Journalism

The use of female sideline reporters is the fastest-growing new aspect of televised broadcasts of professional and college football. Names like Suzy Kolber, Erin Andrews, and Andrea Kremer are now as well known as any of the men in the booth. In recent years women have been sports columnists and reporters, talk-show hosts, even coaches and team administrators. And yet there has never been a book about this phenomenon. 

Former ESPN news anchor Betsy Ross fills this void with Playing Ball with the Boys, a fascinating, behind-the-scenes look at the emerging role that women play in sports broadcasting and reporting as well as in the business of sports. Ross interviews a number of the biggest names--from Kolber and Kremer to USA Today columnist Christine Brennan and Lesley Visser and many others--who offer first-hand accounts of the struggles and the triumphs of women playing what has always been a man's game.

She provides a history of this unique facet of the sports world, from pioneering female newspaper sports reporters to the celebrated breakthrough into televised sports by former Miss America Phyllis George, who is interviewed in the book. Ross covers the controversial moments, from locker room confrontations between players and female reporters to the infamous sideline interview in which Joe Namath attempted to kiss Suzy Kolber during a live broadcast. 

Readers also learn of women who played pro sports on male teams or coached men's teams. They meet a woman who runs a professional baseball team and another who is a team doctor. 

Through this tale, Ross weaves her own story, recalling how she went from a small town in Indiana to the anchor's chair at the largest sports network in the world, ESPN. She explains what it's like for a woman to succeed in the male-dominated world of sports broadcasting.

The one real difference between the American press and the Soviet state newspaper Pravda was that the Russian people knew they were being lied to. To expose the lies our media tell us today, controversial journalist James O’Keefe created Project Veritas, an independent news organization whose reporters go where traditional journalists dare not. Their investigative work–equal parts James Bond, Mike Wallace, and Saul Alinsky―has had a consistent and powerful impact on its targets.

"This book is a clarion call on behalf of accountability, transparency, and responsible government: items high on the rhetorical agenda of the bureaucrats that run our lives but somehow always forgotten when it comes to their exercising power." - Roger Kimball

"The mainstream media, led by the Washington Post, New York Times, and CNN, are out for revenge against President Trump for labeling them "fake news" and using social media to get around them, according to an explosive forthcoming book by muckraker James O'Keefe." - Paul Bedard

In American Pravda, the reader is invited to go undercover with these intrepid journalists as they infiltrate political campaigns, unmask dishonest officials and expose voter fraud. A rollicking adventure story on one level, the book also serves as a treatise on modern media, arguing that establishment journalists have a vested interest in keeping the powerful comfortable and the people misinformed.

The book not only contests the false narratives frequently put forth by corporate media, it documents the consequences of telling the truth in a world that does not necessarily want to hear it. O’Keefe’s enemies attack with lawsuits, smear campaigns, political prosecutions, and false charges in an effort to shut down Project Veritas. For O’Keefe, every one of these attacks is a sign of success.

American Pravda puts the myths and misconceptions surrounding O’Keefe’s activities to rest and will make you rethink every word you hear and read in the so-called mainstream press.

Is fake news being spread through social media as part of an information war? Are political operatives publishing disinformation to smear the opposition and help their own agendas? Who creates fake news, how does it spread, and can it be stopped? 

What are the real world effects of fake news stories that go viral? Did it affect the outcome of the 2016 presidential election? Or is ‘fake news’ a fake problem, designed to justify tighter control over the mechanisms of sharing information online to drive audiences back to brand name media outlets because their audiences and influence are dwindling? 

Media analyst Mark Dice takes a close look at the fake news phenomenon and the implications of mega-corporations like Facebook, Google, and Twitter becoming the ultimate gatekeepers and distributors of news and information. 

You will see the powerful and deceptive methods of manipulation that affect us all, as numerous organizations and political activists cunningly plot to have their stories seen, heard, and believed by as many people as possible. 

The depths of lies, distortions, and omissions from traditional mainstream media will shock you; and now they’re colluding with the top tech companies trying to maintain their information monopolies. This is The True Story of Fake News.

About the Author

Mark Dice is a media analyst and author who, in an entertaining and educational way, exposes our celebrity-obsessed culture and the role mainstream media plays in shaping our lives.

Mark's YouTube channel has over 1 million subscribers and more than 400 million views, and his viral videos have been mentioned on the Fox News Channel, CNN, the Drudge Report, TMZ, the New York Daily News, the Washington Times, and other media outlets around the world.

