It began four million years ago when a gleaming black monolith cast its shadow on the stark African savanna *an inexplicable apparition that ignited the spark of human consciousness, transforming ape into man.

It continued at the dawn of the 21st century when an identical black monolith was excavated on the moon *propelling Dave Bowman and his deputy Frank Poole on a mission to Jupiter that ended in the mutiny of the supercomputer HAL. 

Only Dave Bowman would survive to encounter a third, and far more massive monolith on Jupiter's moon Europa *and be forever transformed into the star child.

It is the world of 2001: A Space Odyssey. And now, the odyssey enters its perilous ultimate stage. In 3001, the human race, incredibly, has survived, yet lives in baffled fear of the trio of monoliths that dominate the solar system--until a ray of light beams forth from a totally unexpected source. The body of Frank Poole, believed dead for a thousand years, is recovered from the frozen reaches of the galaxy, restored to conscious life, and readied to resume the voyage that HAL abruptly terminated a thousand years back. He knows he cannot proceed until he reestablishes contact with Dave Bowman. But first he must fathom the terrifying truth of what Bowman *and HAL *have become inside the monolith.

In 3001: The Final Odyssey, Arthur C. Clarke brings the greatest and most successful science fiction series of all time to its magnificent, stunningly unforeseen conclusion. As we hurtle toward the new millennium in real time, Clarke brilliantly, daringly leaps one thousand years into the future to reveal a truth we are only now capable of comprehending. An epic masterpiece at once dazzlingly imaginative and grounded in scientific actuality, 3001 is a story that only Arthur C. Clarke could tell.

Parable of the Sower is a dystopian classic of terror and hope-the story of an African American teenage girl trying to survive in an all-too-real future-from the "grand dame" of science fiction, Octavia E. Butler.

When unattended environmental and economic crises lead to social chaos, not even gated communities are safe. In a night of fire and death, Lauren Olamina, an empath and the daughter of a minister, loses her family and home and ventures out into the unprotected American landscape. But what begins as a flight for survival soon leads to something much more: a startling vision of human destiny...and the birth of a new faith, as Lauren becomes a prophet carrying the hope of a new world and a revoltionary idea christened "Earthseed".

Chilling and thought-provoking for adult and young adult readers alike, "...there isn't a page in this vivid and frightening story that fails to grip the reader" (San Jose Mercury News).

"Prepare to fall in love with Binti." ―Neil Gaiman

Winner of the Hugo Award and the Nebula Award for Best Novella!

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.

Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.

If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself ― but first she has to make it there, alive.

PRAISE FOR BINTI

"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" ― Wanuri Kahiu, award-winning Kenyan film director of Punzi and From a Whisper

The thrilling sequel to the Hugo and Nebula-winning Binti by Nnedi Okorafor

It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she found friendship in the unlikeliest of places.

And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders.

But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace.

After generations of conflict can human and Meduse ever learn to truly live in harmony?

Praise for Nnedi Okorafor:

"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" - Wanuri Kahiu, award winning Kenyan film director of Pumzi and From a Whisper

Little Red Reviewer

“Binti is a wonderful and memorable coming of age story which, to paraphrase Lord of the Rings, shows that one girl can change the course of the galaxy.” – Geek Syndicate

“Binti packs a punch because it is such a rich, complex tale of identity, both personal and cultural… and like all of Nnedi Okorafor’s works, this one is also highly, highly recommended.” – Kirkus Reviews

"There's more vivid imagination in a page of Nnedi Okorafor's work than in whole volumes of ordinary fantasy epics." -Ursula Le Guin

Affectionately dubbed "the Nigerian Harry Potter," Akata Witch weaves together a heart-pounding tale of magic, mystery, and finding one's place in the world.

Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she's albino. She's a terrific athlete, but can't go out into the sun to play soccer. There seems to be no place where she fits in. And then she discovers something amazing—she is a "free agent" with latent magical power. Soon she's part of a quartet of magic students, studying the visible and invisible, learning to change reality. But will it be enough to help them when they are asked to catch a career criminal who knows magic too?

Ursula K. Le Guin and John Green are Nnedi Okorafor fans. As soon as you start reading Akata Witch, you will be, too!

