a chilling indictment of the madness of war and our collective complicity in the perpetuation of violence. The novel's narrator, a US Army medical technician in Afghanistan helping to "liberate" the country from the Taliban, has been captured by rebels and thrown into an asylum. The other inmates are a besieged gathering of society's forgotten and unwanted refugees and derelicts, disabled and different, resilient and maddened, struggling to survive the lunacy raging outside the asylum compound. The novel becomes a powerful evocation of the country's desolate history of plunder and war, waged by insiders and outsiders, all fueled by ideology, desperation, and greed.

This astonishingly powerful story unfolds the tragedy of Afghanistan, as told by the captive narrator in hauntingly beautiful prose. While the characters try to cope with their individual destinies, the terrible madness of war is counterpointed with the poignancy of their lives and the narrator's own peculiar predicament—the "victor" now a victim, his ambivalence a metaphor for everything Afghanistan symbolizes.

Feryal Ali Gauhar studied political economy at McGill University in Montreal, and has worked as a filmmaker and broadcaster in Europe and the United States. She has been imprisoned by two military regimes in Pakistan for her pro-democracy activism. In 1999 she was appointed Goodwill Ambassador for the United Nations Population Fund. She lives in Lahore, Pakistan, with fourteen cats, three dogs, a turtle, and four donkeys.

“A plum of a novel: juicy, ripe and bursting with sticky situations. I savored every page.”—Elin Hilderbrand, New York Times bestselling author of The Identicals

“A warm, satisfying tale about the love that binds even the most dysfunctional of families.”—People

“With clear prose and a straightforward plot, Green spins a breezy story.”—The Washington Post

The New York Times bestselling author of Falling presents a warm, wise, and wonderfully vivid novel about a mother who asks her three estranged daughters to come home to help her end her life.

Ronni Sunshine left London for Hollywood to become a beautiful, charismatic star of the silver screen. But at home, she was a narcissistic, disinterested mother who alienated her three daughters.

As soon as possible, tomboy Nell fled her mother’s overbearing presence to work on a farm and find her own way in the world as a single mother. The target of her mother’s criticism, Meredith never felt good enough, thin enough, pretty enough. Her life took her to London—and into the arms of a man whom she may not even love. And Lizzy, the youngest, more like Ronni than any of them, seemed to have it easy, using her drive and ambition to build a culinary career to rival her mother’s fame, while her marriage crumbled around her. 

But now the Sunshine sisters are together again, called home by Ronni, who has learned that she has a serious disease and needs her daughters to fulfill her final wishes. And though Nell, Meredith, and Lizzy have never been close, their mother’s illness draws them together to confront the old jealousies and secret fears that have threatened to tear these sisters apart. As they face the loss of their mother, they will discover if blood might be thicker than water after all...

What is a woman's greatest temptation? How far will she go to find fulfillment―and how much is she willing to lose? Tempting Fate is an unforgettable, enthralling novel about the risks and rewards of "having it all" from beloved New York Times bestselling author Jane Green.

Gabby and Elliott have been happily married for eighteen years. They have two daughters. They have a beautiful, loving home. Forty-three-year-old Gabby is the last person to have an affair. She can't relate to the way her friends desperately try to cling to the beauty and allure of their younger years. And yet she too knows her youth is quickly slipping away. She could never imagine how good it would feel to have a handsome younger man show interest in her…until the night it happens. Matt makes Gabby feel sparkling, fascinating, alive―something she hasn't felt in years. What begins as a long-distance friendship soon develops into an emotional affair. Intoxicated, she has no choice but to step ever deeper into the allure of attraction and attention, never foreseeing the life-changing consequences that lie ahead. If she makes one wrong move, she could lose everything―and find out what really matters most.

"Gripping and powerful."-Emily Giffin

"The quintessential beach novel, complete with juicy drama and characters you fall madly in love with. You will devour it!" -Elin Hilderbrand

"Warm, witty, sharp and insightful. Jane Green writes with such honesty and zing." -Sophie Kinsella

"The perfect summer read...You'll be hooked." -Kristin Hannah

When a shocking family secret is revealed, twenty-something journalist Cat Coombs finds herself falling into a dark spiral. Wild, glamorous nights out in London and raging hangovers the next day become her norm, leading to a terrible mistake one night while visiting family in America, on the island of Nantucket. It's a mistake for which she can't forgive herself. When she returns home, she confronts the unavoidable reality of her life and knows it's time to grow up. But she doesn't know if she'll ever be able to earn the forgiveness of the people she hurt.

