The only novel ever to win the Hugo, Nebula, and Arthur C. Clarke Awards and the first book in Ann Leckie's New York Times bestselling trilogy.

On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Once, she was the Justice of Toren - a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy.

Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

"If you don't know the Ancillary series by now, you probably should. Ann Leckie's sociopolitical space opera almost singlehandedly breathed new cool into the stereotype of spaceships trundling through far-off systems amid laser battles. ... [Ancillary Mercy] earns the credit it's received: As a capstone to a series that shook genre expectations, as our closing installment of an immersively realized world, and as the poignant story of a ship that learned to sing."―NPR Books on Ancillary Mercy

"Powerful."―The New York Times on Ancillary Sword

"Unexpected, compelling and very cool. Ann Leckie nails it...I've never met a heroine like Breq before. I consider this a very good thing indeed."―John Scalzi

"Ancillary Justice is the mind-blowing space opera you've been needing...This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward."―i09.com (included in 'This Fall's Must-Read Science Fiction and Fantasy Books')

"It's not every day a debut novel by an author you'd never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justicearrived, that's exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever."―Liz Bourke, Tor.com

"Establishes Leckie as an heir to Banks and Cherryh."―Elizabeth Bear

Ann Leckie has worked as a waitress, a receptionist, a rodman on a land-surveying crew, a lunch lady, and a recording engineer. The author of many published short stories, and former secretary of the Science Fiction Writers of America, she lives in St. Louis, Missouri, with her husband, children, and cats.

The sequel to Ancillary Justice, the only novel to ever win the Hugo, Nebula, and Arthur C. Clarke Awards and the second book in Ann Leckie's New York Times bestselling series.

Breq is a soldier who used to be a warship. Once a weapon of conquest controlling thousands of minds, now she has only a single body and serves the emperor.

With a new ship and a troublesome crew, Breq is ordered to go to the only place in the galaxy she would agree to go: to Athoek Station to protect the family of a lieutenant she once knew - a lieutenant she murdered in cold blood.

"If you don't know the Ancillary series by now, you probably should. Ann Leckie's sociopolitical space opera almost singlehandedly breathed new cool into the stereotype of spaceships trundling through far-off systems amid laser battles. ... [Ancillary Mercy] earns the credit it's received: As a capstone to a series that shook genre expectations, as our closing installment of an immersively realized world, and as the poignant story of a ship that learned to sing."―NPR Books on Ancillary Mercy

"Powerful."―The New York Times on Ancillary Sword

"The sort of space opera audiences have been waiting for."―NPR Books on Ancillary Sword

"Fans of space operas will feast on its richly textured, gorgeously rendered world-building."―Entertainment Weekly on Ancillary Sword

"Breq's struggle for meaningful justice in a society designed to favor the strong is as engaging as ever. Readers new to the author will be enthralled, and those familiar with the first book will find that the faith it inspired has not been misplaced."―Publishers Weekly on Ancillary Sword

"Leckie proves she's no mere flash in the pan with this follow-up to her multiple-award-winning debut space opera, Ancillary Justice."―Kirkus on Ancillary Sword

"This follow-up builds on the world and characters that the author introduced in the first book and takes the story in new directions. There is much more to explore in Leckie's universe, one of the most original in SF today."―Library Journal (starred review) on Ancillary Sword

"An ambitious space opera that proves that Justice was no fluke.... a book every serious reader of science fiction should pick up."―RT Book Reviews on Ancillary Sword

"Superb... Sword proves that [Leckie]'s not a one-hit wonder. I look forward to the rest of Breg's tale."―St. Louis Post-Dispatch on Ancillary Sword

"A gripping read, with top-notch world building and a set of rich subtexts about human rights, colonialism -- and (yes) hive mind sex."―io9 on Ancillary Sword

"Leckie investigates what it means to be human, to be an individual and to live in a civilized society."―Scientific American on Ancillary Sword

"Unexpected, compelling and very cool. Ann Leckie nails it...I've never met a heroine like Breq before. I consider this a very good thing indeed."―John Scalzi on Ancillary Justice 

"Ancillary Justice is the mind-blowing space opera you've been needing...This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward."―io9 (included in 'This Fall's Must-Read Science Fiction and Fantasy Books')

"It's not every day a debut novel by an author you'd never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justicearrived, that's exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever."―Liz Bourke, Tor.com

"Establishes Leckie as an heir to Banks and Cherryh."―Elizabeth Bear on Ancillary Justice 

