This sutra is the study of what can be called Nirvana Sutra Buddhism or Tathagatagarbha Buddhism. It is a very positive, balanced, faith-promoting and spiritually affirmative manifestation of Buddhism, which recognises the hidden reality of the unconditioned, egoless Buddha-Self in all beings. That Self of the Buddha is a mystery, beyond the reach and grasp of the samsaric intellect: while the Buddha-Self is real, it is certainly not comparable to our worldly, selfish self (ego) and cannot truly be captured within the net of words or concepts. Yet it is the only enduring Truth that can ever be found. This sutra leads us to the Ultimate Truth and indicate the Path to tread for an Awakening into Reality s presence, which is all-pervading and eternal. That eternally present Truth is the sole genuine Reality. You, monks, should not thus cultivate the notion of impermanence, suffering and non-Self, the notion of impurity and so forth, deeming them to be the true meaning of the Dharma, as those people searching in a pool for a radiant gem did, each thinking that bits of brick, stones, grass and gravel were the jewel. You should train yourselves well in efficacious means. In every situation, constantly meditate upon the idea of the Self, the idea of the Eternal, the Bliss, and the Pure ... Those who, desirous of attaining Reality, meditatatively cultivate these ideas, namely, the ideas of the Self, the Eternal, the Bliss, and the Pure, will skilfully bring forth the jewel, just like that wise person who obtained the genuine, priceless gem, rather than worthless detritus misperceived as the real thing.

- The Buddha, Chapter Three, The Mahayana Mahaparinirvana Sutra

Transurfing is a powerful tool for managing reality. Apply it and life will begin to change according to YOUR order. When you use Transurfing goals are not reached, so much as realized for the most part of themselves. It seems impossible to believe but only at first. The ideas presented in the book have already received practical confirmation. Those who have tried Transurfing, experience surprise bordering on delight as the world of the Transurfer inexplicably changes before their very eyes.

What is the book about?

Transurfing is the art of controlling reality using our freedom of choice. The world always reflects our perception of it. People can choose any variant of the development of current reality and thereby find themselves in circumstances they find desirable . To learn how to do this, you have to learn how to establish mutual understanding between the soul and mind, formulate intention and avoid the influence of destructive pendulums.

Why should you read this book?

Most people who have read "Transurfing", note that from the very e first pages, the book completely reverses their view of the world and the role of the individual in their own life. A fresh look at reality encourages the reader to consciously relate to the choices they make in any moment, and this really changes their life in the direction they would like. "It works!" is the phrase found in almost all reviews of Vadim Zeland's book.

Who is this book for?

The book has aroused great interest among the young and middle-aged, those who are interested equally in philosophy, psychology and physics and the mysteries of human consciousness.

Why we decided to publish it

The idea of " Transurfing Reality" quickly gained popularity when the author posted the text on the Internet. Numerous readers' reviews, saying that it really works, and the author's original take on the structure of reality prompted the publishers decide to publish Vadim Zeland's manuscript. We had no doubt that "Transurfing" would be popular among a huge audience

About the author

Vadim Zeland: "I'm over forty. Before the collapse of the Soviet Union I was engaged in research in the field of quantum physics, then computer technology, and now books. I live in Russia. My nationality is Russian, or more precisely, a quarter Estonian. The rest is irrelevant, as is all the above. Regarding my own success, all I can say is that Transurfing works perfectly. I don’t however want to advertise my personal life, as then it would cease to be personal. Fame turns against you, if you give in to temptation and climb up on a pedestal for all to see. Among some people, the American Indians, for example ,there is a belief that if someone copies your portrait (photographs you), they steal part of your soul. Of course, this is just superstition, but there is no smoke without fire. You can distribute a product of personal creativity ; but release your personality for mass circulation – never.

To the question of intrigued readers: "Who are you, Vadim Zeland?", I usually just say: "Nobody". My biography can not and should not be a matter of interest, since I am not thecreator of Transurfing, only a "retranslator". It is essential that we be nothing - an empty vessel, so that we do not impose our personal distortions onto this ancient Knowledge, that opens the door to a world, where the impossible becomes possible. Reality ceases to exist as something external and independent. and becomes manageable if you follow certain rules. The secret itself that is hidden only in as much as it lies on the surface, is so great that the personality of its bearer ceases to be relevant. Perhaps the guardians who passed on this knowledge to me are of genuine interest but they too prefer to remain in the wings."

Translation from the Russian language by Joanna Dobson

While young men wage war against an evil empire of zealous mutants, the population of this modern inferno is afflicted with the epidemic of a radioactive virus. An opium-infused apocalyptic vision from the legendary author of Naked Lunch is the first of the trilogy with The Places of the Dead Roads and his final novel, The Western Plains.

“Cities of the Red Night is Burroughs's masterpiece. In it, the world ends with a bang--and a barely perceived whimper, disguised by the wicked smile of one of the most dazzling magicians of our time.” ―Los Angeles Time Book Review

“Cities of the Red Night is not only Burroughs' best work, but a logical and ripening extension of all of Burroughs's great work.” ―Ken Kesey

“One should approach Cities of the Red Night as the Wagneresque capper of all the five or six homosexual planet-operas Burroughs has scripted since he found a genuine new style in Naked Lunch . . . It's as if we had gotten hold of a black ticket to his unconscious, and anyone who makes the trip will see sights and feel feelings that are unique and mind-bending beyond anyone else's description” ―The Washington Post Book World

“Cities of the Red Night is the most complete and most devastatingly sardonic statement of William Burroughs's apocalyptic vision. Through his mordant satire of cultural aspirations, homosexual eroticism and political power, he focuses our gaze into the abyss. His cold, surgical language creates beauty through a terror that we are just able to bear . . . A modern Inferno.” ―Newsday

About the Author

William S. Burroughs was born in St. Louis in 1914. He is best-known work is 1959's Naked Lunch―which became the focus of a landmark 1962 Supreme Court decision that helped eliminate literary censorship in the United States. Described by Norman Mailer as one of America's few writers genuinely "possessed by genius," he died in 1997. His many other works include Junky and The Place of Dead Roads (Picador).

The world's most revered and eloquent interpreter of evolutionary ideas offers here a work of explanatory force unprecedented in our time--a landmark publication, both for its historical sweep and for its scientific vision.

With characteristic attention to detail, Stephen Jay Gould first describes the content and discusses the history and origins of the three core commitments of classical Darwinism: that natural selection works on organisms, not genes or species; that it is almost exclusively the mechanism of adaptive evolutionary change; and that these changes are incremental, not drastic. Next, he examines the three critiques that currently challenge this classic Darwinian edifice: that selection operates on multiple levels, from the gene to the group; that evolution proceeds by a variety of mechanisms, not just natural selection; and that causes operating at broader scales, including catastrophes, have figured prominently in the course of evolution.

Then, in a stunning tour de force that will likely stimulate discussion and debate for decades, Gould proposes his own system for integrating these classical commitments and contemporary critiques into a new structure of evolutionary thought.

In 2001 the Library of Congress named Stephen Jay Gould one of America's eighty-three Living Legends--people who embody the "quintessentially American ideal of individual creativity, conviction, dedication, and exuberance." Each of these qualities finds full expression in this peerless work, the likes of which the scientific world has not seen--and may not see again--for well over a century.

Imagine you can control the forces of a noble family, guild, or religious order on a barren Planet which is the only source for the most valuable substance in the known universe. Imagine you can rewrite the script for one of the most famous science fiction books of all time. Welcome to the acclaimed 40-year-old board game which allows you to recreate the incredible world of Frank Herbert's Dune. In Dune, you will become the leader of one of six great factions. Each wishes to control the most valuable resource in the universe - melange, the mysterious spice only found at great cost on the planet Dune. As Duke Leto Atreides says, "all fades before melange. A handful of spice will buy a home on Tupile. It cannot be manufactured, it must be mined on Arrakis. It is unique and it has true geriatric properties." and without melange, space travel would be impossible. Only by ingesting the addictive drug can the guild steersman continue to experience visions of the future, enabling them to plot a safe path through hyperspace. Who will control Dune? Become one of the characters and their forces from the book and. You decide!

