An Oprah Book Club selection, Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.

Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.

The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.”

"A beautiful novel, rich, firm and moving . . ."
-- The New York Times (New York Times )

Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

It began four million years ago when a gleaming black monolith cast its shadow on the stark African savanna *an inexplicable apparition that ignited the spark of human consciousness, transforming ape into man.

It continued at the dawn of the 21st century when an identical black monolith was excavated on the moon *propelling Dave Bowman and his deputy Frank Poole on a mission to Jupiter that ended in the mutiny of the supercomputer HAL. 

Only Dave Bowman would survive to encounter a third, and far more massive monolith on Jupiter's moon Europa *and be forever transformed into the star child.

It is the world of 2001: A Space Odyssey. And now, the odyssey enters its perilous ultimate stage. In 3001, the human race, incredibly, has survived, yet lives in baffled fear of the trio of monoliths that dominate the solar system--until a ray of light beams forth from a totally unexpected source. The body of Frank Poole, believed dead for a thousand years, is recovered from the frozen reaches of the galaxy, restored to conscious life, and readied to resume the voyage that HAL abruptly terminated a thousand years back. He knows he cannot proceed until he reestablishes contact with Dave Bowman. But first he must fathom the terrifying truth of what Bowman *and HAL *have become inside the monolith.

In 3001: The Final Odyssey, Arthur C. Clarke brings the greatest and most successful science fiction series of all time to its magnificent, stunningly unforeseen conclusion. As we hurtle toward the new millennium in real time, Clarke brilliantly, daringly leaps one thousand years into the future to reveal a truth we are only now capable of comprehending. An epic masterpiece at once dazzlingly imaginative and grounded in scientific actuality, 3001 is a story that only Arthur C. Clarke could tell.

A compelling book from the celebrated author of My Rights, My God for young adults who want to obey Jesus' imperative to discipleship by bringing the gospel of Christ to another culture.

About the Author

Robin Wells is South African, now resident in the U.K. He served for some years as general secretary of UCCF and as a member of the executive committee of IFES. He has more recently been involved in the selection and training of missionaries for Africa Evangelical Fellowship and SIM.

Hall of Fame disc jockey Tom Joyner uses his signature brand of humor to discuss everything from business to careers to relationships as he shares the insights and lessons he's learned along the way.  Now the host of a radio show that is the most popular media outlet ever among African Americans, Joyner started his career at a small AM radio station in his home state of Alabama, working his way across the midwest, and eventually landing in Chicago.  In 1985, he made headlines as "The Hardest Working Man in Radio" when he worked a morning show in Dallas in addition to his afternoon show in Chicago. His daily commute earned him the nickname "The Fly Jock." In 1994, he convinced ABC Radio to syndicate his program, and The Tom Joyner Show—a mix of comedy music, and guests who range from Stevie Wonder to Tipper Gore—was born.

This edition offers Hansberry's complete uncut screen adaptation of her play, containing at least forty percent new material that does not appear in the play.

From Library Journal

The film version of Hansberry's landmark play A Raisin in the Sun (1961) was the first depiction of African American life seen by mainstream America. Hansberry included in her screen version several scenes of the Younger family interacting with the white world to show their deprivation and the subtle forms of racism they encountered in their everyday lives. In typical Hollywood fashion most of those scenes were cut, which softened the drama's angry voice. This new edition of the uncut original was edited by Hansberry's ex-husband and literary executor Nemiroff, who made a lifelong commitment to seeing that Hansberry's talent was fully recognized. African American collections as well as film collections will find this script of interest.
- Marcia L. Perry, Berkshire Athenaeum, Pittsfield, Mass.
Copyright 1992 Reed Business Information, Inc.