"A double-threaded narrative proves seductive, drawing the reader into the naive but determined protagonist's efforts to transform an unjust universe. Leckie uses...an expansionist galaxy-spinning empire [and] a protagonist on a single-minded quest for justice to transcend space-opera conventions in innovative ways. This impressive debut succeeds in making Breq a protagonist readers will invest in, and establishes Leckie as a talent to watch."―Publishers Weekly on Ancillary Justice

"Using the format of SF military adventure blended with hints of space opera, Leckie explores the expanded meaning of human nature and the uneasy balance between individuality and membership in a group identity. Leckie is a newcomer to watch as she expands on the history and future of her new and exciting universe."―Library Journal on Ancillary Justice 

"A sharply written space opera with a richly imagined sense of detail and place, this debut novel from Ann Leckie works as both an evocative science fiction tale and an involving character study...it's also a strongly female-driven piece, tackling ideas about politics and gender in a way that's both engaging and provocative...Ancillary Justice is a gripping read that's well worth a look."―SFX (UK) on Ancillary Justice

"It engages, it excites, and it challenges the way the reader views our world. Leckie may be a former Secretary of the Science Fiction Writers of America, but she's the President of this year's crop of debut novelists. Ancillary Justice might be the best science fiction novel of this very young decade."―Justin Landon, Staffer's Book Review on Ancillary Justice

"Total gamechanger. Get it, read it, wish to hell you'd written it. Ann Leckie's Ancillary Justice may well be the most important book Orbit has published in ages."―Paul Graham Raven on Ancillary Justice

"The sort of book that the Clarke Award wishes it had last year ... be prepared to see Ancillary Justice bandied around a lot come awards season. (As it should be)."―Jared Shurin, Pornokitsch

In 1988, Batman readers were allowed to vote on the outcome of the story... and they decided that Robin should die! Jim Starlin's devastating graphic novel classic left shockwaves throughout the comic book industry, many of which are still felt today!

As the second person to assume the role of Batman's sidekick, Jason Todd had a completely different personality than the original Robin. Rash and prone to ignore Batman's instructions, Jason was always quick to act without regard to consequences. In this fatal instance, Robin ignores his mentor's warnings when he attempts to take on the Joker by himself and pays the ultimate price. Driven by anger with Superman by his side, Batman seeks his vengeance as he looks to end the Joker's threat forever.

This tale of loss, guilt and brutality is considered one of the most defining pieces in the Dark Knight's mythology. Batman: A Death in the Family collects Batman #426-429.

Ten years ago, Emperor TaSherion and his wife were murdered by a traitor. Their five children were taken by loyal friends and scattered across the galaxy, their memories wiped to protect them. Parts of their father’s plan for an unfinished secret weapon have been microchipped and implanted in each sibling. An invasion by the reptilian Crogians sets into motion a series of events that forces one of the children to regain her knowledge of the past. Min, working as a lowly servant in a space-gladiator complex, escapes the attack with one of the gladiators named Ruffian, and together they race across space hunting down her remaining siblings. Now, it’s up to these children of the empire to restore their father’s secret weapon, and lead the rebellion before the Crogians complete their evil plan to destroy humanity.

In M. John Harrison’s dangerously illuminating new novel, three quantum outlaws face a universe of their own creation, a universe where you make up the rules as you go along and break them just as fast, where there’s only one thing more mysterious than darkness.

In contemporary London, Michael Kearney is a serial killer on the run from the entity that drives him to kill. He is seeking escape in a future that doesn’ t yet exist—a quantum world that he and his physicist partner hope to access through a breach of time and space itself. In this future, Seria Mau Genlicher has already sacrificed her body to merge into the systems of her starship, the White Cat. But the “inhuman” K-ship captain has gone rogue, pirating the galaxy while playing cat and mouse with the authorities who made her what she is. In this future, Ed Chianese, a drifter and adventurer, has ridden dynaflow ships, run old alien mazes, surfed stellar envelopes. He “went deep”—and lived to tell about it. Once crazy for life, he’s now just a twink on New Venusport, addicted to the bizarre alternate realities found in the tanks—and in debt to all the wrong people.

Haunting them all through this maze of menace and mystery is the shadowy presence of the Shrander—and three enigmatic clues left on the barren surface of an asteroid under an ocean of light known as the Kefahuchi Tract: a deserted spaceship, a pair of bone dice, and a human skeleton.