The biggest stumbling block facing any prospective reader of "Finnegans Wake" is the book itself, with its thousands of words of Joyce's inventions, derived from nearly every foreign language imaginable and from a host of other sources. Now extensively revised, expanded, and corrected, Roland McHugh's "Annotations" is a unique one-volume guidebook designed to be read side by side with the "Wake" itself.

A boxed set (three trade paperbacks) of the internationally celebrated speculative fiction trilogy from one of the most visionary authors of our time, Margaret Atwood.

"Lights a fire from the fears of our age. . . . Miraculously balances humor, outrage, and beauty." —The New York Times Book Review

Across three stunning novels—Oryx and Crake, The Year of the Flood, and Maddaddam—the best-selling, Booker Prize-winning novelist projects us into a near future that is both all too familiar and beyond our imagining.

"Towering and intrepid. . . . Atwood does Orwell one better." —The New Yorker

In Oryx and Crake, a man struggles to survive in a world where he may be the last human. In search of answers, he embarks on a journey through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. In The Year of the Flood the long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. And in Maddaddam a small group of survivors band together with the Children of Crake: the gentle, bioengineered quasi-human species who will inherit this new earth. 

"Enthralling. . . . Memorable characters, a tightly controlled pace and shockingly plausible scenes make it fly—to a mysterious, skin-prickling ending." —San Francisco Chronicle

Set in a darkly plausible future shaped by plagues, floods, and genetic engineering, these three novels take us from the end of the world to a brave new beginning. Thrilling, moving, and a triumph of imagination, the Maddaddam Trilogy confirms the ultimate endurance of humanity, community, and love.

About the Author

Margaret Atwood, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid’s Tale, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator’s Award, and lives in Toronto with the writer Graeme Gibson. 

This epic tale of loyalty and betrayal spans the lives of two friends from the riot-torn West Berlin of the 1960s to the grimy looking-glass of Cold War Europe to the present day of terrorism and new alliances. This is the novel le Carr fans have been waiting for, a brilliant, ferocious, heartbreaking work for the ages.

From Publishers Weekly

Le Carr‚ may have changed publishers, but his latest novel remains as resolutely up-to-date as ever. In place of the old Cold War games, his recent books have dealt with the depredations of international arms merchants and the impact of predatory drug manufacturers on the Third World. Now his eloquent and white-hot indignation is turned on what he sees as a duplicitous war in Iraq and the devious means employed to tarnish those who oppose it. The friends of the title are two beautifully realized characters, both idealists in their very different ways. Ted Mundy, the bighearted son of a pukka Indian Army officer, leads a life in which his inborn kindliness and lack of self-regard are turned to what he sees as good causes. With Sasha, the crippled son of an old Nazi who turns bitterly against that past only to be tormented by the rise of a new brutalism in East Germany, he forms a double-agent partnership that feeds British intelligence during the Cold War years. With the collapse of the Soviet system, Ted is at loose ends, trying both to make ends meet as a cheery tour guide for English-speaking visitors to Mad Ludwig's castle in Bavaria and to support his Muslim wife and her small son in Munich. Suddenly he hears again from Sasha, who tells him that a mysterious benefactor wishes to enlist his services as teacher and translator to counter the widespread propaganda on behalf of an Iraqi war, and he is inflamed once more with a desire to help. The grim consequences are spelled out by le Carr‚ with a deadly fury that is startling in the context of his usual urbanity. With a largely German setting that recalls some of his earliest books, as well as the same embracing clarity of vision about human motives and failings that gleams through all his best work, this is a book that offers a bitter warning even as it delivers immense reading pleasure.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Working closely with Moebius Productions in France, Dark Horse is putting the work of a master storyteller back in print--with some material in English for the first time! 

Stel and Atan are interstellar investigators trying to find a lost space station and its crew. When they discover the mythical paradise planet Edena, their lives are changed forever. The long out-of-print Edena Cycle from Moebius gets a deluxe hardcover treatment! Moebius's World of Edena story arc is comprised of five chapters--Upon a Star, Gardens of Edena, The Goddess, Stel, and Sra--which are all collected here. 

A storyboard artist and designer (Alien, Tron, The Fifth Element, among many others) as well as comic book master, Moebius's work has influenced creators in countless fields.

About the Author

While French artist Jean Giraud was already a well-known comic artist with his hard-boiled western series Blueberry, he built an entire second career under the pen name Moebius beginning in 1963 with a series of short stories. In later years, Moebius would become world famous for his science-fiction, artistic, and erotic art. He is admired for his many collaborations with Alejandro Jodorowsky such as the wordless comics fantasy, Arzach.

In 1983 he co-founded the Aedena company and settled in Los Angeles. During his stay in the USA, he saw his most important works published by Marvel Comics. He also illustrated an episode of Silver Surfer by Stan Lee.

In addition to his large comics and illustration output, Moebius remained active in the film industry as well. In addition to providing preliminary designs for such films as Alien, Tron, The Abyss, Masters of the Universe, and The Fifth Element, Moebius provided concept art for El Topo director Alejandro Jodorowsky's never-realized adaptation of Frank Herbert's Dune.
Moebius passed away in Paris on March 10, 2012, at the age of 73.

In an alternate world where the mere presence of American superheroes changed history, the US won the Vietnam War, Nixon is still president, and the cold war is in full effect!

"WATCHMEN is peerless."—Rolling Stone

Watchmen begins as a murder-mystery, but soon unfolds into a planet-altering conspiracy. As the resolution comes to a head, the unlikely group of reunited heroes--Rorschach, Nite Owl, Silk Spectre, Dr. Manhattan and Ozymandias--have to test the limits of their convictions and ask themselves where the true line is between good and evil.

"Groundbreaking."—USA Today

In the mid-eighties, Alan Moore and Dave Gibbons created Watchmen, changing the course of comics' history and essentially remaking how popular culture perceived the genre. Popularly cited as the point where comics came of age, Watchmen's sophisticated take on superheroes has been universally acclaimed for its psychological depth and realism.

"The greatest piece of popular fiction ever produced."—LOST co-creator Damon Lindelof

Watchmen is collected here in deluxe hardcover, with sketches, extra bonus material and a new introduction by series artist Dave Gibbons.

From New York Times bestselling author John Lescroart, a riveting standalone novel about the unexpected, shattering, and lethal consequences of a one-night stand on a seemingly happily married couple.

Kate loves her life. At forty-four, she’s happily married to her kind husband, Ron, blessed with two wonderful children, and has a beautiful home in San Francisco. Everything changes, however, when she and Ron attend a dinner party and meet another couple, Peter and Jill. Kate and Peter only exchange a few pleasant words but that night, in bed with her husband, Kate is suddenly overcome with a burning desire for Peter.

What begins as an innocent crush soon develops into a dangerous obsession and Kate’s fixation on Peter results in one intense, passionate encounter between the two. Confident that her life can now go back to normal, Kate never considers that Peter may not be so willing to move on.

Not long after their affair, a masked man barges into the café Kate is sitting in with her best friend, firing an assault weapon indiscriminately into the crowd. This tragedy is the first in a series of horrifying events that will show Kate just how grave the consequences of one mistake can be.

An explosive story of infidelity, danger, and moral ambiguity, John Lescroart’s latest thriller will excite and satisfy both his current and new fans.

In this wonderful work of fiction, Joe Henry explores the complex relationship between a father and his sons, whose deep connections to one another, to the land, and to the creatures that inhabit it give meaning to their lives.

Spencer Davis, his wife, Elizabeth, and their sons, Luke, Whitney, and Lonny, work with horses and with their hands. They spend long relentless days cutting summer hay and feeding it to their cattle through fierce Wyoming winters. The family bears witness to the cycle of life, bringing foals into the world and deciding when to let a favored mare pass on to the next. As Luke grows older, falls in love, and begins to assert his independence, Spencer strives to impart the wisdom of this way of life to his headstrong son, whatever the cost.