As the years pass, Cat grows into her forties, a struggling single mother, coping with a new-found sobriety and determined to finally make amends. Traveling back to her past, to the family she left behind on Nantucket all those years ago, she may be able to earn their forgiveness, but in doing so she may risk losing the very people she loves the most.

Told with Jane Green's keen eye for detailing the emotional landscape of the heart, Summer Secrets is at once a compelling drama and a beautifully rendered portrait of relationships, betrayals, and forgiveness; about accepting the things we cannot change, finding the courage to change the things we can, and being strong enough to weather the storms.

The New York Times bestselling author of The Beach House, Jemima J, and Summer Secretspresents a novel about the pleasure and meaning of finding a home—and family—where you least expect them...

When Emma Montague left the strict confines of upper-crust British life for New York, she felt sure it would make her happy. Away from her parents and expectations, she felt liberated, throwing herself into Manhattan life replete with a high-paying job, a gorgeous apartment, and a string of successful boyfriends. But the cutthroat world of finance and relentless pursuit of more began to take its toll. This wasn’t the life she wanted either. 

On the move again, Emma settles in the picturesque waterfront town of Westport, Connecticut, a world apart from both England and Manhattan. It is here that she begins to confront what it is she really wants from her life. With no job, and knowing only one person in town, she channels her passion for creating beautiful spaces into remaking the dilapidated cottage she rents from Dominic, a local handyman who lives next door with his six-year-old son. 

Unlike any man Emma has ever known, Dominic is confident, grounded, and committed to being present for his son whose mother fled shortly after he was born. They become friends, and slowly much more, as Emma finds herself feeling at home in a way she never has before.

But just as they start to imagine a life together as a family, fate intervenes in the most shocking of ways. For the first time, Emma has to stay and fight for what she loves, for the truth she has discovered about herself, or risk losing it all. 

In a novel of changing seasons, shifting lives, and selfless love, a story unfolds—of one woman’s far-reaching journey to discover who she is truly meant to be…

In her latest Richard Jury mystery, Martha Grimes delivers the newest addition to the bestselling series The Washington Post calls “literate, lyrical, funny, funky, discursive, bizarre.” The inimitable Scotland Yard Superintendent returns, now with a tip of the derby to Alfred Hitchcock’s Vertigo.

Richard Jury is meeting Tom Williamson at Vertigo 42, a bar on the forty-second floor of an office building in London’s financial district. Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental—a direct result of vertigo—but the official police inquiry is still an open verdict and Jury agrees to re-examine the case.

Jury learns that a nine-year-old girl fell to her death five years before Tess at the same country house in Devon where Tess died. The girl had been a guest at a party Tess was giving for six children. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence.

Meanwhile, an elegantly dressed woman falls to her death from the tower of a cottage near the pub where Jury and his cronies are dining one night. Then the dead woman’s estranged husband is killed as well. Four deaths—two in the past, two that occur on the pages of this intricate, compelling novel—keep Richard Jury and his sidekick Sergeant Wiggins running from their homes in Islington to the countryside in Devon and to London as they try to figure out if the deaths were accidental or not. And, if they are connected.

Witty, well-written, with literary references from Thomas Hardy to Yeats, Vertigo 42 is a pitch perfect, page-turning novel from a mystery writer at the top of her game.

At the edge of civilization, nature and evil collide in what “stands out as one of the decade’s best books of its kind” (Alan Cheuse, Boston Globe).

Written with “force and precision and grace” (John Wilwol, New York Times Book Review) Hold the Dark is a “taut and unforgettable journey into the heart of darkness” (Dennis Lehane). At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this “chilling, mysterious, and completely engaging novel” (Tim O’Brien) that marks the arrival of a major American writer.

"It is impossible not to be impressed by [Grass's] inexhaustible desire to experiment with the novel and by the many good stories and passages of exquisite writing in The Box"--Charles Simic, New York Review of Books

In this inspired and daring work of fiction, Gunter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, and especially of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, happy, loving, accusatory--they piece together an intimate picture of this most public of men. To say nothing of Marie, a photographer and family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more than simple replication. They reveal a truth beyond ordinary life, depict the future, tell what might have been, grant the wishes of those photographed. The children speculate on the nature of this magic: Was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God? An audacious literary experiment, The Box is Grass at his best.

