Tom Taylor's life was screwed from go. His father created the Tommy Taylor fantasy series, boy-wizard novels with popularity on par with Harry Potter. The problem is Dad modeled the fictional epic so closely to Tom's real life that fans are constantly comparing him to his counterpart, turning him into the lamest variety of Z-level celebrity. In the final novel, it's even implied that the fictional Tommy will crossover into the real world, giving delusional fans more excuses to harass Tom. 

When an enormous scandal reveals that Tom might really be a boy-wizard made flesh, Tom comes into contact with a very mysterious, very deadly group that's secretly kept tabs on him all his life. Now, to protect his own life and discover the truth behind his origins, Tom will travel the world, eventually finding himself at locations all featured on a very special map -- one kept by the deadly group that charts places throughout world history where fictions have impacted and tangibly shaped reality, those stories ranging from famous literary works to folktales to pop culture. And in the process of figuring out what it all means, Tom will find himself having to figure out a huge conspiracy mystery that spans the entirety of the history of fiction.

Selected Poems charts Mark Ford's growing complexity as a writer and his mastery and use of form. John Ashbery calls Ford's work "refreshing" and it's that exuberance and goodwill that animates the poems, giving them their spontaneity and leavening the grim with comic élan and joy. Myth, history, and the everyday are all at play in this wonderfully diverse collection.

Invisible Assets:

After he threw he through a
plate glass window, nature seemed that much closer.

Even the dastardly division in society
might be healed by a first-rate glazier.

Of course, on Sundays families still picnicked
boldly on the village green, and afterwards

marveled at the blacksmith's glowing forge—
how strong they all were in those days!

And yet how small! Even a man only six foot tall
was then esteemed a veritable giant.

Surely the current furor over architecture
would have evoked from them only pitying smiles.

Meanwhile the market for landscapes has never
been firmer. This view, for instance, includes

seven counties, and a bull charging around in its paddock.

Mark Ford was born in Nairobi, Kenya, in 1962. He has published three collections of poetry and a biography of the French writer Raymond Roussel and is the editor of Frank O'Hara's Selected Poems. He has also translated Roussel's New Impressions of Africa and is the editor of London: A History in Verse. He lives in London, England.

This book is a hardcover, library binding.  It is used, a library discard with typical library markings.  Biography/Non Fiction

An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11

Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality.

Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions.

Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.

Publishers Weekly Best Book * ALA Best Book for Young Adults * ALA Notable Children's Book * ALA Booklist Editors' Choice

In the tradition of The Diary of Anne Frank and I Am Malala, this is the incredible true story of one girl’s courage and determination during one of the most terrifying eras of the twentieth century.

It's 1966, and twelve-year-old Ji-li Jiang has everything a girl could want: brains, popularity, and a bright future in Communist China. But it's also the year that China's leader, Mao Ze-dong, launches the Cultural Revolution—and Ji-li's world begins to fall apart. Over the next few years, people who were once her friends and neighbors turn on her and her family, forcing them to live in constant terror of arrest. And when Ji-li's father is finally imprisoned, she faces the most difficult dilemma of her life.

Written in an accessible and engaging style, this page-turning, honest, and deeply personal autobiography will appeal to readers of all ages. This edition includes a detailed glossary and pronunciation guide.

Mountain Doctrine: Tibet's Fundamental Treatise on Other-Emptiness and the Buddha Matrix by Dol-Bo-Ba Shay-Rap-Gyel-Tsen (Author) and Jeffrey Hopkins (Translator)

Translated here for the first time into any language, Mountain Doctrine  is a seminal fourteenth-century Tibetan text on the nature of reality. The author, Dol-bo-ba Shay-rap-gyel-tsen, was on of the most influential figures of that dynamic period of doctrinal formulation, and his text is a sustained argument about the buddha-nature, also called the matrix-of-one-gone-thus. Dol-bo-ba recognizes two important types of emptiness—self-emptiness and other-emptiness—and shows how other-emptiness is the actual ultimate truth. He justifies this controversial formulation by arguing that it was the favored system of all the early outstanding figures of the Great Vehicle. The translator's introduction includes a short biography of Dol-bo-ba and an exposition of nine focal topics in his religious philosophy.