This novel is based on a historically accurate account of the Wilmington, North Carolina, "race riot" of 1898, and is a passionate portrait of the betrayal of black culture in America, by an acclaimed African-American writer. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Chesnutt was tremendously explicit in representing the violence and his own anger. Today it reads as one of the more enduring novels of the era." —Richard Yarborough, UCLA

Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.  

Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.

Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a monument to racial harmony in blighted south Memphis during the civil rights movement. Their success soon pits the siblings against each other, and the brother abandons his sister for a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, the heights they achieve result in their tragic demise. They fall, losing everything, and the sanctuary they created is torn to the ground. A generation later, Stax is rebuilt brick by brick and is once again transforming disenfranchised youth into stellar young musicians.

Set in the world of 1960s and '70s soul music, Respect Yourself is a character-driven story of racial integration, and then of black power and economic independence. It's about music and musicians--Isaac Hayes, Otis Redding, the Staple Singers, and Booker T. and the M.G.'s, Stax's interracial house band. It's about a small independent company's struggle to survive in an increasingly conglomerate-oriented world. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through volatile years. Told by one of our leading music chroniclers, Respect Yourself is the book to own about one of our most treasured cultural institutions and the city that created it.

In a thrilling masterwork that will make you rethink your perceptions of life and death, New York Times bestselling author James Rollins takes you to the edge of medicine, genetics, and technology, revealing the next evolutionary leap forward: immortality.

Galilee, 1025. Infiltrating an ancient citadel, a Templar knight uncovers a holy treasure long hidden within the fortress's labyrinth: the Bachal Isu -- the staff of Jesus Christ -- a priceless icon that holds a mysterious and terrifying power that promises to change humankind forever. 

A millennium later, Somali pirates hijack a yacht off the coast of the Horn of Africa, kidnapping a young pregnant American woman. Commander Gray Pierce is enlisted for a covert rescue mission into the African jungle. The woman is no rich tourist: she's Amanda Gant-Bennett, daughter of the U.S. president. 

Suspicious that the kidnapping masks a far more nefarious plot, Gray must confront a shadowy cabal which has been manipulating events throughout history...and now challenges the current presidency.  

For this unique mission, SIGMA is aided by a pair of special operatives with unique talents: former Army Ranger Captain Tucker Wayne and his military war dog, Kane. But what should be a straightforward rescue turns into a fiery ambush and a deadly act of betrayal, as Gray and his team discover that the hostage is a pawn in a shattering act of terrorism with dark repercussions. And the danger is only beginning... 

Halfway around the world, a firebombing at a fertility clinic in South Carolina exposes a conspiracy that goes back centuries...a scheme that lies within our genetic code. With time against them, SIGMA must race to save an innocent unborn baby whose very existence raises questions about the nature of humanity, asking: 

Could you live forever? 

Would you live forever?

A powerful novel about the difficulty of doing what is right. 

Through their love for people, yet ignorance of the unknown, the Finch Family has joined alongside their church and opened their home to an African refugee family who are moving to Connecticut. The Amabo family of four– Andre, Celestine, Mattu, and Alake: father, mother, and teenage son and daughter– arrive in great hope as they have escaped the tyranny of Africa. What the Finch Family doesn’t know is that there are not just four refugees in this Amabo family, but five.

As the Amabo family, who have suffered unimaginable horrors, begin to adjust to a life of plenty in the Finches' suburban Connecticut home, and the Finches are learning new lessons of “The Golden Rule”. The life adjustment for all seems flawless.

But the fifth refugee does not believe in good will. This lawless rebel has managed to enter America undetected. And the Amabo family has something of his--something that they agreed to carry into the country for him.

When Jared, the oldest Finch son, realizes that the good guys are not always innocent, he must make a decision that could change the fates of both the Finches and the Amabos. In this uncommonly penetrating story, Caroline B. Cooney presents a fresh perspective on how doing what is right can be most difficult.

The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial boundaries that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today.

Choices is an engaging, light-hearted, contemporary story set in coastal South Carolina, where an African-American woman and Caucasian widower find love, opposition, and a surprising ally in the ghost of a deceased spouse.

Lara Boyd is a woman who has lived the last six years happy in her career but unfulfilled in her personal life. An unanswered ultimatum given by her ex-fiancé left her uncertain and tentative, but when Ryan Andrews and his young son, Justin, enter her life, making choices and living with them takes on a whole new meaning.

