By day Dagmar Shaw orchestrates vast games with millions of players spanning continents. By night, she tries to forget the sound of a city collapsing in flames around her. She tries to forget the faces of her friends as they died in front of her. She tries to forget the blood on her own hands.

But then an old friend approaches Dagmar with a project. The project he pitches is so insane and so ambitious, she can't possibly say no. But this new venture will lead her from the world of alternate-reality gaming to one even more complex. A world in which the players are soldiers and spies and the name of the game is survival.  

Legendary science fiction author Arthur C. Clarke once noted that, "Any sufficiently advanced technology is indistinguishable from magic."

Seven billion years ago, two vast civilizations battled for control of our galaxy, wielding powers incomprehensible to our young species. After a billion years of war, the losers fled our space-time continuum to escape utter destruction. Now they are returning to resume the titanic struggle.

And on an obscure, backwater planet the natives call Earth, IKE, an Intelligent Kinesthetic Experiment (Kinesthetic means learning by doing), lives in the most powerful quantum computer on the planet, where he is is painfully learning to achieve real consciousness and become humanity's first true Artificial Intelligence. But enormous cosmic forces are gathering to destroy him before that can happen.

Now time is running out for this tiny consciousness struggling to be born. Will there be enough time for him to save himself in the struggle of the giants?  

An anthology of new, original stories by bestselling science fiction authors, inspired by science fiction great Frederik Pohl

It isn’t easy to get a group of bestselling SF authors to write new stories for an anthology, but that’s what Elizabeth Anne Hull has done in this powerhouse book. With original, captivating tales by Greg Bear, Gregory Benford, Ben Bova, David Brin, Cory Doctorow, Neil Gaiman, Joe Haldeman, Harry Harrison, Larry Niven, Vernor Vinge, Gene Wolfe, and others, Gateways is a SF event that will be a must-buy for SF readers of all tastes, from the traditional to the cutting edge; from the darkly serious to the laugh-out-loud funny.

Each author has written a story that he or she feels reflects the effect Pohl has had on the field—in the style of writing, the narrative tone, or the subject matter. It says a lot about Pohl's career that the authors represented here themselves span many decades and styles, from the experimental SF of British SF author Brian W. Aldiss to the over-the-top humor of Harry Harrison and Mike Resnick, from the darkly powerful drama of Hollywood screenwriter Frank Robinson to the satiric pungency of multiple Hugo Award-winner Vernor Vinge. Every story here is uniquely nuanced; all of them as entertaining and thought provoking as Pohl's fiction.

In a career dating back to 1939, Pohl has won all the awards science fiction has to offer: Hugos, Nebulas, the SFWA Grand Master Award. Having written more than two million words of fiction and edited the groundbreaking Star anthologies and Hugo Award-winning magazines and books, Pohl is an SF icon. This anthology of brilliant, entertaining SF stories is a testament to his stature in the field.

Analog : Science Fiction & Fact September 2011

Novella : Energized, Part III of IV, Edward M. Lerner

Novelettes :

Therapeutic Mathematics and the Physics of Curve Balls, Gray Rineheart

Helix of Friends, Carl Frederick

Short Stories :

Hostile Environment, Emily Mah

The Chaplain's Assistant, Brad R. Torgersen

Asteroid Monte, Craig DeLancey

Science Fact :

Shake, Rattle, and Roll : Is Missouri Really America's Most Dangerous Earthquake Zone?, Richard A. Lovett

Reader's Departments : In Times to Come, The Alternate View of Jeffery D. Kooistra, Biolog—Brad R. Torgersen, The Reference Library by Don Sakers, Brass Tacks, and Upcoming Events by Anthony Lewis

#1 Amazon Best Seller! ─ Dystopian Alternate History: An ambitious feat of engineering and a continent in crisis

For fans of Philip K. Dick’s The Man in the High Castle and Stephen King’s 11/22/63, comes an epic saga by YouTuber Cody Franklin (Alternate History Hub), with contributions from YouTuber Joseph Pisenti (Real Life Lore).