I've lit a fuse and I'm waiting for the explosion.

All her life, sixteen-year-old Neva has lived in Homeland, completely cut off from the rest of the world.

All her life, she has been told everything beyond is an unlivable wasteland.

All this time, the government has fed her nothing but lies.

Now, Neva keeps a tattered notebook under her mattress and fills it with the names of The Missing, those who have vanished with no explanation.

Now, she and her best friend, Sanna, plan a secret Dark Party to recruit members for their underground rebellion.

The group begins to uncover horrifying truths. But can Neva break through the secrecy that has shrouded her whole life? Or will she and her friends become part of The Missing?

Struggling to focus on his graduate work while overcoming a broken heart, Mark repeatedly takes advantage of the library computer's access to free porn, while Sam endeavors to pen a Zionist epic in spite of his limited understanding of Judaism, and Seth pursues a relationship with a selfless woman who reminds him of his painful past. 25,000 first printing.

Finished in 1947 and lost to readers until now, House of Earth is legendary folk singer and American icon Woody Guthrie’s only finished novel. A powerful portrait of Dust Bowl America, it’s the story of an ordinary couple’s dreams of a better life and their search for love and meaning in a corrupt world.

“Powerful…Happily, many good things happened, and the book is finally with us.”--Larry McMurtry, New York Review of Books

“Its voice is powerful, and to read it is to find kinship with an era whose angers and credulities still seem timely…There is a surprising electricity in House of Earth.”--USA Today

“The style of House of Earth is strange and lyrical…House of Earth becomes an invaluable addition to the literature of the Dust Bowl and the Great Depression, one with an eerie relevance in today’s America.”--Dallas Morning News

Tike and Ella May Hamlin are struggling to plant roots in the arid land of the Texas panhandle. The husband and wife live in a precarious wooden farm shack, but Tike yearns for a sturdy house that will protect them from the treacherous elements. Thanks to a five-cent government pamphlet, Tike has the know-how to build a simple adobe dwelling, a structure made from the land itself—fireproof, windproof, Dust Bowl-proof. A house of earth.

A story of rural realism and progressive activism, and in many ways a companion piece to Guthrie’s folk anthem “This Land Is Your Land,” House of Earth is a searing portrait of hardship and hope set against a ravaged landscape. Combining the moral urgency and narrative drive of John Steinbeck with the erotic frankness of D. H. Lawrence, here is a powerful tale of America from one of our greatest artists.

An essay by bestselling historian Douglas Brinkley and Johnny Depp introduce House of Earth, the inaugural title in Depp’s imprint at HarperCollins, Infinitum Nihil.

A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman’s first new novel for adults since his #1 New York Times bestseller Anansi Boys.

This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...

From Booklist

*Starred Review* In Gaiman’s first novel for adults since Anansi Boys (2005), the never-named fiftyish narrator is back in his childhood homeland, rural Sussex, England, where he’s just delivered the eulogy at a funeral. With “an hour or so to kill” afterward, he drives about—aimlessly, he thinks—until he’s at the crucible of his consciousness: a farmhouse with a duck pond. There, when he was seven, lived the Hempstocks, a crone, a housewife, and an 11-year-old girl, who said they were grandmother, mother, and daughter. Now, he finds the crone and, eventually, the housewife—the same ones, unchanged—while the girl is still gone, just as she was at the end of the childhood adventure he recalls in a reverie that lasts all afternoon. He remembers how he became the vector for a malign force attempting to invade and waste our world. The three Hempstocks are guardians, from time almost immemorial, situated to block such forces and, should that fail, fight them. Gaiman mines mythological typology—the three-fold goddess, the water of life (the pond, actually an ocean)—and his own childhood milieu to build the cosmology and the theater of a story he tells more gracefully than any he’s told since Stardust (1999). And don’t worry about that “for adults” designation: it’s a matter of tone. This lovely yarn is good for anyone who can read it. HIGH-DEMAND BACKSTORY: That this is the popular author’s first book for adults in eight years pretty much sums up why this will be in demand. --Ray Olson

A witty and sexy satire about how contemporary American culture defines right and wrong, good and bad, from the acclaimed author of The Bones.