Choices is the theme running through this story. Lara's fear springs from a choice she couldn't make years before, and the story opens when Justin makes the choice to meet his teacher, thereby bringing Ryan and Lara together. By the end of the story; Lara, Ryan, and Justin are all making even bigger choices because of their deep love for one another.

“If there are shoulders modern African-American women’s literature stands upon they belong to Ntozake Shange, who revolutionized theatre and literature with her iconic work for colored girls who have considered suicide/when the rainbow is enuf in the 1970s. Any of us writing today are inheritors of her genius.” ―SAPPHIRE, AUTHOR OF PUSH 

From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp’s Public Theater and on Broadway, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange’s words reveal what it meant to be of color and female in the twentieth century. First published in 1975, when it was praised by The New Yorker for “encompassing . . . every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Here is a groundbreaking dramatic prose poem written in vivid and powerful language that resonates with unusual beauty in its fierce message to the world. 

“Extraordinary and wonderful . . . Ntozake Shange writes with such exquisite care and beauty that anyone can relate to her message.” ―THE NEW YORK TIMES

Abandoned by both his Irish father and Congolese mother, Bruno Salvador has long looked for someone to guide his life. He has found it in Mr. Anderson of British Intelligence. Bruno's African upbringing, and fluency in numerous African languages, has made him a top interpreter in London, useful to businesses, hospitals, diplomats-and spies. Working for Anderson in a clandestine facility known as the "Chat Room," Salvo (as he's known) translates intercepted phone calls, bugged recordings, snatched voice mail messages. When Anderson sends him to a mysterious island to interpret during a secret conference between Central African warlords, Bruno thinks he is helping Britain bring peace to a bloody corner of the world. But then he hears something he should not have....Building upon the box office success of le Carre's The Constant Gardener (like The Mission Song, built around turmoil and conspiracy in Africa) and le Carre's laser eye for the complexity of the modern world (seen in Absolute Friends' prediction that the Iraq war would be based on phony and manipulated intelligence), this new novel is a crowning achievement, full of politics, heart, and the sort of suspense that nobody in the world does better.

HIGH STAKES

Maya Wilkins is the first African-American attorney at a prestigious New York City firm.  When she meets Victor, a songwriter and student who currently works as the mailroom supervisor, their attraction is instant, even though Maya has reservations about what her uppity colleagues will think.  But soon she's got another problem to deal with--a senior partner at the firm has been stealing money with the help of his client, and Maya is the only one who knows about it...

HEATED PASSION

Vic is wary of putting his feeling for Maya on the line until he's sure he's more than just a temporary fling, but he'll gladly help her expose a corporate thief.  And as Maya figures out a way to prove her case, Vic works on convincing her that the passion they've found makes a very persuasive argument for love...

An Oprah Book Club selection, Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.

Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.

The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.”

"A beautiful novel, rich, firm and moving . . ."
-- The New York Times (New York Times )

Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

In Season (formerly titled VoodooSeason), Jewell Parker Rhodes revisits the sensual, magical landscape of her highly acclaimed debut novel, Voodoo Dreams.

Marie Levant, raised in the North by foster parents, begins her medical residency in New Orlean's Charity Hospital. Plagued by deja vu and haunted by increasingly violent dreams, Marie tries to make a life in a city that seems both foreign and familiar. 

Without warning her world falls apart, for it is voodoo season: the season of heat, humidity, the West Nile virus, of unexplained deaths of young adults all with a mysterious symbol marked in red clay on their foreheads. It is the season of babies cut from their dead mother's wombs. 

It is the season when the Guede, the death gods, haunt Levant--whispering tales, sending memories and dreams of Marie Laveau, a nineteenth century voodooienne, who walked on water and blended African loas with their Catholic saints, whispering tales of a second Marie, who murdered her mother and brought evil to the faith, whispering tales of a third Marie who died in a pool of blood, after abandoning her child to an orphanage. Marie Levant, the fourth Marie, must reclaim her heritage, reclaim the power of voodoo drums transformed to a jazz lament, reclaim her spiritual, womanist power. A contemporary epic and mythic tale, Marie learns "women hand down sight through generations, mother to daughter." She learns that love and passion can be intertwined, marriage and a profession can mix, and that a woman's love can redeem a world. She learns that there is no greater power than a mother's fierce passion and that of a woman secure in her self identity, secure in ancestral heritage as a black woman and a voodoo queen.