Review

“A beautiful, lovable play. It is affectionately human, funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears.”
John Chapman, New York News

“An honest, intelligible, and moving experience.”
Walter Kerr, New York Herald Tribune

“Miss Hansberry has etched her characters with understanding, and told her story with dramatic impact. She has a keen sense of humor, an ear for accurate speech and compassion for people.”
Robert Coleman, New York Mirror

“A Raisin in the Sun has vigor as well as veracity.”
Brooks Atkinson, New York Times

“It is honest drama, catching up real people. . . . It will make you proud of human beings.”
Frank Aston, New York World-Telegram & Sun

Remember when everything was looking up? When the government was running at a surplus, pollution was disappearing, peace was breaking out in the Middle East and Northern Ireland, and the Bridge to the 21st century was strung with high–speed Internet cable and paved with 401K gold?

Well, so much for the future. Michael Moore, the award–winning provocateur behind Roger & Me and the bestseller Downsize This!, now returns to size up the new century – and that big, ugly special–interest group that's laying waste to the world as we know it: stupid white men. Whether he's calling for United Nations action to overthrow the Bush Family Junta, calling on African–Americans to place 'whites only' signs over the entrances of unfriendly businesses, or praying that Jesse Helms will get kissed by a man, Stupid White Men is Mike's Manifesto on Malfeasance and Mediocrity. So if you're feeling the same way and you're wondering what's going to give out first – the economy, Dick Cheney's pacemaker, or your new VW Beetle – here's the book for you.

Twelve Armageddon stories follow such plotlines as a small African country's Yuletide preparations, a phone company's direct-dial service to the world of the dead, and a war between Pharaoh's army and the Peoples of the Sea.

A PBS Great American Read Top 100 Pick

“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith

One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

HIGH STAKES

Maya Wilkins is the first African-American attorney at a prestigious New York City firm.  When she meets Victor, a songwriter and student who currently works as the mailroom supervisor, their attraction is instant, even though Maya has reservations about what her uppity colleagues will think.  But soon she's got another problem to deal with--a senior partner at the firm has been stealing money with the help of his client, and Maya is the only one who knows about it...

HEATED PASSION

Vic is wary of putting his feeling for Maya on the line until he's sure he's more than just a temporary fling, but he'll gladly help her expose a corporate thief.  And as Maya figures out a way to prove her case, Vic works on convincing her that the passion they've found makes a very persuasive argument for love...

In Season (formerly titled VoodooSeason), Jewell Parker Rhodes revisits the sensual, magical landscape of her highly acclaimed debut novel, Voodoo Dreams.

Marie Levant, raised in the North by foster parents, begins her medical residency in New Orlean's Charity Hospital. Plagued by deja vu and haunted by increasingly violent dreams, Marie tries to make a life in a city that seems both foreign and familiar. 

Without warning her world falls apart, for it is voodoo season: the season of heat, humidity, the West Nile virus, of unexplained deaths of young adults all with a mysterious symbol marked in red clay on their foreheads. It is the season of babies cut from their dead mother's wombs. 

It is the season when the Guede, the death gods, haunt Levant--whispering tales, sending memories and dreams of Marie Laveau, a nineteenth century voodooienne, who walked on water and blended African loas with their Catholic saints, whispering tales of a second Marie, who murdered her mother and brought evil to the faith, whispering tales of a third Marie who died in a pool of blood, after abandoning her child to an orphanage. Marie Levant, the fourth Marie, must reclaim her heritage, reclaim the power of voodoo drums transformed to a jazz lament, reclaim her spiritual, womanist power. A contemporary epic and mythic tale, Marie learns "women hand down sight through generations, mother to daughter." She learns that love and passion can be intertwined, marriage and a profession can mix, and that a woman's love can redeem a world. She learns that there is no greater power than a mother's fierce passion and that of a woman secure in her self identity, secure in ancestral heritage as a black woman and a voodoo queen.

About the Author

Jewell Parker Rhodes is the author of the Louisiana Girls children's book trilogy, which includes Ninth Ward, Sugar, and Bayou Magic. The books in this series have received the Parents’ Choice Foundation Award, the Coretta Scott King Author Honor Award, and the Jane Addam’s Children’s Book Award, among others. Towers Falling, her newest middle grade novel, is a Junior Library Guild Selection, an Amazon's Best Book of the Month, and an ADL Best Kid Lit on Bias, Diversity, and Social Justice selection. Another middle grade book, Ghost Boys, will be published spring of 2018.