From Publishers Weekly

Harrison's talent for brilliant, reality-bending SF is on display yet again with this three-tiered tale, published (and highly praised) in the U.K. in 2002. It's 1999, and British scientist Michael Kearney and his American partner, Brian Tate, are studying laboratory quantum physics; unbeknownst to them, they'll become the fathers of interplanetary travel. Kearney nervously holds a pair of predictive dice he's stolen from a frightening specter called the Shrander, whom he keeps at bay by committing random murders. Four hundred years in the future, K-ship captain Seria Mau Genlicher has gravely erred in splicing herself with a hijacked spacecraft called the White Cat—and now she wants out. There's also Ed Chianese, a burned-out interstellar surfer now spending his life within a reality simulation machine. His problem? Monetary debt to the nasty Cray sisters. As Kearney continues to narrowly evade the Shrander, he discovers that company CEO Gordon Meadows has sold the lab to Sony. All three story lines converge and find heavenly closure at the cosmological wonder known as the Kefahuchi Tract, a wormhole with alien origins bordered by a vast, astral "beach" where time and space are braided and interchangeable. This is space opera for the intelligentsia, as Harrison (Things That Never Happen) tweaks aspects of astrophysics, fantasy and humanism to hum right along with the blinking holograms in a welcome and long overdue return.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Reviewers call Light “complex,” yet seemed more than willing to forgive the complexity—as well as the shortage of sympathetic major characters—because of the award-winning author’s style and sheer intelligence. They also lauded the ending, deemed “suitably transformational” and “connection-rich” (Guardian). Harrison brings a far deeper wisdom and maturity to science fiction than other writers typically do, and poses important questions that reach far beyond the old conceits of the genre. Most intriguing of these: “By what moral calculus is [Harrison’s] mad scientist any madder than the legions of researchers who kiss their families goodbye each morning and spend their workdays developing weapons of mass destruction?” (New York Times). It’s an eternal mystery.

Copyright © 2004 Phillips & Nelson Media, Inc.

"The science fictional equivalent of A Song of Ice and Fire...only with fewer beheadings and way more spaceships."―NPR Books on Cibola Burn

"Combining an exploration of real human frailties with big sf ideas and exciting thriller action, Corey cements the series as must-read space opera."―Library Journal(starred review) on Cibola Burn

"The Expanse series is the best space opera series running at full tilt right now, and Cibola Burn continues that streak of excellence."―io9 on Cibola Burn

"Corey's splendid fourth Expanse novel blends adventure with uncommon decency."―Publishers Weekly (starred review) on Cibola Burn

"A politically complex and pulse-pounding page-turner.... Corey perfectly balances character development with action... series fans will find this installment the best yet."―Publishers Weekly on Abaddon's Gate

"It's been too long since we've had a really kickass space opera. LEVIATHAN WAKES is interplanetary adventure the way it ought to be written, the kind of SF that made me fall in love with the genre way back when, seasoned with a dollop of horror and a dash of noir. Jimmy Corey writes with the energy of a brash newcomer and the polish of a seasoned pro. So where's the second book?"―George R.R. Martin on Leviathan Wakes

"An excellent space operatic debut in the grand tradition of Peter F. Hamilton."―Charles Stross on Leviathan Wakes

"High adventure equaling the best space opera has to offer, cutting-edge technology, and a group of unforgettable characters bring the third installment of Corey's epic space drama (after Caliban's War and Leviathan Wakes) to an action-filled close while leaving room for more stories to unfold. Perhaps one of the best tales the genre has yet to produce, this superb collaboration between fantasy author Daniel Abraham and Ty Franck should reawaken an interest in old-fashioned storytelling and cinematic pacing. Highly recommended."―Library Journal on Abaddon's Gate

"Literary space opera at its absolute best."―io9.com on Abaddon's Gate

"[T]he authors are superb with the exciting bits: Shipboard coups and battles are a thrill to follow."―Washington Post on Abaddon's Gate

About the Author

James S.A. Corey is the pen name of authors Daniel Abraham and Ty Franck. They both live in Albuquerque, New Mexico.

“From the stuff of space opera, Dick spins a deeply unsettling existential horror story, a nightmare you’ll never be sure you’ve woken up from.”—Lev Grossman, Time 

Glen Runciter runs a lucrative business—deploying his teams of anti-psychics to corporate clients who want privacy and security from psychic spies. But when he and his top team are ambushed by a rival, he is gravely injured and placed in “half-life,” a dreamlike state of suspended animation. Soon, though, the surviving members of the team begin experiencing some strange phenomena, such as Runciter’s face appearing on coins and the world seeming to move backward in time. As consumables deteriorate and technology gets ever more primitive, the group needs to find out what is causing the shifts and what a mysterious product called Ubik has to do with it all. 

“More brilliant than similar experiments conducted by Pynchon or DeLillo.”—Roberto Bolaño