About the Author

Jewell Parker Rhodes is the author of the Louisiana Girls children's book trilogy, which includes Ninth Ward, Sugar, and Bayou Magic. The books in this series have received the Parents’ Choice Foundation Award, the Coretta Scott King Author Honor Award, and the Jane Addam’s Children’s Book Award, among others. Towers Falling, her newest middle grade novel, is a Junior Library Guild Selection, an Amazon's Best Book of the Month, and an ADL Best Kid Lit on Bias, Diversity, and Social Justice selection. Another middle grade book, Ghost Boys, will be published spring of 2018.

Jewell is also the author of six adult novels: Voodoo Dreams, Magic City, Douglass’ Women, Season, Moon, and Hurricane, as well as the memoir Porch Stories: A Grandmother’s Guide to Happiness, and two writing guides, Free Within Ourselves: Fiction Lessons for Black Authors and The African American Guide to Writing and Publishing Non-Fiction. Her adult literary awards include the American Book Award, the National Endowment of the Arts Award in Fiction, the Black Caucus of the American Library Award for Literary Excellence, and the PEN Oakland/Josephine Miles Award for Outstanding Writing.

Jewell grew up in Pittsburgh, Pennsylvania and earned a Bachelor of Arts in Drama Criticism, a Master of Arts in English, and a Doctor of Arts in English (Creative Writing) from Carnegie Mellon University. Jewell is the Founding Artistic Director and Piper Endowed Chair at the Virginia G. Piper Center for Creative Writing at Arizona State University. She currently lives in San Jose.

"Poets live the lives all of us live," says Bill Moyers, "with one big difference. They have the power--the power of the word--to create a world of thoughts and emotions other can share. We only have to learn to listen."

In a series of fascinating conversations with thirty-four American poets, The Language Of Life celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to re-create the human experience: falling in love, facing death, leaving home, playing basketball, losing faith, finding God. Listening to Linda McCarriston's award-winning poems about a child trapped in a violent home, or to Jimmy Santiago Baca explaining how words changed his life in prison, or to David Mura describing his Japanese American grandfather's experience in relocation camps, or to Sekou Sundiata stitching the magic of his childhood church in Harlem to the African tradition of storytelling, or to Gary Snyder invoking the natural wonder of mountains and rivers, or to Adrienne Rich calling for honesty in human relations, all testify to the necessity and clarity of the poet's voice, and all give hope that from such a wide variety of racial, ethnic, and religious threads we might yet weave a new American fabric.

"'Listen,' said the storytellers of old, 'listen and you shall hear,'" explains Bill Moyers. The Language Of Life is a joyous, life-affirming invitation to listen, learn, and experience the exhilarating power of the spoken word.

Winner of the 1999 Scott O'Dell Award
A Notable Children's Book in the Field of Social Studies 

Maybe nobody gave freedom, and nobody could take it away like they could take away a family farm. Maybe freedom was something you claimed for yourself. 

Like other ex-slaves, Pascal and his older brother Gideon have been promised forty acres and maybe a mule. With the family of friends they have built along the way, they claim a place of their own. Green Gloryland is the most wonderful place on earth, their own family farm with a healthy cotton crop and plenty to eat. But the notorious night riders have plans to take it away, threatening to tear the beautiful freedom that the two boys are enjoying for the first time in their young lives. Coming alive in plain, vibrant language is this story of the Reconstruction, after the Civil War.

Freedom - The Underground Railroad is an engaging cooperative game about a pivotal time in American history. Players assume the roles of important historical Abolitionist characters pitted against the slave economy from the early 1800's thru the Civil War. Players succeed together by balancing their actions between raising funds for the Abolitionist cause and helping runaway slaves move from the Southern States to freedom in Canada. But every move risks alerting the slave catchers, who roam the board trying to return the runaway slaves to the plantations. 

Educational - Players become familiar with the important historical figures, political agendas and crucial events that unfolded in America between 1800 and 1865.