Jewell is also the author of six adult novels: Voodoo Dreams, Magic City, Douglass’ Women, Season, Moon, and Hurricane, as well as the memoir Porch Stories: A Grandmother’s Guide to Happiness, and two writing guides, Free Within Ourselves: Fiction Lessons for Black Authors and The African American Guide to Writing and Publishing Non-Fiction. Her adult literary awards include the American Book Award, the National Endowment of the Arts Award in Fiction, the Black Caucus of the American Library Award for Literary Excellence, and the PEN Oakland/Josephine Miles Award for Outstanding Writing.

Jewell grew up in Pittsburgh, Pennsylvania and earned a Bachelor of Arts in Drama Criticism, a Master of Arts in English, and a Doctor of Arts in English (Creative Writing) from Carnegie Mellon University. Jewell is the Founding Artistic Director and Piper Endowed Chair at the Virginia G. Piper Center for Creative Writing at Arizona State University. She currently lives in San Jose.

“This is a beautiful new edition of a timeless classic of African literature. Ba brings the issue of polygamy into sharp, almost familiar focus for readers who might think it bizarre and safely foreign. I am pleased to see this treasure back in print.” Catherine E. Bolten, University of Notre Dame

“I used this novel in my African literature course and it was great. The students researched Senegal and the discussions were lively, enthusiastic, and compelled the quiet students to join in. It was a rewarding experience.” Immaculate Kizza, University of Tennessee

So Long a Letter is a landmark book - a sensation in its own country and an education for outsiders. Mariama Ba, a longtime women's activist, set out to write a book that exposed the double standard between men and women in Africa. The result, So Long a Letter, eventually won the first Noma Award for Publishing in Africa. The book itself takes the form of a long letter written by a widow, Ramatoulaye, to her friend, over the mandatory forty-day mourning period following the death of a husband. Both women had married for love and had happy, productive marriages; both were educated, had work they loved and were intellectually alive. During their lives, both of these women's husbands chose to take a second wife - and each woman then made a different choice. Ramatoulaye decided to stay married, although it meant rarely seeing her husband and knowing that he was squandering money on a young girl, a friend of her own daughter. Ramatoulaye's friend divorced her husband and eventually left the country, settling in the United States. In her letter, Ramatoulaye examines her life and that of other women of Senegal - their upbringing and training and the cultural restrictions placed upon them. It is a devastating attack, made all the more powerful because of the intelligence and maturity of the narrator and the ability of Mariama Ba to honor two very different choices within one framework. -- From 500 Great Books by Women; review by Erica Bauermeister

This is Linda Tucker’s firsthand account of her journey into the mysteries of the most sacred animal on the African continent: the legendary White Lion. This book reveals the knowledge and ceremonies of Old Africa and the overwhelming love that has driven her every action to save these magnificent beasts, against formidable odds. . . .

After being rescued from a life-threatening encounter with lions in the Timbavati game region by a medicine woman known as the “Lion Queen,” Linda embarked on a journey into the mysteries of the White Lion. It is a mystical journey into the knowledge and ceremonies of Old Africa, in which humans and lions are able to cross the species barrier—in accordance with the most guarded secrets of Ancient Egypt and humankind’s greatest riddle, the sphinx.

Scientists in our day have established that humankind’s most significant evolutionary leap occurred as a result of our ancestors’ interaction with great cats. The White Lion is a genetic rarity of Panthera leo, and occurred in just one region on earth: Timbavati. Today White Lions form the center of the notorious “canned” trophy hunting industry—hand-reared captive lions, shot in enclosures for gross sums of money. By contrast, shamans believe that killing a “lion sun god” is the ultimate sacrilege. How the human species treats such precious symbols of God in nature may determine how nature treats the human species.

Whether we view them as prophetic “Lions of God” or simply as rare genetic mutations, the story of the White Lions is a true legend unfolding in our own extraordinary times.

Why does the story of Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion touch us? Like all great entertainment, their journey resonates. We see ourselves in the characters and likewise wish we possessed the power, the brains, the heart, and the courage to make our own dreams come true.