This is a used, mass market paperback book in good or better condition. More information to come soon.

The final novel of Hermann Hesse, for which he won the Nobel Prize for Literature in 1946, The Glass Bead Game is a fascinating tale of the complexity of modern life as well as a classic of modern literature

"...a genre blend of science fiction, fantasy, and fictional biography, leavened with musicology, poetry, and Hesse’s unique swirl of Eastern and Western philosophy." -The American Scholar

Set in the 23rd century, The Glass Bead Game is the story of Joseph Knecht, who has been raised in Castalia, the remote place his society has provided for the intellectual elite to grow and flourish. Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and scientific arts, such as mathematics, music, logic, and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

"Fanny Burney's first novel Evelina was the chick-lit novel of 1778 - all about a young girl's adventures in London, and one of the best of its kind ever written...the Oxford World's Classics edition has a knowledgeable preface by Edward A. Bloom" --Derwent May, the Times

About the Author

Frances Burney (Fanny Burney) was a British novelist who wrote four novels, eight plays, and one biography in her lifetime, and left behind 20 volumes of journals and letters after her death. Self-educated, Burney began writing at the age of 10, and published her first novel, Evelina, anonymously in 1778. Burney followed Evelina's success with Cecilia, Camilla, and The Wanderer, all of which explored the lives of English aristocrats and the role of women in society. Burney s novels were enormously popular during her lifetime, inspiring both Jane Austen and William Makepeace Thackeray, and her journals are recognized for their uncommonly accurate and candid portrayal of 18th-century England. Burney died in Bath, England, in 1840.

A Handbook for Right-Wing Youth consists of essays selected from throughout Evola’s lifetime, but most especially from the post-war era, when youth across the Western world had thrown their societies into chaos with protests, civil unrest, and by defying conventional mores. According to Evola, the problem was not with the youth themselves, given that he viewed the inquisitive and seeking mentality associated with the young as essential toward opening oneself to the wisdom of Tradition, but rather with the fact that post-war Western civilisation itself had come to venerate youthfulness over maturity, thus leaving the young without any guidance or authority. Evola believed that it was only by channelling the energies of the rebellious youth into the political Right — not the Right of today, but rather that Right which represents the timeless principles which stem from before the advent of liberalism — thus restoring the West to a healthy and organic condition once again. 

In these essays, he defines those principles which must be undertaken by youth — not just by those young in age, but those young in spirit as well — if they are to gain mastery not only over their societies, but also over themselves. As such, while this is a book aimed at the young, it is not exclusively for them.

This book was assembled out of Evola’s writings by the Hungarian traditionalists, and includes a Foreword by Gábor Vona, Chairman of Hungary’s political party, Jobbik.

"A wonderful book! To find a previously unknown message from Yogananda now is an extraordinary spiritual gift." -- Body, Mind, Spirit magazine

Yogananda was one of the most significant spiritual teachers of the 20th century. Since his classic, Autobiography of a Yogi, was first published in 1946, its popularity has increased steadily throughout the world. The Essence of Self-Realization is filled with lessons and stories that Yogananda shared only with his closest disciples, this volume offers one of the most insightful and engaging glimpses into the life and lessons of a great sage. Much of the material presented here is not available anywhere else.

Finally, a useful book about UFOs! It's Professor Solomon's guide to UFOs - specifically, his comprehensive study of the flying saucer phenomenon. In this scholarly yet entertaining work, the Professor delves into UFO legend and lore particularly that of the contactees of the 1950s.

He also presents a biography of George Adamski, the most controversial (and colorful) of the contactees. And he offers practical advice for readers about to embark on their own flying saucer experience. Read this book and be ready for your ride in a UFO.

From the Back Cover

A ride in a flying saucer can be a valuable experience--educational, uplifting, empowering. But only if you're prepared for it. Hence this guide--the most comprehensive and practical ever offered to the public.

In it you'll find tales of contactees, facts about the Space People, and amazing photos.