“This is a beautiful new edition of a timeless classic of African literature. Ba brings the issue of polygamy into sharp, almost familiar focus for readers who might think it bizarre and safely foreign. I am pleased to see this treasure back in print.” Catherine E. Bolten, University of Notre Dame

“I used this novel in my African literature course and it was great. The students researched Senegal and the discussions were lively, enthusiastic, and compelled the quiet students to join in. It was a rewarding experience.” Immaculate Kizza, University of Tennessee

So Long a Letter is a landmark book - a sensation in its own country and an education for outsiders. Mariama Ba, a longtime women's activist, set out to write a book that exposed the double standard between men and women in Africa. The result, So Long a Letter, eventually won the first Noma Award for Publishing in Africa. The book itself takes the form of a long letter written by a widow, Ramatoulaye, to her friend, over the mandatory forty-day mourning period following the death of a husband. Both women had married for love and had happy, productive marriages; both were educated, had work they loved and were intellectually alive. During their lives, both of these women's husbands chose to take a second wife - and each woman then made a different choice. Ramatoulaye decided to stay married, although it meant rarely seeing her husband and knowing that he was squandering money on a young girl, a friend of her own daughter. Ramatoulaye's friend divorced her husband and eventually left the country, settling in the United States. In her letter, Ramatoulaye examines her life and that of other women of Senegal - their upbringing and training and the cultural restrictions placed upon them. It is a devastating attack, made all the more powerful because of the intelligence and maturity of the narrator and the ability of Mariama Ba to honor two very different choices within one framework. -- From 500 Great Books by Women; review by Erica Bauermeister

This edition offers Hansberry's complete uncut screen adaptation of her play, containing at least forty percent new material that does not appear in the play.

From Library Journal

The film version of Hansberry's landmark play A Raisin in the Sun (1961) was the first depiction of African American life seen by mainstream America. Hansberry included in her screen version several scenes of the Younger family interacting with the white world to show their deprivation and the subtle forms of racism they encountered in their everyday lives. In typical Hollywood fashion most of those scenes were cut, which softened the drama's angry voice. This new edition of the uncut original was edited by Hansberry's ex-husband and literary executor Nemiroff, who made a lifelong commitment to seeing that Hansberry's talent was fully recognized. African American collections as well as film collections will find this script of interest.
- Marcia L. Perry, Berkshire Athenaeum, Pittsfield, Mass.
Copyright 1992 Reed Business Information, Inc.

Review

“A beautiful, lovable play. It is affectionately human, funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears.”
John Chapman, New York News

“An honest, intelligible, and moving experience.”
Walter Kerr, New York Herald Tribune

“Miss Hansberry has etched her characters with understanding, and told her story with dramatic impact. She has a keen sense of humor, an ear for accurate speech and compassion for people.”
Robert Coleman, New York Mirror

“A Raisin in the Sun has vigor as well as veracity.”
Brooks Atkinson, New York Times

“It is honest drama, catching up real people. . . . It will make you proud of human beings.”
Frank Aston, New York World-Telegram & Sun

Remember when everything was looking up? When the government was running at a surplus, pollution was disappearing, peace was breaking out in the Middle East and Northern Ireland, and the Bridge to the 21st century was strung with high–speed Internet cable and paved with 401K gold?

Well, so much for the future. Michael Moore, the award–winning provocateur behind Roger & Me and the bestseller Downsize This!, now returns to size up the new century – and that big, ugly special–interest group that's laying waste to the world as we know it: stupid white men. Whether he's calling for United Nations action to overthrow the Bush Family Junta, calling on African–Americans to place 'whites only' signs over the entrances of unfriendly businesses, or praying that Jesse Helms will get kissed by a man, Stupid White Men is Mike's Manifesto on Malfeasance and Mediocrity. So if you're feeling the same way and you're wondering what's going to give out first – the economy, Dick Cheney's pacemaker, or your new VW Beetle – here's the book for you.

This is Linda Tucker’s firsthand account of her journey into the mysteries of the most sacred animal on the African continent: the legendary White Lion. This book reveals the knowledge and ceremonies of Old Africa and the overwhelming love that has driven her every action to save these magnificent beasts, against formidable odds. . . .

After being rescued from a life-threatening encounter with lions in the Timbavati game region by a medicine woman known as the “Lion Queen,” Linda embarked on a journey into the mysteries of the White Lion. It is a mystical journey into the knowledge and ceremonies of Old Africa, in which humans and lions are able to cross the species barrier—in accordance with the most guarded secrets of Ancient Egypt and humankind’s greatest riddle, the sphinx.

Scientists in our day have established that humankind’s most significant evolutionary leap occurred as a result of our ancestors’ interaction with great cats. The White Lion is a genetic rarity of Panthera leo, and occurred in just one region on earth: Timbavati. Today White Lions form the center of the notorious “canned” trophy hunting industry—hand-reared captive lions, shot in enclosures for gross sums of money. By contrast, shamans believe that killing a “lion sun god” is the ultimate sacrilege. How the human species treats such precious symbols of God in nature may determine how nature treats the human species.