When good guy Marcus Ripps takes over his black sheep brother's lucrative dry cleaning business, he has no idea what he's in for. Before long, he is running one of the most popular escort services in West Hollywood. As the money starts pouring in, he revitalizes his marriage, buys a new Mercedes, and gives his son a bar mitzvah he'll never forget. But, when his conscience―and the law―starts to catch up with him, Marcus must decide if his sudden financial windfall is worth all the risk.

A wild, clever, consistently hysterical romp, Shining City is an L.A. adventure that will keep you guessing to the very end.

“A Scarlet Letter for the twenty-first century.” ―Kirkus Reviews on Tempting Fate

“Captivating” ―Booklist on Tempting Fate

“Green once more proves her skill at exploring the complexities of the human heart. This is a sure bet for her fans and new readers who enjoy well-written women's fiction.” ―Library Journal, starred review on Tempting Fate

Grace and Ted Chapman are widely regarded as the perfect literary power couple. Ted is a successful novelist and Grace, his wife of twenty years, is beautiful, stylish, carefree, and a wonderful homemaker. But what no one sees, what is churning under the surface, is Ted's rages. His mood swings. And the precarious house of cards that their lifestyle is built upon. When Ted's longtime assistant and mainstay leaves, the house of cards begins to crumble and Grace, with dark secrets in her past, is most vulnerable. She finds herself in need of help but with no one to turn to…until the perfect new assistant shows up out of the blue. To the rescue comes Beth, a competent young woman who can handle Ted and has the calm efficiency to weather the storms that threaten to engulf the Chapman household. Soon, though, it's clear to Grace that Beth might be too good to be true. This new interloper might be the biggest threat of all, one that could cost Grace her marriage, her reputation, and even her sanity. With everything at stake and no one to confide in, Grace must find a way to save herself before it is too late.

“Likely to stir debate and lively book club discussions.” ―Danbury News Times on Tempting Fate

“Her compelling tale reflects an understanding of contemporary women that's acute and compassionate, served up with style.” ―People magazine on Tempting Fate

Powerful and riveting, Jane Green's Saving Grace will have you on the edge of your seat as you follow Grace on her harrowing journey to rock bottom and back.

“Green skillfully depicts a woman trapped between contentment and temptation, crafting an insightful look into married life and middle age.” ―Publishers Weekly on Tempting Fate

“If you're in the mood for a juicy, heartbreaking page-turner, you should definitely give it a try.” ―OKMagazine.com on Tempting Fate

About the Author

JANE GREEN is the author of more than a dozen bestselling novels, including Family Pictures and Another Piece of My Heart. Originally from London, she now lives in Westport, Connecticut, with her husband, children, and a menagerie of animals.

Lonely Brooklyn twentysomething David Gould has problems: blown work deadlines, an obsession with an Internet temptress he's never met in the flesh, and, worst of all, a hedonistic double attempting to steal his identity. Full of gripping characters, mood-altering detail, and a killer virtual soundtrack, Miss Misery is a genre-defying exploration of growing up and going out in the new century. As he rockets the reader from cyberspace to nightclub bathrooms, from the heart of New York City to the suburbs of Utah, Andy Greenwald unspools a fast-moving, funny story about the timeless need to become the main character in your own life.

That was the last thing Klaus had to say before we left J.C.' s diner to go our separate ways. On my way home, I decided I would drive by my grandparents' home. Every once in a while I'll do that, even though it's very painful to realize that they're gone now and that house belongs to someone else- a total stranger. When I come to the house, I park in front and just sit there, recalling that during the Prohibition Era this house was a blind pig and my grandmother was the proprietress. As a young boy, I would walk the three miles from my house just to sit on the front porch with "ma" so I could listen to her tell stories about the "old days". It's been thirty years since I've been inside that house, which was a second home to me when I was growing up. I have a feeling that if I were to go inside now, that my grandfather would still be sitting there in his favorite chair wearing nothing but his BVDs (the kind with the back flap that buttons up) reading "True Detective" or "Field and Stream." I am tempted to walk up the front steps and ring the doorbell, but I don't dare. 