You'll learn about Buck Nelson's ride, Orthon, mother ships, the Encounter Kit, boarding etiquette, Little Men, propulsion systems, Cosmic Consciousness, UFO detectors, Giant Rock, interplanetary birds, a special handshake, women and UFOs, the Pyramid Hat, sightseeing on Mars, abductions (the real story), Madame Blavatsky, the Moon train, exercise pills, Ray Palmer ("the man who invented flying saucers"), the Saturn conference, Music of the Spheres, the Mystery Tower, your legal rights in Space, George Adamski, jumpsuits.

And you'll get Professor Solomon's tips for making the most of your encounter.

Read this book and be ready--for your ride in a UFO.

About the Author

Professor Solomon is also the author of How to Find Lost Objects (Penguin Books, 1995) and Japan in a Nutshell (Top Hat Press, 1997).

Gain insight from this book to help you understand the Ehret System.  Ehret's attraction has drawn hundreds of thousands of followers for more than 50 years.  He was a humanitarian, a clairvoyant possessed of extra sensory perception and instinctive knowledge.  He also was mild in manner, artistic, frank, sincere, inspired, loving and lovable, with a keen sense of humor.

Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places.

Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal.

"O’Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times

"As collections go, none brings. . .quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review

"What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction — that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of “Lunch Poems”: not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes

"The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience—much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic

Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore’s new single evidence our culture’s continuing fascination with this innovative poet.

“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival.

Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories. 

His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime.

Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth.

Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.

The Story of a Ten-Minute Argument Between Two Great Philosophers

On October 25, 1946, in a crowded room in Cambridge, England, the great twentieth-century philosophers Ludwig Wittgenstein and Karl Popper came face to face for the first and only time. The meeting -- which lasted ten minutes -- did not go well. Their loud and aggressive confrontation became the stuff of instant legend, but precisely what happened during that brief confrontation remained for decades the subject of intense disagreement.

An engaging mix of philosophy, history, biography, and literary detection, Wittgenstein's Poker explores, through the Popper/Wittgenstein confrontation, the history of philosophy in the twentieth century. It evokes the tumult of fin-de-siécle Vienna, Wittgentein's and Popper's birthplace; the tragedy of the Nazi takeover of Austria; and postwar Cambridge University, with its eccentric set of philosophy dons, including Bertrand Russell. At the center of the story stand the two giants of philosophy themselves -- proud, irascible, larger than life -- and spoiling for a fight.

"Two Leggings . . . was one of the last Crow Warriors. From 1919 to 1923 he told his story of Crow life and wars to William Wildschut, an ethnologist with the Museum of the American Indian . . . . This is the poignant story of the end of traditional Crow life and attitudes, which Two Leggings saw ending with the last warfare rather than the death of the buffalo."-Pacific Historian Peter Nabokov is on the faculty of the Department of Anthropology and the American Indian Studies Program, University of Wisconsin, Madison, and the author of Native American Architecture (1988) and editor of Native American Testimony: A Chronicle of Indian and White Relations from Prophecy to the Present, 1492-1992 (1991).

"Two Leggings . . . was one of the last Crow Warriors. From 1919 to 1923 he told his story of Crow life and wars to William Wildschut, an ethnologist with the Museum of the American Indian . . . . This is the poignant story of the end of traditional Crow life and attitudes, which Two Leggings saw ending with the last warfare rather than the death of the buffalo."—Pacific Historian

"This is the story of Two Leggings’ desire for fame, his rise as a warrior, and his efforts to achieve a spiritual vision. He takes us along on buffalo hunts, war parties against the Piegans, and horse stealing raids against the Piegans and Sioux. His obsession to become a chief and famous warrior drove him to repeated forays against enemy tribes for scalps and horses. He relates the religious relationship between vision fasts, medicine bundles, and a war raid’s outcome, sun dances in which performers pierced their breast muscles with wooden skewers, and wife stealing between rival warrior societies. . . . It is a remarkable story."—Chicago Tribune

"This is a rare piece of Americana—a first-person account of the psychological, religious, and social life of a nineteenth century Indian. The dramatic recital is a real contribution to our native biography, history, and ethnology, and an important treatise in a fascinating but curiously neglected field."—Baltimore Sun

About the Author

Peter Nabokov is on the faculty of the Department of Anthropology and the American Indian Studies Program, University of Wisconsin, Madison, and the author of Native American Architecture (1988) and editor of Native American Testimony: A Chronicle of Indian and White Relations from Prophecy to the Present, 1492–1992 (1991).