In an alternate timeline, World War II never takes place. Instead, a plan is put into effect by Hitler and the Nazi party to drain the Mediterranean Sea. They promise fertile land, millions of jobs and endless energy. New land to be settled. Living space for a crowded continent. All of Europe came together and signed a treaty to realize this new world, it was called ‘The Atlantropa Articles’

Nazism Survives in A New Europe: by promising to bring endless energy through hydro-electricity and employing millions to build the dams, fascism only cements itself as a mainstream ideology. Hitler is seen as a modern Napoleon, one of the greats for his time. Nazism never disappears.

The Reich Remains Eternal: Two millennia later, the Reich run the world. Aryans have become a race of their own, out numbering their neighbors and ruling with a messianic passion towards Hitler. Europe has been united under the banner of the swastika.

The Sea Is Gone, the Promise Failed: But the plan of a fertile lush land was never realized. The project took decades longer than anticipated. By the time it is completed, what they find is a salty barren world. Now the Mediterranean Sea is a desert basin known only as the Kiln. Southern Europe has been abandoned. This is where Ansel’s story begins. A story of discovery, lies and false prophets. The Atlantropa Articles is an astounding science fiction, alternate history tale that will thrill and transport readers with its detailed world and startling intimacy.

About the Author

Cody Franklin, better known as Alternate History Hub is one of the top 'what if' YouTubers. Using knowledge of geography, population, and other historical facts Cody's channel details what could have happened if events changed. You'll learn about how the world would be different if the Axis won World War II, if America lost the Revolution, or even discover entire alternate countries.

Asimov's Science Fiction August 2011

Novelettes

• The End of the Line, Robert Silverberg
• Corn Teeth, Malanie Tem
• Paradise is a Walled Garden, Lisa Goldstein

Short Stories

• Watch Bees, Philip Brewer
• For I Have Lain Me Down on the Stone of Loneliness and I'll Not be Back Again, Michael Swanwick
• We Were Wonder Scouts, Zachary Jernigan

Poetry

• Bribing Karma, Danny Adams
• The Music of Nessie, Bruce Boston

Departments

• Editorial—The 20th Dell Magazine Awards, Sheila Williams
• Reflections—Earth is the Strangest Planet, Robert Silverberg
• On the Net—Writing Lessons, James Patrick Kelly
• Next Issue
• On Books, Peter Heck
• The SF Conventional Calendar, Erwin S. Strauss

After twenty-three years, Orson Scott Card returns to his acclaimed best-selling series with the first true, direct sequel to the classic Ender's Game.

In Ender's Game, the world's most gifted children were taken from their families and sent to an elite training school. At Battle School, they learned combat, strategy, and secret intelligence to fight a dangerous war on behalf of those left on Earth. But they also learned some important and less definable lessons about life.

After the life-changing events of those years, these children―now teenagers―must leave the school and readapt to life in the outside world.

Having not seen their families or interacted with other people for years―where do they go now? What can they do?

Ender fought for humanity, but he is now reviled as a ruthless assassin. No longer allowed to live on Earth, he enters into exile. With his sister Valentine, he chooses to leave the only home he's ever known to begin a relativistic―and revelatory―journey beyond the stars.

What happened during the years between Ender's Game and Speaker for the Dead? What did Ender go through from the ages of 12 through 35? The story of those years has never been told. Taking place 3000 years before Ender finally receives his chance at redemption in Speaker for the Dead, this is the long-lost story of Ender.

For twenty-three years, millions of readers have wondered and now they will receive the answers. Ender in Exile is Orson Scott Card's moving return to all the action and the adventure, the profound exploration of war and society, and the characters one never forgot.

On one of these ships, there is a baby that just may share the same special gifts as Ender's old friend Bean…

In their world, telling the truth has become the most dangerous crime of all.