Not far here was a little pond and a garbage dump. In the summers of my childhood, I'd go down to the pond and catch tadpoles and pollywogs, or I'd walk over to the dump and scrounge around for hidden treasures amidst the trash. Say, what's happening to me? Maybe I'm dying. No? Then why is my whole life- beginning with my earliest memories- suddenly passing before my eyes? 

It's my birthday, I'm five-years-old old and I'm sitting on a wooden pony on the fifth floor of Hudson's Department Store in downtown Detroit where I'll be getting my first professional haircut. Later that same day, my mother takes me to Sanders for a Hot Fudge Sunday. Cut to that little pond I mentioned. I've been catching pollywogs with a strainer and putting them in a jar when a big kid comes up to me and orders me to leave. I refuse and he wrestles me to the ground, demanding that I say uncle. When I refuse to say uncle, he gives me a good pounding, then takes that jar of mine and empties its contents back into the pond. I don't cry, but holding back the tears, I vow to myself that I'll get him back some day. But I never do. 

So many things from my childhood have disappeared, like that pond, for instance, which is no longer there, and the garbage dump, and the creek where we fished for carp and the bridge that spanned it- all of that's been gone for years. Gone, too, are the vacant lots where we played pick up baseball in the summer, and the woods where we had bonfires in the fall, roasting marshmallows over the fire while warming ourselves. Now that I think of it, my grade school is gone- torn down years ago to make way for a Farmer Jack's. And the schoolyard where we held our marble tournaments before and after school (knuckles down, no hunching) and played kick ball and dodge ball- that schoolyard where I had so much fun- buried and paved-over into a parking lot- gone. Gone the way of the sheeny-man who came into our neighborhood riding an antique horse that clop, clop clopped down our street pulling a wagon full of junk while the sheeny blew his shrill-sounding horn to let the neighborhood know that he had arrived. Gone too, the ice man who carried big blocks of ice with silver tongs for our ice box; and gone- the man who delivered the coal that went rumbling down the coal shoot and into the coal bin, a fascinating place in its own right when you're still young enough to appreciate such things as coal bins All that's gone. 

Within walking distance of my grandmother's house is the movie theater. I'm six and I'm standing in a long line with all the other kids holding a quarter in my hand: the price of admission back then. For a mere twenty-five cents you've gained entrance to that darkened theater to watch three movies, a newsreel, a serial, (Flash Gordon was my favorite.), cartoons and coming attractions. Seven years later, in that same theater, I sit down next to a strange girl and ask her if she would like to neck with me, and she consents, taking my hand in hers and leaning her head on my shoulder. (Necking wasn't really allowed, and if you weren't careful, a very official-looking usherette, who wore a uniform with gold buttons down the front and epaulettes on the shoulders, would shine her flashlight on you.) The last time I drove by the Lincoln Park Show it was advertising itself on the marquee as Adult Entertainment. 

The Depression having ended by the time I was born, my earliest memories begin around the time of World War II. My mother is sitting down at the kitchen table placing little green stamps in her ration book. Once the book is full, she'll go to a redemption center and have the stamps redeemed for money to buy food with. That was the year we planted a victory garden in the vacant lot next to our house. In a similar vein, the kids on our my block had paper drives and collected scrap metal. It was all part of the war effort, for as young boys we were learning how to be patriotic and to love the flag and "the country for which it stands"- America. As a matter of fact, my very first lesson in patriotism came in the form of a warning from the big kids on my block never to let the American flag touch the ground or I'd have to burn it- just one of a number of taboos I learned as a child similar to, but nowhere near as fearful as, "step on a crack and break you mother's back'. 

Where are they now?- my comic book collection and those hundreds and hundreds of matchbooks that I picked out of gutters and found in empty fields on the way home from school. And why? Because, as a kid of nine, I found the endless variety of match covers fascinating. What happened to my Lionel train- the one I woke up to find underneath the Christmas tree, my Red Ryder be-be gun and my American Flyer bike?- where are they now? 