A wonderful introduction to America's most beloved authors, and the transformation of their stories into film

The stories collected here were chosen for adaptation and inclusion in a series of films sponsored by the National Endowment for the Humanities, bringing together the works of America's master writers of the nineteenth and twentieth centuries.

"Paul's Case" by Willa Cather
Now considered a true classic, Willa Cather's tale brings to life a sensitive high-school student who runs away to embrace the offbeat, artistic life he craves. But will he find his dreams . . . or tragedy?

"The Greatest Man in the World" by James Thurber
Thurber's unique satire creates Jack "Pal" Smurch, a mechanic's helper in a small garage in Westfield, Iowa, who becomes a national hero as the first pilot to fly around the world—with hilarious results.

"The Sky Is Gray" by Ernest J. Gaines
The author of The Autobiography of Miss Jane Pittman illustrates the meaning of black manhood in a story filled with pain—of poverty, of a young boy's life, of a mother's dreams—and with transcendent, heart-lifting joy.

And five more superb stories by Nathaniel Hawthorne, Mark Twain, Ring Lardner, Katherine Anne Porter, and William Faulkner, presented with their award-winning film adaptations

The first insider account of an ancient and secretive tradition 

• By the first foreigner to become a member, and later an elder, of the Juna Akhara, the oldest and largest grouping of Naga Babas 

• Filled with true accounts of magic, miracles, ghosts, and austerities 

• With lessons on Hindu gods, ayurveda, and Indian culture woven throughout 

After traveling at age 18 from his native California to India in 1969, Rampuri was drawn to the Naga Babas, an ancient and wild order of naked yogis whom he calls the “Hell’s Angels of Indian Spirituality.” Organized into a sect by Adi Shankara in the 5th century BC, the Naga Babas see themselves as the ultimate protectors of the Sanatan Dharma, or what we call the Hindu religion. Rampuri became a disciple of a Naga Baba--a master shaman sadhu--from Rajasthan and, as foretold by astrological prophecy, soon found himself the first foreigner to become an initiate of the Juna Akhara, the oldest and largest grouping of Naga Babas with more than 50,000 sadhu members. 

From drinking the “Nectar of Immortality” at the source of the Ganges River to allegations of tantric murder, this autobiography is filled with true accounts of magic, miracles, ghosts, and austerities, with lessons on Hindu gods, ayurveda, mantra, and Indian culture woven throughout. Through his journey of extremes, Rampuri takes us into the mystic heart of India.

In 1990 a single mother and her 10-year-old daughter move into an old house in a quiet Kentucky town. Their excitement of living in a piece of history fades, however, as they slowly become convinced there's something malevolent in the walls of their 100+ year old house.

A TRUE ghost story!

About the Author

Rebecca Patrick-Howard's real biography isn't nearly as interesting as the one she's made up in her head so she'll leave you with that one:

At the age of 3, her family sold her to a band of traveling gypsies. Forced to become a bareback rider in the circus, she spent her younger years traveling the country, living out of suitcases and selling macrame keychains on the side. At the age of 16 she became a professional yodeler but, after winning the international yodeling competition in Switzerland at 19, decided to retire at the height of her career. Now, she and her husband (an organic rutabaga farmer from Wales) live in an isolated cabin in eastern Kentucky where they play with a local mariachi band every Friday night, are involved with a murder mystery dinner theater club, and enjoy making origami owls.

Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. In A Garden of Earthly Delights, Oates presents one of her most memorable heroines, Clara Walpole, the beautiful daughter of Kentucky-born migrant farmworkers. Desperate to rise above her haphazard existence of violence and poverty, determined not to repeat her mother’s life, Clara struggles for independence by way of her relationships with four very different men: her father, a family man turned itinerant laborer, smoldering with resentment; the mysterious Lowry, who rescues Clara as a teenager and offers her the possibility of love; Revere, a wealthy landowner who provides Clara with stability; and Swan, Clara’s son, who bears the psychological and spiritual burden of his mother’s ambition.

A masterly work from a writer with “the uncanny ability to give us a cinemascopic vision of her America” (National Review), A Garden of Earthly Delights is the opening stanza in what would become one of the most powerful and engrossing story arcs in literature.

A Garden of Earthly Delights is the first novel in the Wonderland Quartet. The books that complete this acclaimed series, Expensive People, them, and Wonderland, are also available from the Modern Library.

Praise for The Wonderland Quartet, four early novels by Joyce Carol Oates

A Garden of Earthly Delights
Expensive People
them
Wonderland

"Protean and prodigious are surely the words that describe Ms. Oates. From the very beginning, as these impressive and diverse novels make clear, her talents and interests and strengths have never found comfort in fashionable restraint. She's sought, instead, to do it all -- to face and brilliantly, inventively transact and give shape to as much of experience as possible, as if by no other means is a useful and persuasive gesture of moral imagination even conceivable. For us readers these are valuable books." -- Richard Ford

"These four novels reveal Oates' powers of observation and invention, her meticulous social documentation joined to her genius for forging unforgettable myths. She is one of the handful of great American novelists of the last hundred years. " -- Edmund White 

"This rich, kaleidoscopic suite of novels displays the young Joyce Carol Oates exercising her formidable artistic powers to portray a turbulent twentieth-century America. They offer the reader a singular opportunity to experience some of Oates's best writing and to witness her development, novel by novel, into one of our finest contemporary writers." --Greg Johnson, author of Invisible Writer: A Biography of Joyce Carol Oates 

"As a young writer, Joyce Carol Oates published four remarkable novels, A Garden of Earthly Delights (1967), Expensive People (1968), them (1969), and Wonderland(1971). They were all nominated for the National Book Award, and Oates won the award for them in 1970....Reprinting the series in modern paperback editions nearly forty years after their composition allows us a new perspective on their collective meaning and illuminates their place in Oates's overall career...The Wonderland Quartet, written in the "white heat" of youthful imagination and fervor, remains not only relevant but prophetic about the widening social and economic gulf in American society, the self-destructive violence of political extremism, and the terrifying hubris of science and technology. Bringing to life an unforgettable range of men and women, the Wonderland Quartet offers a compelling introduction to a protean and prodigious contemporary artist." -- Elaine Showalter, from her introduction, which appears in all four of these new Modern Library editions

The first book in Oates's famous trilogy that includes Expensive People and the National Book Award winner them
In her second novel, Joyce Carol Oates, author of many bestselling novels, including We Were the Mulvaneys and Blonde, created one of her most memorable heroines, Clara, the beautiful daughter of migrant farmworkers. Intent upon rising above her haphazard life of violence and poverty, Clara struggles for independence while relying on four men to fashion her destiny: her father, a hardened laborer simmering with resentment; Lowry, who rescues the teenage Clara from her family and offers her a first glimpse of love; Revere, the wealthy married man who promises Clara stability; and Swan, Clara's son, who bears the burden of his mother's mistaken identity.
For this Modern Library 20th Century Rediscovery edition, Joyce Carol Oates has revised and rewritten three fourths of the novel, originally published in 1966, a feat comparable to Henry James's revisions of his early novels in 1908, when he was at the height of his artistic powers. With a new Afterword by the author, this is the definitive edition of an early masterpiece by one of our greatest living writers.

Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. In Expensive People, Oates takes a provocative and suspenseful look at the roiling secrets of America’s affluent suburbs. Set in the late 1960s, this first-person confession is narrated by Richard Everett, a precocious and obese boy who sees himself as a minor character in the alarming drama unfolding around him. 