“Ava and Mira’s world is an all-too-believable mix of advanced technology and environmental collapse. In their debut, Saunders and Saunders, themselves twins, lend an authentic voice to the girls’ first-person narration…Readers are in for a fast-paced ride, poised for a sequel, as the twins embrace their father’s call, in the words of Walt Whitman, to ‘resist much, obey little.’” —Kirkus Reviews

“Dystopia fans will enjoy this adventure set in an all-too-plausible future America.” —School Library Journal

“Utilizing a sf-fantasy setting and a survival-oriented plot, the Saunders sisters are careful to promote growth and differentiation between the twins…There are parallels to current news stories, such as immigration, environmental resources, and an autocratic political system. Try this with fans of James Dashner’s Maze Runner series, Margaret Peterson Haddix’s Double Identity, or such clone books as Rachel Vincent’s Brave New Girl.” —Booklist

In the near-future United States, a one-child policy is ruthlessly enforced. Everyone follows the Rule of One. But Ava Goodwin, daughter of the head of the Texas Family Planning Division, has a secret—one her mother died to keep and her father has helped to hide for her entire life.

She has an identical twin sister, Mira.

For eighteen years Ava and Mira have lived as one, trading places day after day, maintaining an interchangeable existence down to the most telling detail. But when their charade is exposed, their worst nightmare begins. Now they must leave behind the father they love and fight for their lives.

Branded as traitors, hunted as fugitives, and pushed to discover just how far they’ll go in order to stay alive, Ava and Mira rush headlong into a terrifying unknown.

Book Club hardcover with dustjacket, 1985. Published the same month as the paperback edition. Collection of stories, both fantasy and science-fiction, including some in his "Draco's Tavern" series.

The Einstein Intersection won the Nebula Award for best science fiction novel of 1967. The surface story tells of the problems a member of an alien race, Lo Lobey, has assimilating the mythology of earth, where his kind have settled among the leftover artifacts of humanity. The deeper tale concerns, however, the way those who are "different" must deal with the dominant cultural ideology. The tale follows Lobey's mythic quest for his lost love, Friza. In luminous and hallucinated language, it explores what new myths might emerge from the detritus of the human world as those who are "different" try to seize history and the day.

New York Times bestselling authors Orson Scott Card and Aaron Johnston return with an all-new prequel trilogy to Ender's Game, The Second Formic War, with book one, The Swarm

A coalition of corporate and international military forces beat back the first invasion of Earth, in the First Formic War. But it was a near thing, and the devastation of much of Earth has shocked the planet into cooperation.

The war is not won. The single ship that did so much damage was only a scout ship. There is another, much bigger, colony ship on its way into our system, and Earth really doesn’t have any defenses against it. They only have a few months to find some.

Here is the Second Formic War, and the threat to all humanity that led to the creation of the Hegemony, and the Battle School, and the genetic program that led to the birth of Ender Wiggin.

Beneath the towering bleached ribs of a dead, ancient beast lies New Crobuzon, a squalid city where humans, Re-mades, and arcane races live in perpetual fear of Parliament and its brutal militia. The air and rivers are thick with factory pollutants and the strange effluents of alchemy, and the ghettos contain a vast mix of workers, artists, spies, junkies, and whores. In New Crobuzon, the unsavory deal is stranger to none—not even to Isaac, a brilliant scientist with a penchant for Crisis Theory.

Isaac has spent a lifetime quietly carrying out his unique research. But when a half-bird, half-human creature known as the Garuda comes to him from afar, Isaac is faced with challenges he has never before fathomed. Though the Garuda's request is scientifically daunting, Isaac is sparked by his own curiosity and an uncanny reverence for this curious stranger.

While Isaac's experiments for the Garuda turn into an obsession, one of his lab specimens demands attention: a brilliantly colored caterpillar that feeds on nothing but a hallucinatory drug and grows larger—and more consuming—by the day. What finally emerges from the silken cocoon will permeate every fiber of New Crobuzon—and not even the Ambassador of Hell will challenge the malignant terror it invokes . . .

A magnificent fantasy rife with scientific splendor, magical intrigue, and wonderfully realized characters, told in a storytelling style in which Charles Dickens meets Neal Stephenson, Perdido Street Station offers an eerie, voluptuously crafted world that will plumb the depths of every reader's imagination.