Whether we view them as prophetic “Lions of God” or simply as rare genetic mutations, the story of the White Lions is a true legend unfolding in our own extraordinary times.

Twelve Armageddon stories follow such plotlines as a small African country's Yuletide preparations, a phone company's direct-dial service to the world of the dead, and a war between Pharaoh's army and the Peoples of the Sea.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next."—George R. R. Martin

David Anthony Durham’s gripping Acacia Trilogy continues with an epic novel where loyalties are tested, new worlds are discovered, and battle lines are being drawn.

A few years have passed since Queen Corinn has usurped control of the Known World—and she now rules with an iron fist. With plans to expand her empire, she sends her brother, Dariel, on an exploratory mission across the sea to The Other Lands. There, he discovers an alliance of tribes that have no interest in being ruled by Queen Corinn and the Akarans. In fact, Dariel’s arrival ignites a firestorm that once more exposes The Known World to a massive invasion, one unlike anything they have yet faced . . 

David Anthony Durham on The Other Lands 

Recently, I had the amazing experience of being called on stage during the Hugo Awards ceremony to receive the John W. Campbell Award for Best New Writer of Science Fiction. It was a wonderful, and unexpected, highlight of my publishing life.

I began my publishing career writing historical novels inspired by my interests as an African-American. That’s what readers first knew of me and--three novels in--that might have been the focus of my work thereafter. What they didn’t know was how important fantasy had been to me. In middle school, it was hanging out with Bilbo and Frodo, the Pevensie kids, Taran and Ged and Thomas Covenant that introduced me to literature.

Later I became an academic, wrote literary novels, reviewed and judged awards. That felt very grown up, but something was missing. I was still drawn toward fantastic tales by authors like Octavia Butler, Orson Scott Card, Susanna Clarke, Neil Gaiman, and Frank Herbert. I also realized how much fantasy was a part of my children's life in new works by Cornelia Funke, M.i. McAllister, Philip Pullman, J.K. Rowling, and S.F. Said.

This prompted me to return to the genre. Writing Acacia: The War with the Mein was a process of reconnecting with the young reader I was and merging that with the adult I’d become. That’s why the series is about royal siblings, monsters, quests, magic, and... also about things like global trade, national mythology, the burdens of leadership and about striving to correct past wrongs without making new ones.

I couldn’t be happier with the reception it’s received. I’m honored to have stood on that stage beside those Hugo winners, and I’m very pleased to have been able to continue my tale with The Other Lands. If I have my way, I’ll be switching between our world and my imagined one for years to come, just like some kids I read about years ago...--David Anthony Durham

(Photo © Gudrun Johnston)

#1 NEW YORK TIMES BESTSELLER • The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY 

Michiko Kakutani, New York Times • Newsday • Esquire • NPR • Booklist

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Praise for Born a Crime

“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times

“[An] unforgettable memoir.”—Parade

 “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today

“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People

“[Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)

“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews

A sweeping, authoritative history of the expansion of slavery in America, showing how forced migrations radically altered the nation's economic, political, and cultural landscape.

"The overwhelming power of the stories that Baptist recounts, and the plantation-level statistics he's compiled, give his book the power of truth and revelation."―Los Angeles Times

Americans tend to cast slavery as a pre-modern institution--the nation's original sin, perhaps, but isolated in time and divorced from America's later success. But to do so robs the millions who suffered in bondage of their full legacy. As historian Edward E. Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy.

Told through intimate slave narratives, plantation records, newspapers, and the words of politicians, entrepreneurs, and escaped slaves, The Half Has Never Been Told offers a radical new interpretation of American history.