Fascinated by yet alienated from his attractive, self-absorbed parents and the privileged world they inhabit, Richard incisively analyzes his own mismanaged childhood, his pretentious private schooling, his “successful-executive” father, and his elusive mother. In an act of defiance and desperation, eleven-year-old Richard strikes out in a way that presages the violence of ever-younger Americans in the turbulent decades to come.

A National Book Award finalist, Expensive People is a stunning combination of social satire and gothic horror. “You cannot put this novel away after you have opened it,” said The Detroit News. “This is that kind of book–hypnotic, fascinating, and electrifying.”

Expensive People is the second novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, them, and Wonderland, are also available from the Modern Library.

Praise for The Wonderland Quartet, four early novels by Joyce Carol Oates

A Garden of Earthly Delights
Expensive People
them
Wonderland

"Protean and prodigious are surely the words that describe Ms. Oates. From the very beginning, as these impressive and diverse novels make clear, her talents and interests and strengths have never found comfort in fashionable restraint. She's sought, instead, to do it all -- to face and brilliantly, inventively transact and give shape to as much of experience as possible, as if by no other means is a useful and persuasive gesture of moral imagination even conceivable. For us readers these are valuable books." --Richard Ford

"These four novels reveal Oates' powers of observation and invention, her meticulous social documentation joined to her genius for forging unforgettable myths. She is one of the handful of great American novelists of the last hundred years. " --Edmund White

"This rich, kaleidoscopic suite of novels displays the young Joyce Carol Oates exercising her formidable artistic powers to portray a turbulent twentieth-century America. They offer the reader a singular opportunity to experience some of Oates's best writing and to witness her development, novel by novel, into one of our finest contemporary writers." --Greg Johnson, author of Invisible Writer: A Biography of Joyce Carol Oates 

"As a young writer, Joyce Carol Oates published four remarkable novels, A Garden of Earthly Delights (1967), Expensive People (1968), them (1969), and Wonderland(1971). They were all nominated for the National Book Award, and Oates won the award for them in 1970....Reprinting the series in modern paperback editions nearly forty years after their composition allows us a new perspective on their collective meaning and illuminates their place in Oates's overall career...The Wonderland Quartet, written in the "white heat" of youthful imagination and fervor, remains not only relevant but prophetic about the widening social and economic gulf in American society, the self-destructive violence of political extremism, and the terrifying hubris of science and technology. Bringing to life an unforgettable range of men and women, the Wonderland Quartet offers a compelling introduction to a protean and prodigious contemporary artist." -- Elaine Showalter, from her introduction, which appears in all four of these new Modern Library editions

About the Author

Joyce Carol Oates is the Roger S. Berlind Professor in the Humanities at Princeton University. The bestselling author of the novels We Were the Mulvaneys and Blonde, she has written numerous works of fiction as well as poetry, essays, criticism, and plays.

In his Lives of the Artists of the Italian Renaissance, Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect. Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgements have made him one of the most influential art historians of all time.

Irving Stone’s classic biographical novel of Michelangelo—the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life. 

His time—the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...

His loves—the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love—the beautiful, unhappy Vittoria Colonna...

His genius—a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...

His name—Michelangelo Buonarroti. Creator of the David, painter of the ceiling in the Sistine Chapel, architect of the dome of St. Peter's, Michelangelo lives once more in the tempestuous, powerful pages of Irving Stone's towering triumph. A masterpiece in its own right, this biographical novel offers a compelling portrait of one of the greatest artists the world has ever known.

The Monumental Saga of the Winning of America's Far West

Acclaimed author of biographical and historical fiction Irving Stone turns his magnificent talent to telling America’s most colorful and exciting story—the opening of the Far West.

Men to Match My Mountains is a true historical masterpiece, an unforgettable pageant of giants—men like John Sutter, whose dream of paradise was shattered by the California Gold Rush; Brigham Young and the Mormons, who tamed the desert with Bible texts; and the silver kings and the miners, who developed Nevada’s Comstock Lode and settled the Rockies.

America called for greatness...and got it. There is nothing in history to match the stories of these men who braved wilderness to bring new nation to the shores of the Pacific.