Following Perdido Street Station and The Scar, acclaimed author China Miéville returns with his hugely anticipated Del Rey hardcover debut. With a fresh and fantastical band of characters, he carries us back to the decadent squalor of New Crobuzon—this time, decades later.

It is a time of wars and revolutions, conflict and intrigue. New Crobuzon is being ripped apart from without and within. War with the shadowy city-state of Tesh and rioting on the streets at home are pushing the teeming city to the brink. A mysterious masked figure spurs strange rebellion, while treachery and violence incubate in unexpected places.

In desperation, a small group of renegades escapes from the city and crosses strange and alien continents in the search for a lost hope.

In the blood and violence of New Crobuzon’s most dangerous hour, there are whispers. It is the time of the iron council. . . .

The bold originality that broke Miéville out as a new force of the genre is here once more in Iron Council: the voluminous, lyrical novel that is destined to seal his reputation as perhaps the edgiest mythmaker of the day.

NEW YORK TIMES BESTSELLER

“Original, sophisticated, bristling with subversive ideas, and filled with unforgettably alien images . . . an amazing, sometimes brutal rhapsody on the uses of language.”—The Christian Science Monitor

In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak. Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language. When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties: to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak—but which speaks through her, whether she likes it or not.

“A fully achieved work of art.”—Ursula K. Le Guin
 
“The most engrossing book I’ve read this year, and the latest evidence that brilliant, challenging, rewarding writing of the highest order is just as likely to be found in the section labeled Science Fiction as the one marked Literature.”—Jim Higgins, Milwaukee Journal Sentinel
  
“Richly conceived . . . Embassytown has the feel of a word-puzzle, and much of the pleasure of figuring out the logic of the world and the story comes from gradually catching the full resonance of its invented and imported words.”—The New York Times Book Review
 
“Miéville’s swing-for-the-fences gusto thrills. This is Big Idea Sci-Fi at its most propulsively readable.”—Entertainment Weekly
 
“Miéville [is] one of today’s most exciting fabulist writers.”—Los Angeles Times

From the Inside Flap

Welcome to Arieka, the distant, densely imagined planet that serves as principal setting for China Mieville's extraordinary new novel, Embassytown.

Immerser Avice Benner Cho has returned to her childhood home, from her adventures in the Out. Her world is as mysterious, complex, and exotic as any you will ever encounter. It is a world in which humans and “exots” co-exist with the indigenous, enigmatic Ariekei—otherwise known as Hosts. That relationship, which is mediated by a group of unique linguists, the Ambassadors, has proceeded in relative tranquility for many years. Then one day a new, utterly unexpected Ambassador arrives… 

Embassytown is a novel about diplomacy and conflict in a vividly created alien society. It is also, most centrally, a meditation on the power and infinitely varied possibilities of language itself. The result is an intellectual adventure of the highest order, a distinguished addition to an imposing—and constantly surprising—body of work. 

A mythmaker of the highest order, China Miéville has emblazoned the fantasy novel with fresh language, startling images, and stunning originality. Set in the same sprawling world of Miéville’s Arthur C. Clarke Award-winning novel, Perdido Street Station, this latest epic introduces a whole new cast of intriguing characters and dazzling creations. 

Aboard a vast seafaring vessel, a band of prisoners and slaves, their bodies remade into grotesque biological oddities, is being transported to the fledgling colony of New Crobuzon. But the journey is not theirs alone. They are joined by a handful of travelers, each with a reason for fleeing the city. Among them is Bellis Coldwine, a renowned linguist whose services as an interpreter grant her passage—and escape from horrific punishment. For she is linked to Isaac Dan der Grimnebulin, the brilliant renegade scientist who has unwittingly unleashed a nightmare upon New Crobuzon.

For Bellis, the plan is clear: live among the new frontiersmen of the colony until it is safe to return home. But when the ship is besieged by pirates on the Swollen Ocean, the senior officers are summarily executed. The surviving passengers are brought to Armada, a city constructed from the hulls of pirated ships, a floating, landless mass ruled by the bizarre duality called the Lovers. On Armada, everyone is given work, and even Remades live as equals to humans, Cactae, and Cray. Yet no one may ever leave.