Moving, powerful, and beautifully rendered, Lime Creek brings readers into the lives of this unforgettable family and into a world that, though often harsh, is lit by flashes of spectacular grace.

Twenty years ago, Marcus “Crush” Casey was the leader of the Vicetown Kings, the most powerful crime syndicate in New York City. Then he was betrayed by his second-in-command and sent to prison.

Now he’s back on the streets and he has a lot more on his mind than just getting even.

He needs to take back everything he lost: Find the friend who betrayed him and killed his only son, keep the cops at bay, and resist the one woman he knows he can’t have. His time on the inside gave him a conscience and he also wants to help clean up the crime-infested neighborhoods that used to be his home.

Crush will take back the Vicetown Kings and guide them to protect the city and its citizens…or die trying.

Ice-T’s experience with crime and gangs in Los Angeles and his years on Law & Order: SVU make him the perfect person to tell this thrilling story of revenge and redemption. Kings of Vice marks a new entry into the type of urban fiction immortalized by writers like K’wan, Elmore Leonard, and Donald Goines.

The Western Land is legendary Beat writer William S. Burrough’s profound, revealing, and often astonishing meditation on morality, loneliness, life, and death -- a Book of the Dead for the nuclear age. 

"Burrough's visionary power, his comic genius, and his unerring ability to crack the codes that make up the life of this century are undimished." -- J.G. Ballard, Washington Post Book World

From Publishers Weekly

"The trilogy that began with Cities of the Red Night and continued with The Place of Dead Roads is completed here, and the result is a divine comedy," wrote PW of this "remarkable achievement," concerning the search for eternal rest that is symbolized by the Western Lands of Egyptian mythology.
Copyright 1988 Reed Business Information, Inc.

About the Author

William Seward Burroughs II (February 5, 1914 – August 2, 1997) was an American novelist, short story writer, satirist, essayist, painter, and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author who wrote in the paranoid fiction genre, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the 20th century". His influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films.

He was born into a wealthy family in St. Louis, Missouri, grandson of the inventor and founder of the Burroughs Corporation, William Seward Burroughs I, and nephew of public relations manager Ivy Lee. Burroughs began writing essays and journals in early adolescence, but did not begin publicizing his writing until his thirties. He left home in 1932 to attend Harvard University, studied English, and anthropology as a postgraduate, and later attended medical school in Vienna. In 1942 Burroughs enlisted in the U.S. Army to serve during World War II, but was turned down by the Office of Strategic Services and Navy, after which he picked up the drug addiction that affected him for the rest of his life, while working a variety of jobs. In 1943 while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, the mutually influential foundation of which grew into the Beat Generation, which was later a defining influence on the 1960s counterculture.

Much of Burroughs's work is semi-autobiographical, primarily drawn from his experiences as a heroin addict, as he lived throughout Mexico City, London, Paris and Tangier in Morocco, as well as from his travels in the South American Amazon. Burroughs accidentally killed his second wife, Joan Vollmer, in 1951 in Mexico City, and was consequently convicted of manslaughter. Finding success with his confessional first novel, Junkie (1953), Burroughs is perhaps best known for his third novel Naked Lunch (1959), a highly controversial work that underwent a court case under the U.S. sodomy laws. With Brion Gysin, he also popularized the literary cut-up technique in works such as The Nova Trilogy (1961–1964).

In 1983, Burroughs was elected to the American Academy and Institute of Arts and Letters, and in 1984 was awarded the Ordre des Arts et des Lettres by France. Jack Kerouac called Burroughs the "greatest satirical writer since Jonathan Swift", a reputation he owes to his "lifelong subversion" of the moral, political and economic systems of modern American society, articulated in often darkly humorous sardonicism. J. G. Ballard considered Burroughs to be "the most important writer to emerge since the Second World War", while Norman Mailer declared him "the only American writer who may be conceivably possessed by genius".

Burroughs had one child, William S. Burroughs, Jr. (1947–1981), with his second wife Joan Vollmer. William Burroughs died at his home in Lawrence, Kansas, after suffering a heart attack in 1997.
Bio from Wikipedia, the free encyclopedia.  [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.

Discover #1 New York Times bestselling author John Green from the beginning with four critically acclaimed, award-winning modern classics, including Looking for Alaska, An Abundance of Katherines, Paper Towns, and The Fault in Our Stars, now a major motion picture.

Praise for John Green

- 50 million books in print worldwide -

#1 New York Times Bestseller
#1 Wall Street Journal Bestseller
#1 USA Today Bestseller
#1 International Bestseller

★ Michael L. Printz Award Winner
★ Michael L. Printz Honor Winner
★ Los Angeles Times Book Prize Finalist
★ TIME 100 Most Influential People
★ Forbes Celebrity 100
★ NPR's 100 Best-Ever Teen Novels
★ TIME Magazine's 100 Best Young Adult Books of All Time

Critical acclaim for The Fault in Our Stars:

“Damn near genius . . . The Fault in Our Stars is a love story, one of the most genuine and moving ones in recent American fiction, but it’s also an existential tragedy of tremendous intelligence and courage and sadness.” —Lev Grossman, TIME Magazine

“This is a book that breaks your heart—not by wearing it down, but by making it bigger until it bursts.” —The Atlantic

“Remarkable . . . A pitch-perfect, elegiac comedy.” —USA Today

“[Green’s] voice is so compulsively readable that it defies categorization. You will be thankful for the little infinity you spend inside this book.” —NPR.org

“John Green deftly mixes the profound and the quotidian in this tough, touching valentine to the human spirit.” —The Washington Post 

“[Green] shows us true love—two teenagers helping and accepting each other through the most humiliating physical and emotional ordeals—and it is far more romantic than any sunset on the beach.” —New York Times Book Review

This complete collection includes paperback editions of John Green’s award-winning books in a stunning case. The perfect introduction to John Green or addition to any fan’s collection.

About the Author

John Green is the award-winning, #1 bestselling author of Looking for Alaska, An Abundance of Katherines, Paper Towns, Will Grayson, Will Grayson (with David Levithan), and The Fault in Our Stars. His many accolades include the Printz Medal, a Printz Honor, and the Edgar Award. He has twice been a finalist for the LA TimesBook Prize. John was selected by TIME magazine as one of the 100 Most Influential People in the World. With his brother, Hank, John is one half of the Vlogbrothers (youtube.com/vlogbrothers), one of the most popular online video projects in the world. You can join the millions who follow John on Twitter (@realjohngreen) and tumblr (fishingboatproceeds.tumblr.com) or visit him online at johngreenbooks.com.

John lives with his family in Indianapolis, Indiana.

WINNER OF THE 2016 NATIONAL BOOK AWARD FOR NONFICTION
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NEW YORK TIMES BESTSELLER | WASHINGTON POST BESTSELLER
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NAMED A FINALIST for the 2016 NATIONAL BOOK CRITICS CIRCLE AWARD FOR NONFICTION
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NOMINATED for the 2016 NAACP IMAGE AWARD FOR OUTSTANDING LITERARY WORK OF NONFICTION, and the 2017 HURSTON/WRIGHT LEGACY AWARD IN NONFICTION
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NAMED ONE OF THE BEST BOOKS OF THE YEAR by Boston Globe, Washington Post, Chicago Review of Books, The Root, Buzzfeed, Bustle, and Entropy
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THE MOST AMBITIOUS BOOK OF 2016 -- The Washington Post
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A KIRKUS BEST HISTORY BOOK OF 2016, BEST BOOK OF 2016 TO EXPLAIN CURRENT POLITICS & BEST HEARTRENDING NONFICTION BOOK of 2016
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Some Americans cling desperately to the myth that we are living in a post-racial society, that the election of the first Black president spelled the doom of racism. In fact, racist thought is alive and well in America--more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues in Stamped from the Beginning, if we have any hope of grappling with this stark reality, we must first understand how racist ideas were developed, disseminated, and enshrined in American society.