So what are your dreams? What do you want? Is it a promotion? Improving a relationship? Rescuing a child? Finding a new job? Saving a marriage? Getting a degree? Finding the love of your life? Making a difference in your community? This book will help you get whatever you consider worthwhile in life.
Simply put, when you unleash the power of personal accountability it will energize you in lifealtering ways, giving you a concrete boost that enhances your ability to think, to withstand adversity, to generate confidence, and to increase your own natural emotional, mental, and intellectual strength. Roger Connors and Tom Smith know this because they’ve seen it work in their own lives and witnessed it in the lives of some of the most successful and influential people in the world.
The authors first introduced this powerful accountability philosophy in the New York Times bestseller The Oz Principle. Since then, millions have come to know them as “The Oz Guys” and they have gone on to help leaders all over the world teach and apply the principles you’re about to learn. Principles that have generated billions of dollars of wealth—along with a host of even more important results. Devotees of The Oz Principle have brought lifesaving medications to market, created better education in community colleges, greatly surpassed charity fund-raising goals, and improved medical practices in battlefield hospitals.

In The Wisdom of Oz, Connors and Smith present the practical and powerful principles of personal accountability in simple, down-to-earth terms that you can apply in your homes, schools, communities, churches, and volunteer groups. The book will help you strengthen family relationships, improve friendships, motivate children, increase value on the job, improve health and financial well-being, or achieve whatever it is you most desire.

Drawing on engaging stories about those who have overcome great odds—including South African president Nelson Mandela, Polish WWII hero Irena Sendler, and everyday men and women—Connors and Smith demonstrate that by taking personal ownership of your goals and accepting responsibility for your performance, you also take control of your success.

You will read stories about people just like you who learned to beat their struggles, like the New York area fisherman who fell off his lobster boat and was adrift at sea for twelve hours in the chilly Atlantic . . . but survived. You will learn the traits that allowed a college senior who landed flat on her face in a 600-meter race to jump up and win. Or a thirteen-year-old soccer player who moved from the bench to the starting lineup.

You will discover that while no one will ever wave a wizard’s wand and magically solve all your problems, there is a way to experience the near magical impact of personal accountability.

From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the long-lost, longest book ever written, a century-old manuscript called “The Oral History of Our Time.”

“A breezy, compulsively readable inquiry that touches on several big subjects, including what constitutes due diligence in journalism versus in history…No one could accuse Lepore of shoddy research: Undaunted by archives, she pores over reams of Gould’s letters and diaries, pans for gold in Mitchell’s boxes of notes at the New York Public Library, and corroborates her findings with extensive footnotes.….Joe Gould’s Teeth is more than just a fascinating footnote to a beloved literary landmark. Using the tools of her trade, Lepore ended up broadening her search for his lost notebooks to encompass trenchant questions about journalism, race, and mental illness. The result has bite.” —Heller McAlpin, NPR

Joe Gould, a madman, believed he was the most brilliant historian of the twentieth century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life’s work before the First World War, announcing that he intended to write down nearly everything anyone ever said to him. “I am trying to preserve as much detail as I can about the normal life of every day people,” he explained, because “as a rule, history does not deal with such small fry.” By 1942, when The New Yorker published a profile of Gould written by the reporter Joseph Mitchell, Gould’s manuscript had grown to more than nine million words. But when Gould died in 1957, in a mental hospital, the manuscript was nowhere to be found. Then, in 1964, in “Joe Gould’s Secret,” a second profile, Mitchell claimed that “The Oral History of Our Time” had been, all along, merely a figment of Gould’s imagination. Lepore, unpersuaded, decided to find out.  

Joe Gould’s Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that “The Oral History of Our Time” did in fact once exist. Relying on letters, scraps, and Gould’s own diaries and notebooks—including volumes of his lost manuscript—Lepore argues that Joe Gould’s real secret had to do with sex and the color line, with modernists’ relationship to the Harlem Renaissance, and, above all, with Gould’s terrifying obsession with the African American sculptor Augusta Savage. In ways that even Gould himself could not have imagined, what Gould wrote down really is a history of our time: unsettling and ferocious.