Lonely and embittered in her captivity, Bellis knows that to show dissent is a death sentence. Instead, she must furtively seek information about Armada’s agenda. The answer lies in the dark, amorphous shapes that float undetected miles below the waters—terrifying entities with a singular, chilling mission. . . .

China Miéville is a writer for a new era—and The Scar is a luminous, brilliantly imagined novel that is nothing short of spectacular.

By the New York Times bestselling author of The Bone Clocks | Shortlisted for the Man Booker Prize

A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.

But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.

As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

Praise for Cloud Atlas

“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review

“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers

“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People

“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon

“Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.”—The Washington Post Book World

“Thrilling . . . One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step.”—Boston Sunday Globe

“Grand and elaborate . . . [Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate.”—Los Angeles Times

By the New York Times bestselling author of The Bone Clocks and Cloud Atlas

A gallery attendant at the Hermitage. A young jazz buff in Tokyo. A crooked British lawyer in Hong Kong. A disc jockey in Manhattan. A physicist in Ireland. An elderly woman running a tea shack in rural China. A cult-controlled terrorist in Okinawa. A musician in London. A transmigrating spirit in Mongolia. What is the common thread of coincidence or destiny that connects the lives of these nine souls in nine far-flung countries, stretching across the globe from east to west? What pattern do their linked fates form through time and space?

A writer of pyrotechnic virtuosity and profound compassion, a mind to which nothing human is alien, David Mitchell spins genres, cultures, and ideas like gossamer threads around and through these nine linked stories. Many forces bind these lives, but at root all involve the same universal longing for connection and transcendence, an axis of commonality that leads in two directions—to creation and to destruction. In the end, as lives converge with a fearful symmetry, Ghostwritten comes full circle, to a point at which a familiar idea—that whether the planet is vast or small is merely a matter of perspective—strikes home with the force of a new revelation. It marks the debut of a writer of astonishing gifts.

“An irresistible literary thriller...Rich mines the terror of our times.” ―Rolling Stone

“The opposite of disaster, a knockout of a book by a young writer to keep your eye on from now on...As terrifically described as any of the best science fiction we have.” ―Alan Cheuse, NPR's All Things Considered

NEW YORK CITY, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of a cavernous office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe--ecological collapse, global war, natural disasters--he becomes obsessed by a culture's fears. Yet he also loses touch with his last connection to reality: Elsa Bruner, a friend with her own apocalyptic secret, who has started a commune in Maine. Then, just as Mitchell's predictions reach a nightmarish crescendo, an actual worst-case scenario overtakes Manhattan. Mitchell realizes he is uniquely prepared to profit. But at what cost? At once an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear, Nathaniel Rich's Odds Against Tomorrow poses the ultimate questions of imagination and civilization. The future is not quite what it used to be.

WATER IS POWER

"An intense thriller and a deeply insightful vision of the coming century, laid out in all its pain and glory. It's a water knife indeed, right to the heart." —Kim Stanley Robinson, author of Aurora

In the near future, the Colorado River has dwindled to a trickle. Detective, assassin, and spy, Angel Velasquez “cuts” water for the Southern Nevada Water Authority, ensuring that its lush arcology developments can bloom in Las Vegas. When rumors of a game-changing water source surface in Phoenix, Angel is sent south, hunting for answers that seem to evaporate as the heat index soars and the landscape becomes more and more oppressive. There, he encounters Lucy Monroe, a hardened journalist with her own agenda, and Maria Villarosa, a young Texas migrant, who dreams of escaping north. As bodies begin to pile up, the three find themselves pawns in a game far bigger and more corrupt than they could have imagined, and when water is more valuable than gold, alliances shift like sand, and the only truth in the desert is that someone will have to bleed if anyone hopes to drink.