In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-Black racist ideas and their staggering power over the course of American history. Stamped from the Beginning uses the life stories of five major American intellectuals to offer a window into the contentious debates between assimilationists and segregationists and between racists and antiracists. From Puritan minister Cotton Mather to Thomas Jefferson, from fiery abolitionist William Lloyd Garrison to brilliant scholar W.E.B. Du Bois to legendary anti-prison activist Angela Davis, Kendi shows how and why some of our leading proslavery and pro-civil rights thinkers have challenged or helped cement racist ideas in America.

Contrary to popular conceptions, racist ideas did not arise from ignorance or hatred. Instead, they were devised and honed by some of the most brilliant minds of each era. These intellectuals used their brilliance to justify and rationalize deeply entrenched discriminatory policies and the nation's racial disparities in everything from wealth to health. And while racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers us the tools we need to expose them--and in the process, gives us reason to hope.

"ENGROSSING AND RELENTLESS" --The Washington Post

"THIS DEFINITIVE HISTORY OF RACIST IDEAS SHOULD BE REQUIRED READING" --The Root

"NOVELISTIC FLAIR" --The Stranger

"AMBITIOUS, MAGISTERIAL" --Starred Kirkus Review

"MUST FOR SERIOUS READERS" --Library Journal

"HEAVILY RESEARCHED YET READABLE" --Booklist

"WORTH THE TIME OF ANYONE WHO WANTS TO UNDERSTAND RACISM" --The Seattle Times

"EVER-RELEVANT CONTEXT FOR THE WHITE SUPREMACIST MOMENT" --The Dallas Morning News

"A COMPELLING, THOROUGHLY ENLIGTENING, UNSETTLING, AND NECESSARY READ" --Vox

"GRACEFUL, ENGAGING PROSE" --Tampa Bay Times

Are you ready for panty-melting bad boys, over-the-top sexiness, and a ridiculous amount of Happily-Ever-Afters? 

With hundreds of thousands of words of steamy, romantic fiction, the books in this limited edition omnibus have gathered over 1000 five-star reviews across Amazon and Goodreads, and will provide you with hours and hours of reading! 

WHAT ARE READERS SAYING? 

"It is no secret that Gabi is one of my favorite go-to authors whenever I want an exceptionally well-penned bad boy romance, because Ms. Moore certainly knows her bad boys. Her books are always so refreshingly different, with totally unexpected and profound storylines that make you think on so many levels; with characters you could both kiss and slap in the same breath, and killer endings that always make me regret finishing them so quickly. Oh well!" 

INCLUDED IN THIS COLLECTION: 

NEVER LOOK BACK When they kidnapped her, something dark inside me came bubbling to the surface. I knew I wasn’t afraid anymore. I wasn’t going to ignore my past any longer. This time, I would fight… 

WRECKED & YOURS When the ship went under, I acted fast, and I did what I had to. And now we were stuck in the middle of nowhere, and the worst was yet to come. Looking back, I guess I always had a suspicion that there was something fated about those three strange days we spent together, and about the chain reaction afterwards that brought us both square into one another’s lives. 

COME UNDONE I can spot women like her a mile away. Uptight, fearful, holding onto their perfect lives by a thread. The moment I saw her, I wanted to break that thread. I want to possess her. Strip her down. Unravel her little world, and get at her hidden inner core that I’ve only had glimpses of so far. 

ONE LAST BREATH Aden - ex military and professional killer - has had it with the big city. Out in the snowy forests of Maine, he doesn't have to deal with any of that. It was perfect. Until she showed up. Broken, forgotten, and left for dead. It's time for Aden to discover just how much passion still exists in his calloused heart… 

AGAINST ALL ODDS She wasn’t my type. Not even close. So how did I end up here, in a steel container in a warehouse, feeling things I’d never felt for anyone before? I didn't know why, but I just knew that after that night we spent together, our lives would change forever... 

WHATEVER IT TAKES She’s still as beautiful as I remember, but she hates my guts, And I don’t blame her. But now I have a chance to do what’s right. And I will. Whatever it takes… 

RESISTING THE BAD BOY I can see right through her good girl charade. I’m an actor, after all. I do what I want, and I don’t do anything unless it excites me. And she excites me. There’s something dark about her. Something magical, chaotic and beautiful. I could stay away. I should stay away. But I won’t… 

BARE HANDS She was pretty, I’ll give her that. Damsel-in-distress was a good look on her. And like all the other missionaries, she came to this remote part of the world with an agenda. And I can’t wait to see that agenda fall to pieces as she realizes what she’s really out here to find. And when she does, I’ll be right here, waiting, ready to give it to her. 

ALL OR NOTHING If you think you’ve heard this story before, well, what can I say. Parts of my life certainly are predictable. My life, from some angles, looks a hell of a lot like a cheesy daytime soap. But that’s not all it is. You might not believe me yet, but this is a story about love. No, really. You’ll see... 

HEART OF DARKNESS Can I open my heart to her, completely - no matter how dark that heart is? 

Grab your copy TODAY of this LIMITED EDITION boxed set!

This book is a defense of modal realism; the thesis that our world is but one of a plurality of worlds, and that the individuals that inhabit our world are only a few out of all the inhabitants of all the worlds. Lewis argues that the philosophical utility of modal realism is a good reason for believing that it is true.

From the Back Cover

This book is a defense of modal realism; the thesis that our worldis but one of a plurality of worlds, and that the individuals thatinhabit our world are only a few out of all the inhabitants of allthe worlds. Lewis argues that the philosophical utility of modalrealism is a good reason for believing that it is true.

After putting forward the type of modal realism he favors, Lewisanswers numerous objections that have been raised against it. Theseinclude an insistence that everything must be actual; paradoxesakin to those that confront naive set theory; arguments that modalrealism leads to inductive skepticism, or to disregard for prudenceand morality; and finally, sheer incredulity at a theory thatdisagrees so badly with common opinion. Lewis grants the weight ofthe last objection, but takes it to be outweighed by the benefitsto systematic theory that acceptance of modal realism brings. Heasks whether these same benefits might be gained more cheaply if wereplace his many worlds by many merely 'abstract' representations;but concludes that all versions of this 'ersatz modal realism' arein serious trouble. In the final chapter, Lewis distinguishesvarious questions about trans-world identity, and argues that his'method of counterparts' is preferable to alternativeapproaches.

About the Author

David Lewis (1941- 2001) was Professor of Philosophy at Princeton University. His publications include Convention (reissued by Blackwell 2002), Counterfactuals (reissued by Blackwell 2000), Parts of Classes (1991), and of numerous articles in metaphysics and other areas. Many of his writings are available in his Collected Papers.

First published by Reich in 1953, People in Trouble is an autobiographical work in which Reich describes the development of his sociological thinking from 1927 to 1937. In simple narrative form he recounts his personal experiences with major social and political events and ideas, and reveals how these experiences gradually led him to an awareness of the deep significance of the human character structure in shaping and responding to the social process.

The importance of Karl Marx's work and its distortion by communist politicians plays an important role in Reich's account, as does the political activity in the International Psychoanalytic Association which led to his expulsion from that organization in 1934. The Norwegian press campaign against his biological experiments is also discussed.

People in Trouble is the story of one man's courageous struggle to understand the political activity of his fellow men.

This riveting true story recounts the authors journey on horseback across Arizona and New Mexico, retracing Coronados desperate search for the legendary Seven Cities of Gold. First published in 1992 and now available only from UNM Press, this classic adventure tale reveals the Southwest as it was when Europeans first saw it and shows how much, and how little, it has changed. The great myth of the American West, Preston writes, is that there was a winning of it.

Full Dharmakshema version of the Mahayana Mahaparinirvana Sutra. This Sutra is the last will and testament of Buddha Shakyamuni and is considered the highest Mahayana Buddhist Sutra. This particular Book is unique in that the passages are numbered making it easier for people to find verses of importance.