At that age, my indoor world was a world of tinker toys, erector sets, and games- all kinds of games: hockey, basketball, football and my favorite, APBA baseball,- and the radio. Every Sunday, after church, my dad would buy a paper from the paperboy, and when we got home, I would do is spread out the comic section on the living room floor, then turn on the radio and listen to the Sunday comics being read over the air. During the week, when I get home from school, the first thing I do is turn on the radio and listen to my favorite programs: Jack Armstrong, All-American boy, Captain Midnight, (I wear my Captain Midnight decoder ring that glows in the dark), Sergeant Preston of the Yukon, and broadcast from WXYZ, our very own Lone Ranger. Hi-o Silver, away. In the evening was Baby Snooks, The Great Gildersleeve, Inner Sanctum, Lights Out, My Friend Irma, Bulldog Drummond, The Shadow, Mr. Keane, Tracer of Lost Persons, Name that Tune, Mr. I.Q., Life with Luigi, and another local favorite, The Green Hornet. 

My outdoor world was the streets, the vacant lots, the fields and the alleys of my neighborhood. In the street we played hockey in the winter and touch football in the fall; in fields and vacant lots we played pick up baseball and built our underground fort where we slept out on hot summer nights playing Hearts and Crazy Eights by candlelight, or we climbed up the rope ladder to our tree house where, with our binoculars, we could spy on all our neighbors. Alleys were for alley-picking and for war games played with cap pistols, be-be guns, and sling shots. We made walkie-talkies out of old tin cans and string, kites using clothes line, parachutes, and model airplanes. In the vacant lot next to my house we played cork ball- if you ask me, the greatest game ever invented. You could play cork ball using a large bobber or an ordinary bottle cork for a ball and a broomstick handle for a bat. A ball that landed in the alley was a triple, on the other side of the alley, a home run.. 

Item: our alleys were paved with cinders back then. The White Street gang lines up on one side, the Garfield Street gang on the other. There's going to be a rock fight. Before you know what's happening, the sky is filled with rocks. You throw, you duck, you throw another rock and then you duck and then something happens- your face is burning and throbbing. You've been hit. My god, you could have lost your eye. You could cry, but you don't. You are a casualty in a rock fight and you will carry a scar beneath your eye for the rest of your life, and you didn't cry- you are a hero. That night, after your father comes home from work, you get your first good licking. In bed that night, you pull the covers over your head and listen to your favorite radio programs before you fall asleep. 

I'm back in the real world again, saddened by the sight of my grandmother's house. Whoever lives there now has let in fall into disrepair. No, I wouldn't want to go inside; it would depress me to see how everything would be different. No, I'll go now. I turn on the engine and head for home. I wonder as I drive past the familiar landmarks of my youth how time has changed so much, transforming Main Street into block after block of blighted buildings. Where there was once an ice cream parlor, a barbershop, and a shoe repair, there are now ugly abandoned or boarded-up buildings. Our two dime stores: Niesner's and Woolworth's, and Winkleman's, a classy women's clothing store, are now a dumpy-looking Dollar Store, a Temporary Jobs Office, and windowless Community Mental Health Center. Cunningham's, with its lunch counter where you could sit and have a chicken salad sandwich and a cup of coffee while you waited for your bus, is gone, and Sanders closed its doors ten years ago. 

Last week I went with J.C. on a delivery run down near the docks in River Rouge and saw the Columbia, one of the two Bob-Lo boats, in dry dock. It's being restored. All the same, there will be no more picnics on the island because Bob-Lo Island, with its roller coaster, its dance hall and its many amusement rides, was sold to private developers and everything was torn down. At one time we had four such amusement parks; now there are none. Gone are the penny arcades of my youth, the slots where for a penny you could get sepia-colored pictures of ballplayers and boxers, movie stars, wrestlers and cowboys. All that's gone. But most tragic was the demolition of Hudson's, as thousands lined-up to watch the spectacle of this great landmark implode into a huge pile of rubble. 

When I think of all that's been lost, I am saddened. One magnificent railway station demolished, the other, Michigan Central, an empty hulk. Now that all of its windows have been busted out, it's nothing more than a vacant shell of a building. And those lavish movie palaces of a bygone era, almost all them gone- closed or destroyed. The great burlesque houses, like the famous Gayety and The Esquire- they, too, have vanished, as have those magnificent ballrooms, the Grande and the Vanity; those proud hotels, the Sheraton Cadillac and the Fort Shelby; and finally, the Vernors' plant- the first one, the one located at the foot of Woodward Avenue where you caught the Bob-Lo boat way back when. I believe it's been more than fifty years since they tore it down. A local product, Vernor's has the distinction of being the first soda pop in America. Today, it is owned by one of America's largest conglomerates: the Pepsi Cola Company. 