About the Author

Irving Stone was born in San Francisco on July 14, 1903. He wrote several books in a genre that he coined the “biographical novel,” which recounted the lives of well-known historical figures. In these novels, Stone interspersed biography with fictional narrative on the psychology and private lives of his subjects. He also wrote biographies of Clarence Darrow and Earl Warren, and short biographies of men who lost presidential elections. He died on August 26, 1989.

WITH AN INTRODUCTION BY ALI SMITH

Long-regarded as one of the true visionary writers of the twentieth century, J.G. Ballard was one of the first British writers of the post-war period to begin to see, and to map out in his fiction, the future course of our civilization. For forty years his unflinching eye has turned to the point where the advancing edge of our technological progress has worn away our inner humanity.

Eden-Olympia is more than just a multinational business park, it is a virtual city-state in itself, with the latest in services and facilities for the most elite high-tech industries. Isolated and secure, overlooking the luxurious French Riviera, the residents lack nothing. Yet one day Dr. Greenwood from Eden-Olympia's clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and she and her husband, Paul, are given Dr. Greenwood's house as a residence.

Unable to work while recovering from an accident, Paul spends his days taking a close look at the house where Dr. Greenwood shot himself and three hostages. He discovers clues in the house lead him to question Eden-Olympia's official account of the killings. Drawn into investigating the activities of the park's leading citizens, while Jane is lured deeper into Eden-Olympia's inner workings, Paul uncovers the dangerous psychological vents that maintain Eden-Olympia's smoothly running surface. An experiment is underway at Eden-Olympia, an experiment in power and brutality. Soon Paul finds himself in race to save himself and his wife before they are crushed by forces that may be beyond anyone's control.

"Ballard’s prose is seductive and pellucid and his stories compelling....Spiked with...gnomic dialogue and black, black humor, this book is also a captivating Chandlerian mystery."―The Washington Post Book World

"Ballard’s fictional world [is] like no one else’s."―The Atlantic Monthly

"Ballard is our poet laureate of Modernism’s dead zones....[Super-Cannes] achieves a brilliant, thorny ambiguity―the kind that lodges splinterlike in your imagination, and refuses to come loose."―LA Weekly

"Rarely has his vision been so total, his creation so complete. Super-Cannes is as good as anything that Ballard has done before, and considering the work which that bland statement encompasses, it’s the highest possible praise."―Minneapolis Star Tribune

"One of his finest."―San Francisco Chronicle

About the Author

J. G. BALLARD was born in 1930 in Shanghai. After internment in a civilian prison camp, his family returned to England in 1946. His 1984 bestseller Empire of the Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize. His controversial novel Crash was made into a film by David Cronenberg. His autobiography Miracles of Life was published in 2008, and a collection of interviews with the author, Extreme Metaphors, was published in 2012. J. G. Ballard passed away in 2009.

The New York Times Bestseller, with a new preface from the author

“This estimable book rides into the summer doldrums like rural electrification. . . . It deals in the truths that matter.”—Dwight Garner, The New York Times

“This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.”—O, The Oprah Magazine

“White Trash will change the way we think about our past and present.”
—T. J. Stiles, Pulitzer Prize-winning author of Custer’s Trials

In her groundbreaking  bestselling history of the class system in America, Nancy Isenberg, #4 on the 2016 Politico 50 list, takes on our comforting myths about equality, uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash.

“When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters that put Trump in the White House have been a permanent part of our American fabric, argues Isenberg.

The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds.

Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity.

We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

The mysterious and exciting legends of the gods and heroes in Ancient Greece, from the adventures of Perseus, the labours of Heracles, the voyage of Jason and the Argonauts, to Odysseus and the Trojan wars. Introduced with wit and humour by Rick Riordan, creator of the highly successful Percy Jackson series.

About the Author

Roger Lancelyn Green was born in 1918 and lived in Oxford and at his family home in Cheshire, which the Greens had owned for more than 900 years. He loved storytelling and was fascinated by traditional fairy tales, myths and legends from around the world. He was a professional actor, a librarian and a teacher. His retellings include Egyptian, Greek and Norse legends, plus a retelling of Robin Hood. He also wrote many books for adults, including a biography of his friend C. S. Lewis, creator of the The Chronicles of Narnia. Roger Lancelyn Green died in 1987.