That was the last thing Klaus had to say before we left J.C.' s diner to go our separate ways. On my way home, I decided I would drive by my grandparents' home. Every once in a while I'll do that, even though it's very painful to realize that they're gone now and that house belongs to someone else- a total stranger. When I come to the house, I park in front and just sit there, recalling that during the Prohibition Era this house was a blind pig and my grandmother was the proprietress. As a young boy, I would walk the three miles from my house just to sit on the front porch with "ma" so I could listen to her tell stories about the "old days". It's been thirty years since I've been inside that house, which was a second home to me when I was growing up. I have a feeling that if I were to go inside now, that my grandfather would still be sitting there in his favorite chair wearing nothing but his BVDs (the kind with the back flap that buttons up) reading "True Detective" or "Field and Stream." I am tempted to walk up the front steps and ring the doorbell, but I don't dare. 

Not far here was a little pond and a garbage dump. In the summers of my childhood, I'd go down to the pond and catch tadpoles and pollywogs, or I'd walk over to the dump and scrounge around for hidden treasures amidst the trash. Say, what's happening to me? Maybe I'm dying. No? Then why is my whole life- beginning with my earliest memories- suddenly passing before my eyes? 

It's my birthday, I'm five-years-old old and I'm sitting on a wooden pony on the fifth floor of Hudson's Department Store in downtown Detroit where I'll be getting my first professional haircut. Later that same day, my mother takes me to Sanders for a Hot Fudge Sunday. Cut to that little pond I mentioned. I've been catching pollywogs with a strainer and putting them in a jar when a big kid comes up to me and orders me to leave. I refuse and he wrestles me to the ground, demanding that I say uncle. When I refuse to say uncle, he gives me a good pounding, then takes that jar of mine and empties its contents back into the pond. I don't cry, but holding back the tears, I vow to myself that I'll get him back some day. But I never do. 

So many things from my childhood have disappeared, like that pond, for instance, which is no longer there, and the garbage dump, and the creek where we fished for carp and the bridge that spanned it- all of that's been gone for years. Gone, too, are the vacant lots where we played pick up baseball in the summer, and the woods where we had bonfires in the fall, roasting marshmallows over the fire while warming ourselves. Now that I think of it, my grade school is gone- torn down years ago to make way for a Farmer Jack's. And the schoolyard where we held our marble tournaments before and after school (knuckles down, no hunching) and played kick ball and dodge ball- that schoolyard where I had so much fun- buried and paved-over into a parking lot- gone. Gone the way of the sheeny-man who came into our neighborhood riding an antique horse that clop, clop clopped down our street pulling a wagon full of junk while the sheeny blew his shrill-sounding horn to let the neighborhood know that he had arrived. Gone too, the ice man who carried big blocks of ice with silver tongs for our ice box; and gone- the man who delivered the coal that went rumbling down the coal shoot and into the coal bin, a fascinating place in its own right when you're still young enough to appreciate such things as coal bins All that's gone. 

Within walking distance of my grandmother's house is the movie theater. I'm six and I'm standing in a long line with all the other kids holding a quarter in my hand: the price of admission back then. For a mere twenty-five cents you've gained entrance to that darkened theater to watch three movies, a newsreel, a serial, (Flash Gordon was my favorite.), cartoons and coming attractions. Seven years later, in that same theater, I sit down next to a strange girl and ask her if she would like to neck with me, and she consents, taking my hand in hers and leaning her head on my shoulder. (Necking wasn't really allowed, and if you weren't careful, a very official-looking usherette, who wore a uniform with gold buttons down the front and epaulettes on the shoulders, would shine her flashlight on you.) The last time I drove by the Lincoln Park Show it was advertising itself on the marquee as Adult Entertainment. 

The Depression having ended by the time I was born, my earliest memories begin around the time of World War II. My mother is sitting down at the kitchen table placing little green stamps in her ration book. Once the book is full, she'll go to a redemption center and have the stamps redeemed for money to buy food with. That was the year we planted a victory garden in the vacant lot next to our house. In a similar vein, the kids on our my block had paper drives and collected scrap metal. It was all part of the war effort, for as young boys we were learning how to be patriotic and to love the flag and "the country for which it stands"- America. As a matter of fact, my very first lesson in patriotism came in the form of a warning from the big kids on my block never to let the American flag touch the ground or I'd have to burn it- just one of a number of taboos I learned as a child similar to, but nowhere near as fearful as, "step on a crack and break you mother's back'. 

Where are they now?- my comic book collection and those hundreds and hundreds of matchbooks that I picked out of gutters and found in empty fields on the way home from school. And why? Because, as a kid of nine, I found the endless variety of match covers fascinating. What happened to my Lionel train- the one I woke up to find underneath the Christmas tree, my Red Ryder be-be gun and my American Flyer bike?- where are they now? 

At that age, my indoor world was a world of tinker toys, erector sets, and games- all kinds of games: hockey, basketball, football and my favorite, APBA baseball,- and the radio. Every Sunday, after church, my dad would buy a paper from the paperboy, and when we got home, I would do is spread out the comic section on the living room floor, then turn on the radio and listen to the Sunday comics being read over the air. During the week, when I get home from school, the first thing I do is turn on the radio and listen to my favorite programs: Jack Armstrong, All-American boy, Captain Midnight, (I wear my Captain Midnight decoder ring that glows in the dark), Sergeant Preston of the Yukon, and broadcast from WXYZ, our very own Lone Ranger. Hi-o Silver, away. In the evening was Baby Snooks, The Great Gildersleeve, Inner Sanctum, Lights Out, My Friend Irma, Bulldog Drummond, The Shadow, Mr. Keane, Tracer of Lost Persons, Name that Tune, Mr. I.Q., Life with Luigi, and another local favorite, The Green Hornet. 

My outdoor world was the streets, the vacant lots, the fields and the alleys of my neighborhood. In the street we played hockey in the winter and touch football in the fall; in fields and vacant lots we played pick up baseball and built our underground fort where we slept out on hot summer nights playing Hearts and Crazy Eights by candlelight, or we climbed up the rope ladder to our tree house where, with our binoculars, we could spy on all our neighbors. Alleys were for alley-picking and for war games played with cap pistols, be-be guns, and sling shots. We made walkie-talkies out of old tin cans and string, kites using clothes line, parachutes, and model airplanes. In the vacant lot next to my house we played cork ball- if you ask me, the greatest game ever invented. You could play cork ball using a large bobber or an ordinary bottle cork for a ball and a broomstick handle for a bat. A ball that landed in the alley was a triple, on the other side of the alley, a home run.. 

Item: our alleys were paved with cinders back then. The White Street gang lines up on one side, the Garfield Street gang on the other. There's going to be a rock fight. Before you know what's happening, the sky is filled with rocks. You throw, you duck, you throw another rock and then you duck and then something happens- your face is burning and throbbing. You've been hit. My god, you could have lost your eye. You could cry, but you don't. You are a casualty in a rock fight and you will carry a scar beneath your eye for the rest of your life, and you didn't cry- you are a hero. That night, after your father comes home from work, you get your first good licking. In bed that night, you pull the covers over your head and listen to your favorite radio programs before you fall asleep. 

I'm back in the real world again, saddened by the sight of my grandmother's house. Whoever lives there now has let in fall into disrepair. No, I wouldn't want to go inside; it would depress me to see how everything would be different. No, I'll go now. I turn on the engine and head for home. I wonder as I drive past the familiar landmarks of my youth how time has changed so much, transforming Main Street into block after block of blighted buildings. Where there was once an ice cream parlor, a barbershop, and a shoe repair, there are now ugly abandoned or boarded-up buildings. Our two dime stores: Niesner's and Woolworth's, and Winkleman's, a classy women's clothing store, are now a dumpy-looking Dollar Store, a Temporary Jobs Office, and windowless Community Mental Health Center. Cunningham's, with its lunch counter where you could sit and have a chicken salad sandwich and a cup of coffee while you waited for your bus, is gone, and Sanders closed its doors ten years ago. 

