Since its original publication in 1936, Gone With the Wind—winner of the Pulitzer Prize and one of the bestselling novels of all time—has been heralded by readers everywhere as The Great American Novel.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read.

Widely considered The Great American Novel, and often remembered for its epic film version, Gone With the Wind explores the depth of human passions with an intensity as bold as its setting in the red hills of Georgia. A superb piece of storytelling, it vividly depicts the drama of the Civil War and Reconstruction.

This is the tale of Scarlett O’Hara, the spoiled, manipulative daughter of a wealthy plantation owner, who arrives at young womanhood just in time to see the Civil War forever change her way of life. A sweeping story of tangled passion and courage, in the pages of Gone With the Wind, Margaret Mitchell brings to life the unforgettable characters that have captured readers for over seventy years.  

The book tells the story of the Schlegel sisters, Margaret and Helen, and of a rich businessman, Henry Wilcox , and his family. The story revolves around the events of a dying woman's bequest, an impulsive girl's attempt to help an impoverished clerk, and the marriage between an idealist and a materialist — all intersect at a the estate called Howards End.

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

From Publishers Weekly

A robust volume of 63 stories from 52 authors from 20 different countries, Gwynn and Gioia's anthology seems destined for undergraduate classrooms. Most of the editors' selections come from the usual literary heavyweights, authors like Hemingway, Chekhov, Joyce, Borges, Faulkner, Welty and Melville. But they do include a handful of more contemporary writers, such as Chinua Achebe, Ha Jin, Sandra Cisneros and Alice Munro as well. Each author receives a page-long biography, which dispenses some interesting facts (e.g., Tolstoy's infidelities, Woolf's depression, Gogol's madness, Poe's poverty, Mishima's suicide), gives a careful analysis of the author's works and sets them in the context of various literary traditions. Garcia Marquez's use of magical realism, for example, is connected to the surreal writings of Kafka, Maupassant, Cheever, Singer and Rushdie. Teachers and would-be writers will especially appreciate the "Author's Perspective" that accompanies each short story. This commentary, written by the author of the story itself, is used by the editors to illuminate the fictional text: its aims, its context or its workings. Sherwood Anderson and Raymond Carver's essays, for example, offer advice on the craft of writing. Margaret Atwood discusses Canadian identity; Alice Walker writes on race and gender; Camus discusses revolution and repression. Fitzgerald's self-interview and Cheever's "Why I Write Short Stories" both contain a comic edge, while Flannery O'Connor's essay explains the importance of religious grace in her stories. The anthology also includes instructional sections on the basic elements of short fiction, writing about fiction, critical approaches from various theoretical schools and a glossary of literary terms. With all its supporting material, the collection may seem geared for the student, yet its flexibility also allows for browsing by the casual short story reader.
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The son of author Deepak Chopra presents a spiritual tale based on his father's best-seller, The Seven Spiritual Laws of Success, involving a young Indian boy's journey through the enchantments of his homeland.

Retold by griots, the guardians of African Culture, this oral tradition has been handed down from the thirteenth century and captures all the mystery and majesty of medieval African kingship. It is the epic tale, based on an actual figure, of Sundiata (Sunjata). Part history and part legend, it tells how Sundiata fulfilled the prophesies that he would unite the twelve kingdoms of Mali into a powerful empire.

This Revised Edition includes background information which provides a geographical, religious, social, and political context for the story. A ‘who’s who of characters’ and ‘a glossary of places’ will enhance the reader’s experience.

Sunjata Keita was the founder of one of the greatest empires of Western Africa. These two epic accounts of his life portray a greedy, slow-witted child - said to have crawled until the age of seven - who grew up as prophecy foretold to become a mighty warrior, renowned for his bravery and superhuman strength. They describe how, with the help of his sister, who seduced their arch-enemy Sumanguru into revealing his secret powers, Sunjata defeated the Susu overlords and created the Mali Empire which would last for two centuries. Based on events from the early thirteenth century, these tales of heroism and magic are still celebrated across West Africa as part of a living epic oral tradition.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"It is impossible not to be impressed by [Grass's] inexhaustible desire to experiment with the novel and by the many good stories and passages of exquisite writing in The Box"--Charles Simic, New York Review of Books

In this inspired and daring work of fiction, Gunter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, and especially of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, happy, loving, accusatory--they piece together an intimate picture of this most public of men. To say nothing of Marie, a photographer and family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more than simple replication. They reveal a truth beyond ordinary life, depict the future, tell what might have been, grant the wishes of those photographed. The children speculate on the nature of this magic: Was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God? An audacious literary experiment, The Box is Grass at his best.