"Thoughtful, unsettling.... Baptist turns the long-accepted argument that slavery was economically inefficient on its head, and argues that it was an integral part of America's economic rise."―Daily Beast

Winner of the 2015 Avery O. Craven Prize from the Organization of American Historians

Winner of the 2015 Sidney Hillman Prize

Bloomberg View Top Ten Nonfiction Books of 2014

Daily Beast Best Nonfiction Books of 2014

"Wonderful.... Baptist provides meticulous, extensive, and comprehensive evidence that capitalism and the wealth it created was absolutely dependent on the forced labor of Africans and African-Americans, downplaying culturalist arguments for Western prosperity."―Nation

"By far the finest account of the deep interplay of the slave trade...and the development of the U.S. economy."―Stephen L. Carter

"Baptist has a knack for explaining complex financial matters in lucid prose.... The Half Has Never Been Told's underlying argument is persuasive."―New York Times Book Review

Once in a great while a book comes along that changes the way we see the world and helps to fuel a nationwide social movement. The New Jim Crow is such a book. Praised by Harvard Law professor Lani Guinier as "brave and bold," this book directly challenges the notion that the election of Barack Obama signals a new era of colorblindness. With dazzling candor, legal scholar Michelle Alexander argues that "we have not ended racial caste in America; we have merely redesigned it." By targeting black men through the War on Drugs and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control—relegating millions to a permanent second-class status—even as it formally adheres to the principle of colorblindness. In the words of Benjamin Todd Jealous, president and CEO of the NAACP, this book is a "call to action."

Called "stunning" by Pulitzer Prize–winning historian David Levering Lewis, "invaluable" by the Daily Kos, "explosive" by Kirkus, and "profoundly necessary" by the Miami Herald, this updated and revised paperback edition of The New Jim Crow, now with a foreword by Cornel West, is a must-read for all people of conscience.

From Publishers Weekly

Starred Review. Contrary to the rosy picture of race embodied in Barack Obama's political success and Oprah Winfrey's financial success, legal scholar Alexander argues vigorously and persuasively that [w]e have not ended racial caste in America; we have merely redesigned it. Jim Crow and legal racial segregation has been replaced by mass incarceration as a system of social control (More African Americans are under correctional control today... than were enslaved in 1850). Alexander reviews American racial history from the colonies to the Clinton administration, delineating its transformation into the war on drugs. She offers an acute analysis of the effect of this mass incarceration upon former inmates who will be discriminated against, legally, for the rest of their lives, denied employment, housing, education, and public benefits. Most provocatively, she reveals how both the move toward colorblindness and affirmative action may blur our vision of injustice: most Americans know and don't know the truth about mass incarceration—but her carefully researched, deeply engaging, and thoroughly readable book should change that.
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National Book Critics Circle Award Winner
New York Times Bestseller
A New York Times Notable Book of the Year
A Washington Post Notable Nonfiction Book of the Year
A Boston Globe Best Book of 2016
A Chicago Review of Books Best Nonfiction Book of 2016

From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America--now in paperback with a new afterword by the author, acclaimed historian Carol Anderson.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in The Washington Post suggesting that this was, instead, "white rage at work. With so much attention on the flames," she argued, "everyone had ignored the kindling."

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate and relentless rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court's landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools; the Civil Rights Act of 1964 and Voting Rights Act of 1965 triggered a coded but powerful response, the so-called Southern Strategy and the War on Drugs that disenfranchised millions of African Americans while propelling presidents Nixon and Reagan into the White House, and then the election of America's first black President, led to the expression of white rage that has been as relentless as it has been brutal.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved. 

Using recently discovered court records, slaveholders’ letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market’s slave coffles and showrooms. Traders packaged their slaves by “feeding them up,” dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage. 

Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the “peculiar institution“ in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.

From Publishers Weekly

Instead of focusing on cotton plantations or broad historical patterns, this extraordinary study is a flesh-and-blood daily history of the slave market. NYU history professor Johnson takes readers inside the Dixie slave pens and traders' coffles (long rows of slaves manacled and chained to one another). His focus is New Orleans, North America's largest slave market, hub of a trade that decimated African-American slave communities by tearing families asunder--destroying marriages and separating children from parents. Using former slave survivors' narratives, letters written by slaveholders, docket records of cases of disputed slave sales and Southern medical and agricultural journals, Johnson interweaves the voices of traders, buyers, auctioneers and the slaves themselves. He shows that, for white Southern slaveholders, buying slaves buoyed a fantasy of manly bourgeois self-control, speculative savvy and economic independence. Slaves, meanwhile, assessed the character of particular buyers and sometimes, at enormous risk, manipulated a sale to their own advantage. The evil business of slavery has seldom been exposed with so much humanity and insight as in this eloquent study, scholarly yet wholly accessible, a compelling cross-sectional microcosm of millions of human tragedies.  
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