Last week I went with J.C. on a delivery run down near the docks in River Rouge and saw the Columbia, one of the two Bob-Lo boats, in dry dock. It's being restored. All the same, there will be no more picnics on the island because Bob-Lo Island, with its roller coaster, its dance hall and its many amusement rides, was sold to private developers and everything was torn down. At one time we had four such amusement parks; now there are none. Gone are the penny arcades of my youth, the slots where for a penny you could get sepia-colored pictures of ballplayers and boxers, movie stars, wrestlers and cowboys. All that's gone. But most tragic was the demolition of Hudson's, as thousands lined-up to watch the spectacle of this great landmark implode into a huge pile of rubble. 

When I think of all that's been lost, I am saddened. One magnificent railway station demolished, the other, Michigan Central, an empty hulk. Now that all of its windows have been busted out, it's nothing more than a vacant shell of a building. And those lavish movie palaces of a bygone era, almost all them gone- closed or destroyed. The great burlesque houses, like the famous Gayety and The Esquire- they, too, have vanished, as have those magnificent ballrooms, the Grande and the Vanity; those proud hotels, the Sheraton Cadillac and the Fort Shelby; and finally, the Vernors' plant- the first one, the one located at the foot of Woodward Avenue where you caught the Bob-Lo boat way back when. I believe it's been more than fifty years since they tore it down. A local product, Vernor's has the distinction of being the first soda pop in America. Today, it is owned by one of America's largest conglomerates: the Pepsi Cola Company. 

I remember the day the carnival came to town and seeing the boy with webbed feet, the bearded lady and the man who had a baby growing out of his stomach. Until the day I die, I'll never forget that man with the baby. Of all the freak shows I've seen, that's the one I'll never forget. How on earth, this six-year-old wondered (as he stood inside that stuffy tent with the smell of sawdust in his nostrils, holding on to his daddy's hand) could a man have a baby growing out of his stomach? How did it happen? That was in the city of Ecorse some fifty years ago on the fourth of July. I remember it well, especially watching the fireworks from atop the Ferris wheel, a burst of sound- boom- then splashes of color lighting up the sky, appearing in an instant, lingering for a moment, then fading away into the dark 

A light goes on inside the house. I turn on my engine and drive off, but before going directly home, I take the overpass that connects suburbia with Detroit. Reaching the highest point of the overpass, I look out at the cityscape, all aglow and spread out like a magic carpet of light. Directly below- the refinery, with its eternal flame; then farther out, the Ambassador Bridge with its colorful beads of light, strung along the bridge from one side- the American side- to the other- the Canadian side; and then, at the farthest point of vision, the mills and factories bordering the river, their myriad lights; candles glowing in the dark, their smoke stacks; vertical canons, sending up ghostly wisps of smoke into the night sky -light to ward-off the coming darkness of a fascistic America ruled by powerful and impersonal corporations in league with a government indifferent to the dreams and aspirations of its people, the working people of America. We cannot let this happen; this relentless juggernaut has to be stopped. If we don't stop it and stop it soon, before it is too late (if it's not already too late), the lights will go out all across America and darkness will cover the land.

“Suspenseful . . . [Alive] lives up to its hype, packing plenty of thrills.”—Entertainment Weekly

“Fascinating and intriguing . . . a cross between Lord of the Flies and The Maze Runner and yet . . . so much more.”—Fresh Fiction

#1 NEW YORK TIMES BESTSELLER • For fans of The Hunger Games, Divergent, and Red Risingcomes a gripping sci-fi adventure in which a group of teenagers wake up in a mysterious corridor with no knowledge of who they are or how they got trapped. Their only hope lies with an indomitable young woman who must lead them not only to answers but to survival. 
 
“I open my eyes to darkness. Total darkness. I hear my own breathing, but nothing else. I lift my head . . . it thumps against something solid and unmoving. There is a board right in front of my face. No, not a board . . . a lid.”
 
A teenage girl awakens to find herself trapped in a coffin. She has no idea who she is, where she is, or how she got there. Fighting her way free brings little relief—she discovers only a room lined with caskets and a handful of equally mystified survivors. Beyond their room lies a corridor filled with bones and dust, but no people . . . and no answers.
 
She knows only one thing about herself—her name, M. Savage, which was engraved on the foot of her coffin—yet she finds herself in charge. She is not the biggest among them, or the boldest, but for some reason the others trust her. Now, if they’re to have any chance, she must get them to trust one another.
 
Whatever the truth is, she is determined to find it and confront it. If she has to lead, she will make sure they survive. Maybe there’s a way out, a rational explanation, and a fighting chance against the dangers to come. Or maybe a reality they cannot comprehend lies just beyond the next turn.

Praise for Alive
 
“A ripping, claustrophobic thunderbolt of a novel, Scott Sigler’s Alive gives us an unforgettable young hero who must find the inner strength to lead without knowing where she is, who she is, and how bitterly the odds are stacked against her.”—Pierce Brown, New York Times bestselling author of Red Rising
 
“Sigler has created a wonderful and engrossing character in M. Savage. Strong and smart, but with the naïveté and misgivings of any teenage girl, she’s someone you’ll definitely want on your side when s*** hits the fan, which it most certainly does.”—Veronica Belmont, host of Sword & Laser
 
“A tense, unsettling page-turner of a story—both deeply strange and wildly compelling.”—Cherie Priest, author of Boneshaker and Maplecroft
 
“From the first page I was hooked. The puzzle unfolds masterfully, right down to the last page.”—Dr. Phil Plait, author of Bad Astronomy

In Alive, Scott Sigler introduced readers to an unforgettable young heroine and a mysterious new world reminiscent of those of The Hunger Games, Divergent, and Red Rising. Now he expands his singular vision in the next thrilling novel of this powerful sci-fi adventure series.

“If it’s war they want, they messed with the wrong girl.”

M. Savage—or Em, as she is called—has made a bewildering and ominous discovery. She and the other young people she was chosen to lead awoke in strange coffins with no memory of their names or their pasts. They faced an empty, unknown place of twisting tunnels and human bones. With only one another to depend on, they searched for answers and found the truth about their terrifying fate. Confronted by a monstrous enemy, they vowed never to surrender—and, by any means, to survive.
 
The planet Omeyocan may be the sanctuary Em and her comrades seek. But the planet for which they were created turns out not to be a pristine, virgin world. Vestiges of a lost civilization testify to a horrifying past that may yet repeat itself. And when a new enemy creeps from the jungle shadows, Em and her young refugees learn there’s nowhere left to run. They face a simple choice: fight or die.
 
In the midst of this desperate struggle, their unity is compromised from within—and a dangerous zealot devoted to a bloodthirsty god moves to usurp Em’s command, threatening to lead them all down a path to violent doom. 

In the final installment of an exhilarating sci-fi adventure trilogy in the vein of The Hunger Games, Divergent, and Red Rising, Scott Sigler’s unforgettable heroine, Em Savage, must come to grips once and for all with the perilous mysteries of her own existence.

“We thought this place was our destiny—not our doom.”

Pawns in a millennia-old struggle, the young people known only as the Birthday Children were genetically engineered to survive on the planet Omeyocan—but they were never meant to live there. They were made to be “overwritten,” their minds wiped and replaced by the consciousnesses of the monsters who created them.

Em changed all of that.

She unified her people and led a revolt against their creators. Em and her friends escaped an ancient ghost ship and fled to Omeyocan. They thought they would find an uninhabited paradise. Instead, they found the ruins of a massive city long since swallowed by the jungle. And they weren’t alone. The Birthday Children fought for survival against the elements, jungle wildlife, the “Grownups” who created them . . . and, as evil corrupted their numbers, even against themselves.

With these opponents finally defeated, Em and her people realized that more threats were coming, traveling from across the universe to lay claim to their planet. The Birthday Children have prepared as best they can against this alien armada. Now, as the first ships reach orbit around Omeyocan, the final battle for the planet begins.