“A well-aimed hand grenade of a book, fiercely concentrated in its precision and unflinching in its revelations. Best-selling Lepore’s exciting approach to hidden and scandalous historical stories is drawing an enthusiastic, ever-growing readership that will be well primed for this thoughtful exposé.” —Booklist, *starred review*

“Engrossing…. Lepore’s book is as much about all the people, including herself, who project meaning and significance onto the work and personality of Joe Gould as it is about the man himself. Throughout history there have been peculiar characters who have captured the imagination of everyone they come into contact with, blinding them to obvious flaws and permitting all of us to imagine wonders just beyond what most of us can fathom. We owe Lepore a debt of gratitude for re-introducing us to one of the strangest strangers to have ever walked among us.” —Chicago Tribune

“Revelatory….Lepore’s inquiry, which first appeared as a long New Yorker article, discovers richer depths to Gould’s character than Mitchell ever explored, even if Gould’s likability is a casualty…. an impressive study of paradoxes….Lepore, a young prolific academic at the other end of the productivity spectrum from Mitchell, has upended the subject and author of the New Yorker’s most-read article….she ends up with more to get your teeth into.” —San Francisco Chronicle

“Marvelous….Lepore has established herself as perhaps the most prolific, nimble and interesting writer of American history today, vigorously kicking at the past until she dislodges it from the ossifying grip of received wisdom…. As she brings to bear the methods of an ace historian at the top of her game, Lepore turns “Joe Gould’s Teeth” into a ripping detective story….Of all the stories swirling around Gould’s, none interests Lepore so much as that of Augusta Savage, an African American sculptor and civil rights activist from Harlem who became the unreciprocated love of Gould’s life, an unwilling muse and, after she refused his offer of marriage, an object of outright harassment. No other writer has made this connection between Savage and Gould, and one of the central satisfactions of “Joe Gould’s Teeth” is the way it unexpectedly veers away from Gould to take Savage’s story on its own terms, delivering by Trojan horse, as it were, a gift-wrapped second biography, a personal history set against Gould’s in striking, illuminating relief.” —The Washington Post

“Lepore has taken up the mantle of literary resurrectionist, and in ‘Joe Gould’s Teeth’ she succeeds despite the unsavory nature of her subject’s life and spurious literary legacy. Lepore shrewdly recounts her quest to find a near-mythical ‘lost’ manuscript by her subject, the New York eccentric who claimed to have written down nearly everything anyone ever said to him, starting before the outbreak of World War I….A madman’s grossly engrossing tale.” —The New York Times

The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America.

“[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE

In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution.

Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor.

Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York.

Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today.

Praise for The Life and the Adventures of a Haunted Convict

“One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post

“Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine

“Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle

“[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian

“A sensational, novelistic telling of an eventful life.”—The Paris Review

“Vivid and painful.”—NPR

“Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press

Choices is an engaging, light-hearted, contemporary story set in coastal South Carolina, where an African-American woman and Caucasian widower find love, opposition, and a surprising ally in the ghost of a deceased spouse.

Lara Boyd is a woman who has lived the last six years happy in her career but unfulfilled in her personal life. An unanswered ultimatum given by her ex-fiancé left her uncertain and tentative, but when Ryan Andrews and his young son, Justin, enter her life, making choices and living with them takes on a whole new meaning.

Choices is the theme running through this story. Lara's fear springs from a choice she couldn't make years before, and the story opens when Justin makes the choice to meet his teacher, thereby bringing Ryan and Lara together. By the end of the story; Lara, Ryan, and Justin are all making even bigger choices because of their deep love for one another.

“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next."—George R. R. Martin

David Anthony Durham’s gripping Acacia Trilogy continues with an epic novel where loyalties are tested, new worlds are discovered, and battle lines are being drawn.

A few years have passed since Queen Corinn has usurped control of the Known World—and she now rules with an iron fist. With plans to expand her empire, she sends her brother, Dariel, on an exploratory mission across the sea to The Other Lands. There, he discovers an alliance of tribes that have no interest in being ruled by Queen Corinn and the Akarans. In fact, Dariel’s arrival ignites a firestorm that once more exposes The Known World to a massive invasion, one unlike anything they have yet faced . . 