I remember the day the carnival came to town and seeing the boy with webbed feet, the bearded lady and the man who had a baby growing out of his stomach. Until the day I die, I'll never forget that man with the baby. Of all the freak shows I've seen, that's the one I'll never forget. How on earth, this six-year-old wondered (as he stood inside that stuffy tent with the smell of sawdust in his nostrils, holding on to his daddy's hand) could a man have a baby growing out of his stomach? How did it happen? That was in the city of Ecorse some fifty years ago on the fourth of July. I remember it well, especially watching the fireworks from atop the Ferris wheel, a burst of sound- boom- then splashes of color lighting up the sky, appearing in an instant, lingering for a moment, then fading away into the dark 

A light goes on inside the house. I turn on my engine and drive off, but before going directly home, I take the overpass that connects suburbia with Detroit. Reaching the highest point of the overpass, I look out at the cityscape, all aglow and spread out like a magic carpet of light. Directly below- the refinery, with its eternal flame; then farther out, the Ambassador Bridge with its colorful beads of light, strung along the bridge from one side- the American side- to the other- the Canadian side; and then, at the farthest point of vision, the mills and factories bordering the river, their myriad lights; candles glowing in the dark, their smoke stacks; vertical canons, sending up ghostly wisps of smoke into the night sky -light to ward-off the coming darkness of a fascistic America ruled by powerful and impersonal corporations in league with a government indifferent to the dreams and aspirations of its people, the working people of America. We cannot let this happen; this relentless juggernaut has to be stopped. If we don't stop it and stop it soon, before it is too late (if it's not already too late), the lights will go out all across America and darkness will cover the land.

The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a monument to racial harmony in blighted south Memphis during the civil rights movement. Their success soon pits the siblings against each other, and the brother abandons his sister for a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, the heights they achieve result in their tragic demise. They fall, losing everything, and the sanctuary they created is torn to the ground. A generation later, Stax is rebuilt brick by brick and is once again transforming disenfranchised youth into stellar young musicians.

Set in the world of 1960s and '70s soul music, Respect Yourself is a character-driven story of racial integration, and then of black power and economic independence. It's about music and musicians--Isaac Hayes, Otis Redding, the Staple Singers, and Booker T. and the M.G.'s, Stax's interracial house band. It's about a small independent company's struggle to survive in an increasingly conglomerate-oriented world. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through volatile years. Told by one of our leading music chroniclers, Respect Yourself is the book to own about one of our most treasured cultural institutions and the city that created it.

"Hilarious, heartfelt and brimming with humanity.” —Cynthia D’Aprix Sweeney, author of The Nest

Teddy Telemachus is a charming con man with a gift for sleight of hand and some shady underground associates. In need of cash, he tricks his way into a classified government study about telekinesis and its possible role in intelligence gathering. There he meets Maureen McKinnon, and it’s not just her piercing blue eyes that leave Teddy forever charmed, but her mind—Maureen is a genuine psychic of immense and mysterious power. After a whirlwind courtship, they marry, have three gifted children, and become the Amazing Telemachus Family, performing astounding feats across the country. Irene is a human lie detector. Frankie can move objects with his mind. And Buddy, the youngest, can see the future. Then one night tragedy leaves the family shattered.

Decades later, the Telemachuses are not so amazing. Irene is a single mom whose ear for truth makes it hard to hold down a job, much less hold together a relationship. Frankie’s in serious debt to his dad’s old mob associates. Buddy has completely withdrawn into himself and inexplicably begun digging a hole in the backyard. To make matters worse, the CIA has come knocking, looking to see if there’s any magic left in the Telemachus clan. And there is: Irene’s son Matty has just had his first out-of-body experience. But he hasn’t told anyone, even though his newfound talent might just be what his family needs to save themselves—if it doesn’t tear them apart in the process.

Harnessing the imaginative powers that have made him a master storyteller, Daryl Gregory delivers a stunning, laugh-out-loud new novel about a family of gifted dreamers and the invisible forces that bind us all.