“[A] fresh, genre-bending thriller. . . .  Reading Paolo Bacigalupi's richly imagined novel The Water Knife brings to mind the movie Chinatown. Although one is set in the past and the other in a dystopian future, both are neo-noir tales with jaded antiheroes and ruthless kingpins who wield water as lethal weapons to control life—and mete out death. . . . Bacigalupi weaves page-turning action with zeitgeisty themes. . . . His use of water as sacred currency evokes Frank Herbert's Dune. The casual violence and slang may bring to mind A Clockwork Orange. The book's nervous energy recalls William Gibson at his cyberpunk best. Its visual imagery evokes Dust Bowl Okies in the Great Depression and the catastrophic 1928 failure of the St. Francis Dam that killed 600 people and haunted its builder, Mulholland, into the grave. . . . Reading the novel in 93-degree March weather while L.A. newscasts warned of water rationing and extended drought, I felt the hot panting breath of the desert on my nape and I shivered, hoping that Bacigalupi's vision of the future won't be ours.” —Denise Hamilton, Los Angeles Times

New York Times bestselling author Kim Stanley Robinson returns with a bold and brilliant vision of New York City in the next century.

"As much a critique of contemporary capitalism, social mores and timeless human foibles, this energetic, multi-layered narrative is also a model of visionary worldbuilding."―RT Book Reviews (Top Pick!)

As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city.

There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear --- along with the lawyers, of course.

There is the internet star, beloved by millions for her airship adventures, and the building's manager, quietly respected for his attention to detail. Then there are two boys who don't live there, but have no other home-- and who are more important to its future than anyone might imagine.

Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all-- and even the long-hidden foundations on which the city rests.

"An exploration of human resilience in the face of extreme pressure...starkly beautiful and fundamentally optimistic visions of technological and social change in the face of some of the worst devastation we might bring upon ourselves."― The Conversation

New York 2140 is an extraordinary and unforgettable novel, from a writer uniquely qualified to the story of its future.

"The writing is humorous, painful, awesome in its effect on both mind and heart . . . There are few modern novels to match it."—Rolling Stone

On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the UN develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future. In the hopes of gaining an advantage on a Martian real estate deal, powerful people force Manfred to send them into the future, where they can learn about development plans. But is Manfred sending them to the real future or one colored by his own dark and paranoid filter? As the time travelers are drawn into Manfred's dark worldview in both the future and present, the cost of doing business may drive them all insane.

"Dick skillfully explores the psychological ramifications of this nightmare."—The New York Times Review of Books

Flow My Tears, the Policeman Said grapples with many of the themes Philip K. Dick is best known for— identity, altered reality, drug use, and dystopia—in a rollicking chase story that earned the novel the John W. Campbell Award and nominations for the Hugo and Nebula.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

"A masterpiece."—Roberto Bolaño

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite. And hidden amongst the survivors is Dr. Bloodmoney himself, the man responsible for it all. This bizarre cast of characters cajole, seduce, and backstab in their attempts to get ahead in what is left of the world, consequences and casualties be damned. A sort of companion to Dr. Strangelove, an unofficial and unhinged sequel, Dick’s novel is just as full of dark comedy and just as chilling. 

“From the stuff of space opera, Dick spins a deeply unsettling existential horror story, a nightmare you’ll never be sure you’ve woken up from.”—Lev Grossman, Time 

Glen Runciter runs a lucrative business—deploying his teams of anti-psychics to corporate clients who want privacy and security from psychic spies. But when he and his top team are ambushed by a rival, he is gravely injured and placed in “half-life,” a dreamlike state of suspended animation. Soon, though, the surviving members of the team begin experiencing some strange phenomena, such as Runciter’s face appearing on coins and the world seeming to move backward in time. As consumables deteriorate and technology gets ever more primitive, the group needs to find out what is causing the shifts and what a mysterious product called Ubik has to do with it all. 

“More brilliant than similar experiments conducted by Pynchon or DeLillo.”—Roberto Bolaño

“Dick is one of the ten best American writers of the twentieth century, which is saying a lot. Dick was a kind of Kafka steeped in LSD and rage.”—Roberto Bolaño

What is VALIS? This question is at the heart of Philip K. Dick’s ground-breaking novel, and the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy, or whether a godlike entity is showing him the true nature of the world.