Praise for Alone

“Another Scott Sigler masterpiece . . . thrills on every page, shocking turns, vulnerable and powerful characters, heartbreak, and battles.”—Amy Braun, award-winning author of the Dark Sky series

“Thrilling . . . an incredible end to an incredible series.”—Bingeing on Books

Blade Runner meets X-Men in this follow-up to Mind Storm where humanity faces extinction and it's up to a group of rogue psions to save society

“There is more action in this explosive sequel. The final confrontation between Lukas and his confederates and Nathan will blow your mind….This is not your gentle discovery of psion talent (telepathy, empath, precog) found in early works of Anne McCaffrey or Andre Norton. It is powerful, violent adult science fiction.” ―Examiner.com

“The action is nonstop, insanely violent and mostly lethal, like X-Men on steroids…It's a tribute to Ruiz's skill that, somehow, when a winner finally emerges, it's the one you've been rooting for.” ―Kirkus

“Kaleidoscopically intricate shifting alliances and relationships, terrifying mental tortures, and near-death experiences and resurrections drive this saga of revolt and renewal and leave plenty of room for future installments.” ―Publishers Weekly

Fans of Charles Stross and Hannu Rajaniemi will lose themselves in this adventure as Threnody Corwin and her team of rogue Strykers contend with the aftermath of the events in Mind Storm and the unlocking of a new kind of psion power. They're on the run with Lucas Serca, who is closer than ever to destroying the World Court and his father's grip on the planet. Targeting the hidden cache of the planet's food supply meant to transform Mars into a paradise for the chosen few, Lucas triggers an escalating fight with the ruling government as worldwide chaos ensues. It's up to Threnody to save society before it destroys itself, but the cost is high and in the end, there is no such thing as compromise.

There is only survival.

In Threnody Corwin, K. M. Ruiz has created the coolest and most bad-ass sci-fi heroine since Signourney Weaver portrayed Ripley in the Alien films and Terminal Point takes her to the next level.

Follows a man's thoughts and dreams during a single night. It is also a book that participates in the re-reading of Irish history that was part of the revival of the early 20th century. The author also wrote "Ulysses", "Dubliners" and "Portrait of an Artist as a Young Man".

“A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn’t a legend and he wasn’t mad. He lived among us, and was a genius.”—Jonathan Lethem

Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this is the definitive presentation of Dick’s brilliant, and epic, work.

In the Exegesis, Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.” In entries that sometimes ran to hundreds of pages, in a freewheeling voice that ranges through personal confession, esoteric scholarship, dream accounts, and fictional fugues, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit.

This volume, the culmination of many years of transcription and archival research, has been annotated by the editors and by a unique group of writers and scholars chosen to offer a range of views into one of the most improbable and mind-altering manuscripts ever brought to light.

From the Back Cover

One day the contents of my mind moved faster and faster until they ceased being concepts and became percepts. I did not have concepts about the world but perceived it without preconception or even intellectual comprehension. It then resembled the world of "UBIK." As if all the contents of one s mind, if fused, became suddenly alive, a living entity, which took off within one s head, on its own, saw in its own superior way, without regard to what you had ever learned or seen or known. The principle of emergence, as when nonliving matter becomes living. As if information (thought concepts) when pushed to their limit became metamorphosed into something alive."

Thirty years after the epic journey chronicled in his classic work The Great Railway Bazaar, the world’s most acclaimed travel writer re-creates his 25,000-mile journey through eastern Europe, central Asia, the Indian subcontinent, China, Japan, and Siberia.

Half a lifetime ago, Paul Theroux virtually invented the modern travel narrative by recounting his grand tour by train through Asia. In the three decades since, the world he recorded in that book has undergone phenomenal change. The Soviet Union has collapsed and China has risen; India booms while Burma smothers under dictatorship; Vietnam flourishes in the aftermath of the havoc America was unleashing on it the last time Theroux passed through. And no one is better able to capture the texture, sights, smells, and sounds of that changing landscape than Theroux.

Theroux’s odyssey takes him from eastern Europe, still hung-over from communism, through tense but thriving Turkey into the Caucasus, where Georgia limps back toward feudalism while its neighbor Azerbaijan revels in oil-fueled capitalism. Theroux is firsthand witness to it all, traveling as the locals do—by stifling train, rattletrap bus, illicit taxi, and mud-caked foot—encountering adventures only he could have: from the literary (sparring with the incisive Nobel laureate Orhan Pamuk) to the dissolute (surviving a week-long bender on the Trans-Siberian Railroad). And wherever he goes, his omnivorous curiosity and unerring eye for detail never fail to inspire, enlighten, inform, and entertain.

PAUL THEROUX was born in Medford, Massachusetts, in 1941 and published his first novel, Waldo, in 1967. His fiction includes The Mosquito Coast, My Secret History, My Other Life, Kowloon Tong, Blinding Light, and most recently, The Elephanta Suite. His highly acclaimed travel books include Riding the Iron Rooster, The Great Railway Bazaar, The Old Patagonian Express, Fresh Air Fiend, and Dark Star Safari. He has been the guest editor of The Best American Travel Writing and is a frequent contributor to various magazines, including The New Yorker. He lives in Hawaii and on Cape Cod.

"Hilarious, heartfelt and brimming with humanity.” —Cynthia D’Aprix Sweeney, author of The Nest

Teddy Telemachus is a charming con man with a gift for sleight of hand and some shady underground associates. In need of cash, he tricks his way into a classified government study about telekinesis and its possible role in intelligence gathering. There he meets Maureen McKinnon, and it’s not just her piercing blue eyes that leave Teddy forever charmed, but her mind—Maureen is a genuine psychic of immense and mysterious power. After a whirlwind courtship, they marry, have three gifted children, and become the Amazing Telemachus Family, performing astounding feats across the country. Irene is a human lie detector. Frankie can move objects with his mind. And Buddy, the youngest, can see the future. Then one night tragedy leaves the family shattered.

Decades later, the Telemachuses are not so amazing. Irene is a single mom whose ear for truth makes it hard to hold down a job, much less hold together a relationship. Frankie’s in serious debt to his dad’s old mob associates. Buddy has completely withdrawn into himself and inexplicably begun digging a hole in the backyard. To make matters worse, the CIA has come knocking, looking to see if there’s any magic left in the Telemachus clan. And there is: Irene’s son Matty has just had his first out-of-body experience. But he hasn’t told anyone, even though his newfound talent might just be what his family needs to save themselves—if it doesn’t tear them apart in the process.

Harnessing the imaginative powers that have made him a master storyteller, Daryl Gregory delivers a stunning, laugh-out-loud new novel about a family of gifted dreamers and the invisible forces that bind us all.

“Masterful. . . . gracefully balances the outrageous melodrama of Chicago mobsters and shadowy government agencies with the ordinary mysteries of family dynamics. . . . Readers will emerge from the fray sure they know each Telemachus down to the smudges on their hearts. A skillfully written family drama that employs quirk and magic with grace.” —Kirkus Reviews (Starred)

“This gloriously imaginative novel featuring a family of somewhat reluctant psychics has a nifty trick up its sleeve—as whimsical and eccentric as the Telemachus family is, their hopes and desires perfectly mirror our own. Spoonbenders is hilarious, heartfelt and brimming with humanity.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest
 
“Imagine amazing powers—but do so with uncommon creativity, rigor, and humor. You might, if you're lucky, arrive at the delicious drama of the girl who can smell lies; the all-at-once-ness of the boy who can’t not see the future; the great dilemma of the psychic pressed into service as a spy. Daryl Gregory's novel traces the line where gift balances against curse and by the end, we realize he isn’t only talking about amazing powers after all. Spoonbenders is X-Files meets The Sopranos with a real, roaring heart.” —Robin Sloan, New York Times bestselling author of Mr. Penumbra’s 24-Hour Bookstore

“Did you spend a childhood convinced that you were *this close* to developing telekinetic powers? Me too! The supernatural may elude us still, but there is real magic in Daryl Gregory’s gleeful story of the Amazing Telemachus Family. Spoonbenders is also about the power of belief and whether we can ever escape our tangled family legacies—and why we might not want to.” —Jade Chang, author of The Wangs vs. the World

About the Author

Daryl Gregory is an award-winning writer of genre-mixing novels, stories, and comics. His latest novel, SPOONBENDERS, about a down-on-their-luck family with psychic powers, was published by Knopf in June, 2017, and is being developed for television by Paramount and Anonymous Content.