A King Sized Collection of Dirty Laundry...

Based on months of conversations with Onassis and interviews with those who knew him, this biography reveals the complex personality of the man whose business dealings manipulated history and shook governments.

He’s an American legend, a straight-shooting businessman who brought Chrysler back from the brink and in the process became a media celebrity, newsmaker, and a man many had urged to run for president.

The son of Italian immigrants, Lee Iacocca rose spectacularly through the ranks of Ford Motor Company to become its president, only to be toppled eight years later in a power play that should have shattered him. But Lee Iacocca didn’t get mad, he got even. He led a battle for Chrysler’s survival that made his name a symbol of integrity, know-how, and guts for millions of Americans.

In his classic hard-hitting style, he tells us how he changed the automobile industry in the 1960s by creating the phenomenal Mustang. He goes behind the scenes for a look at Henry Ford’s reign of intimidation and manipulation. He recounts the miraculous rebirth of Chrysler from near bankruptcy to repayment of its $1.2 billion government loan so early that Washington didn’t know how to cash the check.

The Star--The public saw her as a gifted child  star: the youngest actor to win an Oscar for her role  as Helen Keller in The Miracle Worker and the  youngest actor to have a prime-time television series  bearing her own name. 

The Nightmare--What the  public did not see was Anna Marie Duke, a young girl  whose life changed forever at age seven when  tyrannical mangers stripped her of nearly all that was  familiar, beginning with her name. She was deprived  of family and friends. Her every word was  programmed, her every action monitored and criticized. She  was fed liquor and prescription drugs, taught to  lie to get work, and relentlessly drilled to win  roles. 

The Legend--Out of this nightmare emerged  Patty Duke, a show business legend still searching  for the child, Anna. She won three Emmy Awards and  divorced three husbands. A starring role in  Valley of the Dolls nearly ruined her  career. She was notorious for wild spending sprees,  turbulent liaisons, and an uncontrollable temper.  Until a long hidden illness was diagnosed, and her  amazing recovery recovery began. 

The Triumph--  Call Me Anna is an American success  story that grew out of a bizarre and desperate  struggle for survival. A harrowing, ultimately  triumphant story told by Patty Duke herself--wife,  mother, political activist, President of the Screen  Actors Guild, and at last, a happy, fulfilled woman  whose miracle is her own life.

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

From Publishers Weekly

A robust volume of 63 stories from 52 authors from 20 different countries, Gwynn and Gioia's anthology seems destined for undergraduate classrooms. Most of the editors' selections come from the usual literary heavyweights, authors like Hemingway, Chekhov, Joyce, Borges, Faulkner, Welty and Melville. But they do include a handful of more contemporary writers, such as Chinua Achebe, Ha Jin, Sandra Cisneros and Alice Munro as well. Each author receives a page-long biography, which dispenses some interesting facts (e.g., Tolstoy's infidelities, Woolf's depression, Gogol's madness, Poe's poverty, Mishima's suicide), gives a careful analysis of the author's works and sets them in the context of various literary traditions. Garcia Marquez's use of magical realism, for example, is connected to the surreal writings of Kafka, Maupassant, Cheever, Singer and Rushdie. Teachers and would-be writers will especially appreciate the "Author's Perspective" that accompanies each short story. This commentary, written by the author of the story itself, is used by the editors to illuminate the fictional text: its aims, its context or its workings. Sherwood Anderson and Raymond Carver's essays, for example, offer advice on the craft of writing. Margaret Atwood discusses Canadian identity; Alice Walker writes on race and gender; Camus discusses revolution and repression. Fitzgerald's self-interview and Cheever's "Why I Write Short Stories" both contain a comic edge, while Flannery O'Connor's essay explains the importance of religious grace in her stories. The anthology also includes instructional sections on the basic elements of short fiction, writing about fiction, critical approaches from various theoretical schools and a glossary of literary terms. With all its supporting material, the collection may seem geared for the student, yet its flexibility also allows for browsing by the casual short story reader.
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