VALIS is essential reading for any true Philip K. Dick fan, a novel that Roberto Bolaño called “more disturbing than any novel by [Carson] McCullers.” By the end, like Dick himself, you will be left wondering what is real, what is fiction, and just what the price is for divine inspiration. 

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that reads like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

From Publishers Weekly

Here is another of the unpublished novels science-fiction writer Dick left when he died in 1982. It recounts the friendship of two California men, Nicholas Brady, a record store clerk and later a record company executive, and Philip K. Dick, a writer. During the several decades spanned by the novel, America slides into fascism, particularly under the presidency of Ferris F. Fremont, who comes into office in 1969. Once entrenched, Fremont begins tossing dissidents into camps and in some cases executing them. Brady, meanwhile, has been receiving communications from a Godlike intelligence which he dubs Valis (an idea the author utilized previously in Valis). Valis guides Brady in the secrets of the universe, in the conduct of his life, and in a plot to bring down the monstrous Fremont, a cause to which Brady is finally martyred. This bleak political vision is given extra force by its autobiographical tone. Though not one of Dick's best novels, it is an engrossing, non-stop excursion into a believable vision of Hell.
Copyright 1985 Reed Business Information, Inc.

A sci-fi murder mystery set on a mysterious planet, with a twist ending that leaves the reader wondering just what they’ve been witnessing the whole time.

Delmak-O is a dangerous planet. Though there are only fourteen citizens, no one can trust anyone else and death can strike at any moment. The planet is vast and largely unexplored, populated mostly by gelatinous cube-shaped beings that give cryptic advice in the form of anagrams. Deities can be spoken to directly via a series of prayer amplifiers and transmitters, but they may not be happy about it. And the mysterious building in the distance draws all the colonists to it, but when they get there each sees a different motto on the front. The mystery of this structure and the secrets contained within drive this mind-bending novel.

'The most brilliant Sci-Fi mind on any planet' - Rolling Stone

Following an inexplicable urge, Ted Barton returns to his idyllic Virginia hometown for a vacation, but when he gets there, he is shocked to discover that the town has utterly changed. The stores and houses are all different and he doesn’t recognize anybody. The mystery deepens when he checks the town’s historical records . . . and reads that he died nearly twenty years earlier. As he attempts to uncover the secrets of the town, Barton is drawn deeper into the puzzle, and into a supernatural battle that could decide the fate of the universe.

In 2203 anyone can become the ruler of the solar system. There are no elections, no interviews, no prerequisites whatsoever—it all comes down to the random turns of a giant wheel. But when a new Quizmaster takes over, the old one still keeps some rights, namely the right to hire an unending stream of assassins to attempt to kill the new leader.In the wake of the most recent change in leadership, employees of the former ruler scurry to find an assassin who can get past telepathic guards. But when one employee switches sides, troubling facts about the lottery system come to light, and it just might not be possible for anyone to win.

“I have never seen [its] theme handled with greater technical dexterity or given more psychological meaning.”—Fantasy and Science Fiction

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy.

Philip K. Dick was aggressively individualistic and no worldview is safe from his acerbic and hilarious take downs. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of it all, a new drug has just entered circulation—a drug that haphazardly sends its users traveling through time.

In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: is Earth on the right side of the war? Is he supposed to heal Earth’s leader or keep him sick? And can he change the harrowing future that the drug has shown him?

“Dick is Thoreau plus the death of the American dream.”—Roberto Bolaño

Bob Arctor is a junkie and a drug dealer, both using and selling the mind-altering Substance D. Fred is a law enforcement agent, tasked with bringing Bob down. It sounds like a standard case. The only problem is that Bob and Fred are the same person. Substance D doesn’t just alter the mind, it splits it in two, and neither side knows what the other is doing or that it even exists. Now, both sides are growing increasingly paranoid as Bob tries to evade Fred while Fred tries to evade his suspicious bosses.

In this award-winning novel, friends can become enemies, good trips can turn terrifying, and cops and criminals are two sides of the same coin. Dick is at turns caustically funny and somberly contemplative, fashioning a novel that is as unnerving as it is enthralling.