He has been featured on various television shows including the History Channel's Decoded and America’s Book of Secrets; Secret Societies of Hollywood on E! Channel, America Declassified on the Travel Channel, and more.

He has a bachelor's degree in communication from California State University, and is the author of 11 books. 

Brenda Brissette-Mata was born in Flint, Michigan, and has lived in the area her whole life.  She began working at The Flint Journal as a high school student in 1975 and continued at the newspaper while attending the University of Michigan-Flint.  She has worked as a columnist since 1991.  Her three sons, 17-year-old twins and one 9-year-old, keep her busy, but in her spare time Brenda enjoys sorting laundry, paying bills, hugging her children and pretending to have life under control, although not necessarily in that order.

Regret the Error: How Media Mistakes Pollute the Press and Imperil Free Speech by Craig Silverman  and Jeff Jarvis

We regret the error: it’s a phrase that appears in newspapers almost daily, the standard notice that something went terribly wrong in the reporting, editing, or printing of an article. From Craig Silverman, the proprietor of www.RegretTheError.com, one of the Internet’s most popular media-related websites, comes a collection of funny, shocking, and sometimes disturbing journalistic slip-ups and corrections. On display are all types of media inaccuracy—from “fuzzy math” to “obiticide” (printing the obituary of a person very much alive and well) to complete and utter ethical lapses. While some of the errors can be laugh-out-loud funny, the book contains a sobering journey through the history of media mistakes (including the outrageous hoaxes that dominated newspapers during the circulation wars of the 19th-century) and a serious muckraking investigation of contemporary journalism’s lack of accountability to the public. It shines a spotlight on the media’s carelessness and the sometimes tragic and calamitous consequences of weak or non-existent fact checking. 

From Publishers Weekly

Blogger Silverman is a man obsessed with pointing out the mistakes of others, though he dreams of a world in which he didn't have to. If media outlets printed their own corrections more thoroughly, amending online content appropriately, embracing their mistakes wholeheartedly, he argues, he wouldn't have to collect and publicize them with such devotion. Having founded regrettheerror.com to tally inaccuracies and corrections in the press, Silverman has set out to chronicle and categorize these errors in his first book. The result is a winding journey through the most glaring, damaging and humorous typos, misprints, misidentifications, fuzzy numbers and obiticides in the history of journalism, from the accidental to the malicious. These chapters are chock-full of amusing historical anecdotes, including the story behind the incorrect headline Dewey Defeats Truman, the case of mistaken identity that galvanized Nobel to create his prestigious awards, and the oft-presumed dead but still living Abe Vigoda. Silverman injects plenty of humor, but mostly he is deeply concerned about the science of journalism, and at the heart of this romp is an argument for increased public participation in the news cycle.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Self Exposure : Human-Interest Journalism and the Emergence of Celebrity in America, 1890-1940 by Charles L. Ponce de Leon

Few features of contemporary American culture are as widely lamented as the public's obsession with celebrity-and the trivializing effect this obsession has on what appears as news. Nevertheless, America's "culture of celebrity" remains misunderstood, particularly when critics discuss its historical roots. In this pathbreaking book, Charles Ponce de Leon provides a new interpretation of the emergence of celebrity. Focusing on the development of human-interest journalism about prominent public figures, he illuminates the ways in which new forms of press coverage gradually undermined the belief that famous people were "great" instead encouraging the public to regard them as complex, interesting, even flawed individuals and offering readers seemingly intimate glimpses of the "real" selves that were presumed to lie behind the calculated, self-promotional fronts that celebrities displayed in public. But human-interest journalism about celebrities did more than simply offer celebrities a new means of gaining publicity or provide readers with the "inside dope" says Ponce de Leon. In chapters devoted to celebrities from the realms of business, politics, entertainment, and sports, he shows how authors of celebrity journalism used their writings to weigh in on subjects as wide-ranging as social class, race relations, gender roles, democracy, political reform, self-expression, material success, competition, and the work ethic, offering the public a new lens through which to view these issues.

A fascinating contribution to one of the most important developments of modern America. One has only to think for a moment about contemporary culture to wish to know where our obsessions with celebrity come from and, more profoundly, what impact celebrating celebrity has had on our civilization.--James B. Gilbert, University of Maryland at College Park

Second Edition