His recent work includes the young adult novel HARRISON SQUARED (Tor, March 2015), a Locus Award finalist which will be reissued by Tor Teen in 2018, along with two sequels. The novella WE ARE ALL COMPLETELY FINE won the World Fantasy award and the Shirley Jackson award, was a finalist for the Nebula, Sturgeon, and Locus awards, and is in development for television by Universal Cable Productions.

His SF novel AFTERPARTY was an NPR and Kirkus Best Fiction book of 2014, and a finalist for the Campbell and the Lambda Literary awards. His first novel, PANDEMONIUM, won the Crawford award and was a finalist for the World Fantasy award. His other novels are THE DEVIL'S ALPHABET (a Philip K. Dick award finalist) and RAISING STONY MAYHALL (a Library Journal best SF book of the year).

Many of his short stories are collected in UNPOSSIBLE AND OTHER STORIES, which was named one of the best books of 2011 by Publishers Weekly. He wrote the choose-you-own-adventure -style video game, "Flatline", for 3 Minute Games. His comics work includes the sereies "Legenderry: Green Hornet," "Planet of the Apes," "Dracula: The Company of Monsters" (co-written with Kurt Busiek), and the graphic novel "The Secret Battles of Genghis Khan."

He lives and writes full-time in Oakland, California.

“Greenwood’s glowing dark ruby of a novel brilliantly transforms the true crime story that inspired Nabokov’s Lolita. Shatteringly original and eloquently written....So ferociously suspenseful, I found myself holding my breath.” ―Caroline Leavitt, New York Times bestselling author of Pictures of You

Camden, NJ, 1948. When 11 year-old Sally Horner steals a notebook from the local Woolworth's, she has no way of knowing that 52 year-old Frank LaSalle, fresh out of prison, is watching her, preparing to make his move. Accosting her outside the store, Frank convinces Sally that he’s an FBI agent who can have her arrested in a minute―unless she does as he says.

This chilling novel traces the next two harrowing years as Frank mentally and physically assaults Sally while the two of them travel westward from Camden to San Jose, forever altering not only her life, but the lives of her family, friends, and those she meets along the way.

Based on the experiences of real-life kidnapping victim Sally Horner and her captor, whose story shocked the nation and inspired Vladimir Nabokov to write his controversial and iconic Lolita, this heart-pounding story by award-winning author T. Greenwood at last gives a voice to Sally herself.

"Thoughtfully rendered." ―Vanity Fair

"Chilling...a perfect read." ―Bustle

“A beautifully written, unnerving tragedy woven from equal measures of hope and menace.” ―Booklist (starred review)

“Heartrending....Readers who relish novels based on true events will be both riveted and disturbed by this retelling of one of America’s most famous abduction cases.” ―Library Journal (starred review)

“Riveting suspense....Grace touches this dark tale....Greenwood’s story will spellbind readers.” ―Publishers Weekly

"Unflinching but compassionate, Greenwood deftly unravels the devastating layers of malice and carelessness that tore Sally from her family, but also the love and perseverance that eventually brought her home.” ―Bryn Greenwood, author of the New York Times bestseller All the Ugly and Wonderful Things

“Greenwood’s glowing dark ruby of a novel brilliantly transforms the true crime story that inspired Nabokov’s Lolita. Shatteringly original and eloquently written, Rust and Stardust is a lot about how what we believe to be true can shape or ruin a life, and the bright lure of innocence pitted against the murk of evil. So ferociously suspenseful, I found myself holding my breath, and so gorgeous and so unsettling in all the roads it might have taken, I kept rereading pages.” ―Caroline Leavitt, New York Times bestselling author of Pictures of You and Cruel Beautiful World

"A riveting and thoughtful exploration of how the dark secrets of a terrible crime affect and hurt so many―and how light and hope persist in the face of such horrors. Greenwood writes with such compassion and feeling, and she is such a confident, skillful storyteller, that you'll stay up late to find out the fates of her memorable, beautiful characters." ―Edan Lepucki, New York Times bestselling author of California and Woman No. 17

"A harrowing, ripped-from-the-headlines story of lives altered in the blink of an eye, once again proving her eloquence and dexterity as an author.” ―Mary Kubica, New York Times bestselling author of The Good Girl

"A lyrical and haunting meditation on family, love, and survival, this novel―and Sally Horner―stayed with me long after I turned the last page." ―Jillian Cantor, author of Margot

About the Author

T. GREENWOOD's novels have sold over 250,000 copies. She has received grants from the Sherwood Anderson Foundation, Christopher Isherwood Foundation, National Endowment for the Arts, and the Maryland State Arts Council. Her novel Bodies of Water was a 2014 Lambda Literary Awards Finalist; Two Rivers and Grace were each named Best General Fiction Book at the San Diego Book Awards, and Where I Lost Her was a Globe and Mail bestseller in 2016. Greenwood lives with her family in San Diego.

A useful scientific theory, claimed Einstein, must be explicable to any intelligent person. In Deep Down Things, experimental particle physicist Bruce Schumm has taken this dictum to heart, providing in clear, straightforward prose an elucidation of the Standard Model of particle physics―a theory that stands as one of the crowning achievements of twentieth-century science. In this one-of-a-kind book, the work of many of the past century's most notable physicists, including Einstein, Schrodinger, Heisenberg, Dirac, Feynman, Gell-Mann, and Weinberg, is knit together in a thorough and accessible exposition of the revolutionary notions that underlie our current view of the fundamental nature of the physical world. Schumm, who has spent much of his life immersed in the subatomic world, goes far beyond a mere presentation of the "building blocks" of matter, bringing to life the remarkable connection between the ivory tower world of the abstract mathematician and the day-to-day, life-enabling properties of the natural world. Schumm leaves us with an insight into the profound open questions of particle physics, setting the stage for understanding the progress the field is poised to make over the next decade or two.

Introducing readers to the world of particle physics, Deep Down Things opens new realms within which are many clues to unraveling the mysteries of the universe.

"Khong is a magician, and we are lucky to fall under her spell at the very beginning of her brilliant writing life." ―Lauren Groff

“This novel sneaks up on you ― just like life . . . and heartbreak. And love.”―Miranda July

Her life at a crossroads, a young woman goes home again in this funny and inescapably moving debut from a wonderfully original new literary voice.

Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, thirty-year-old Ruth quits her job, leaves town and arrives at her parents’ home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth’s mother, meanwhile, is lucidly erratic. But as Ruth's father’s condition intensifies, the comedy in her situation takes hold, gently transforming her all her grief.
Told in captivating glimpses and drawn from a deep well of insight, humor, and unexpected tenderness, Goodbye, Vitamin pilots through the loss, love, and absurdity of finding one’s footing in this life.

On August 14, 2014, five days after the fatal shooting of Michael Brown ignited race riots throughout the city of Ferguson, Missouri, the nation found an unlikely hero in Captain Ron Johnson of the Missouri Highway Patrol. Charged with the Herculean task of restoring peace between a hostile African American community and the local police, Johnson, a 30-year law enforcement veteran and an African American, did the unthinkable; he took off his bullet-proof vest and joined the protesters.

The 13 days and nights that followed were the most trying of Johnson’s life―professionally, emotionally, and spiritually. Officers in his own command called him a traitor. Lifelong friends stopped speaking to him. The media questioned and criticized his every decision. Alone at the center of the firestorm, with only his family and his faith to cling to, Johnson persevered in his belief that the only way to effectively bridge the divide between black and blue is to―literally―walk across it.

In 13 Days in Ferguson, Johnson shares, for the first time, his view of what happened during the thirteen turbulent days he spent stabilizing the city of Ferguson, and the extraordinary impact those two historic weeks had on his faith, his approach to leadership, and on what he perceives to be the most viable solution to the issues of racism and prejudice in America.