“Masterful. . . . gracefully balances the outrageous melodrama of Chicago mobsters and shadowy government agencies with the ordinary mysteries of family dynamics. . . . Readers will emerge from the fray sure they know each Telemachus down to the smudges on their hearts. A skillfully written family drama that employs quirk and magic with grace.” —Kirkus Reviews (Starred)

“This gloriously imaginative novel featuring a family of somewhat reluctant psychics has a nifty trick up its sleeve—as whimsical and eccentric as the Telemachus family is, their hopes and desires perfectly mirror our own. Spoonbenders is hilarious, heartfelt and brimming with humanity.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest
 
“Imagine amazing powers—but do so with uncommon creativity, rigor, and humor. You might, if you're lucky, arrive at the delicious drama of the girl who can smell lies; the all-at-once-ness of the boy who can’t not see the future; the great dilemma of the psychic pressed into service as a spy. Daryl Gregory's novel traces the line where gift balances against curse and by the end, we realize he isn’t only talking about amazing powers after all. Spoonbenders is X-Files meets The Sopranos with a real, roaring heart.” —Robin Sloan, New York Times bestselling author of Mr. Penumbra’s 24-Hour Bookstore

“Did you spend a childhood convinced that you were *this close* to developing telekinetic powers? Me too! The supernatural may elude us still, but there is real magic in Daryl Gregory’s gleeful story of the Amazing Telemachus Family. Spoonbenders is also about the power of belief and whether we can ever escape our tangled family legacies—and why we might not want to.” —Jade Chang, author of The Wangs vs. the World

About the Author

Daryl Gregory is an award-winning writer of genre-mixing novels, stories, and comics. His latest novel, SPOONBENDERS, about a down-on-their-luck family with psychic powers, was published by Knopf in June, 2017, and is being developed for television by Paramount and Anonymous Content.

His recent work includes the young adult novel HARRISON SQUARED (Tor, March 2015), a Locus Award finalist which will be reissued by Tor Teen in 2018, along with two sequels. The novella WE ARE ALL COMPLETELY FINE won the World Fantasy award and the Shirley Jackson award, was a finalist for the Nebula, Sturgeon, and Locus awards, and is in development for television by Universal Cable Productions.

His SF novel AFTERPARTY was an NPR and Kirkus Best Fiction book of 2014, and a finalist for the Campbell and the Lambda Literary awards. His first novel, PANDEMONIUM, won the Crawford award and was a finalist for the World Fantasy award. His other novels are THE DEVIL'S ALPHABET (a Philip K. Dick award finalist) and RAISING STONY MAYHALL (a Library Journal best SF book of the year).

Many of his short stories are collected in UNPOSSIBLE AND OTHER STORIES, which was named one of the best books of 2011 by Publishers Weekly. He wrote the choose-you-own-adventure -style video game, "Flatline", for 3 Minute Games. His comics work includes the sereies "Legenderry: Green Hornet," "Planet of the Apes," "Dracula: The Company of Monsters" (co-written with Kurt Busiek), and the graphic novel "The Secret Battles of Genghis Khan."

He lives and writes full-time in Oakland, California.

X marks the spot for Bellingham, Washington, on Anna Medina's self-discovery map.

Twenty-five-year-old Anna—restless, famished and emotionally numb—is following the long-cold trail of her father, a celebrated luthier, whose death has always haunted her. She has tracked his former business partner to a sailboat on Bellingham Bay, determined to pry from the old man the secrets of their guitarmaking trade, and maybe a few answers about her father.

Anna catches an echo of her musical father in Arlan, guitar player for a local band. Soon she's living on his sofa, hanging out with his girlfriend—having friends for the first time, even. And if Anna's new friends do drugs, read her journal and leave open a few too many bedroom doors, who's to say they aren't real friends? And if Anna has feelings for Arlan, who's to say where her loyalty lies?

About the Author

Jody Gehrman has authored eleven published novels and numerous plays for stage and screen. Her debut suspense novel, Watch Me, is published by St. Martin's Press. Her Young Adult novel, Babe in Boyland, won the International Reading Association’s Teen Choice Award and was optioned by the Disney Channel. Jody’s plays have been produced or had staged readings in Ashland, New York, San Francisco, Chicago and L.A. Her newest full-length, Tribal Life in America, won the Ebell Playwrights Prize and will receive a staged reading at the historic Ebell Theater in Los Angeles. She and her partner David Wolf won the New Generation Playwrights Award for their one-act, Jake Savage, Jungle P.I. She holds a Masters Degree in Professional Writing from the University of Southern California and is a professor of Communications at Mendocino College in Northern California.