David Anthony Durham on The Other Lands 

Recently, I had the amazing experience of being called on stage during the Hugo Awards ceremony to receive the John W. Campbell Award for Best New Writer of Science Fiction. It was a wonderful, and unexpected, highlight of my publishing life.

I began my publishing career writing historical novels inspired by my interests as an African-American. That’s what readers first knew of me and--three novels in--that might have been the focus of my work thereafter. What they didn’t know was how important fantasy had been to me. In middle school, it was hanging out with Bilbo and Frodo, the Pevensie kids, Taran and Ged and Thomas Covenant that introduced me to literature.

Later I became an academic, wrote literary novels, reviewed and judged awards. That felt very grown up, but something was missing. I was still drawn toward fantastic tales by authors like Octavia Butler, Orson Scott Card, Susanna Clarke, Neil Gaiman, and Frank Herbert. I also realized how much fantasy was a part of my children's life in new works by Cornelia Funke, M.i. McAllister, Philip Pullman, J.K. Rowling, and S.F. Said.

This prompted me to return to the genre. Writing Acacia: The War with the Mein was a process of reconnecting with the young reader I was and merging that with the adult I’d become. That’s why the series is about royal siblings, monsters, quests, magic, and... also about things like global trade, national mythology, the burdens of leadership and about striving to correct past wrongs without making new ones.

I couldn’t be happier with the reception it’s received. I’m honored to have stood on that stage beside those Hugo winners, and I’m very pleased to have been able to continue my tale with The Other Lands. If I have my way, I’ll be switching between our world and my imagined one for years to come, just like some kids I read about years ago...--David Anthony Durham

(Photo © Gudrun Johnston)

Winner of the 1999 Scott O'Dell Award
A Notable Children's Book in the Field of Social Studies 

Maybe nobody gave freedom, and nobody could take it away like they could take away a family farm. Maybe freedom was something you claimed for yourself. 

Like other ex-slaves, Pascal and his older brother Gideon have been promised forty acres and maybe a mule. With the family of friends they have built along the way, they claim a place of their own. Green Gloryland is the most wonderful place on earth, their own family farm with a healthy cotton crop and plenty to eat. But the notorious night riders have plans to take it away, threatening to tear the beautiful freedom that the two boys are enjoying for the first time in their young lives. Coming alive in plain, vibrant language is this story of the Reconstruction, after the Civil War.

A powerful novel about the difficulty of doing what is right. 

Through their love for people, yet ignorance of the unknown, the Finch Family has joined alongside their church and opened their home to an African refugee family who are moving to Connecticut. The Amabo family of four– Andre, Celestine, Mattu, and Alake: father, mother, and teenage son and daughter– arrive in great hope as they have escaped the tyranny of Africa. What the Finch Family doesn’t know is that there are not just four refugees in this Amabo family, but five.

As the Amabo family, who have suffered unimaginable horrors, begin to adjust to a life of plenty in the Finches' suburban Connecticut home, and the Finches are learning new lessons of “The Golden Rule”. The life adjustment for all seems flawless.

But the fifth refugee does not believe in good will. This lawless rebel has managed to enter America undetected. And the Amabo family has something of his--something that they agreed to carry into the country for him.

When Jared, the oldest Finch son, realizes that the good guys are not always innocent, he must make a decision that could change the fates of both the Finches and the Amabos. In this uncommonly penetrating story, Caroline B. Cooney presents a fresh perspective on how doing what is right can be most difficult.

“If there are shoulders modern African-American women’s literature stands upon they belong to Ntozake Shange, who revolutionized theatre and literature with her iconic work for colored girls who have considered suicide/when the rainbow is enuf in the 1970s. Any of us writing today are inheritors of her genius.” ―SAPPHIRE, AUTHOR OF PUSH 

From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp’s Public Theater and on Broadway, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange’s words reveal what it meant to be of color and female in the twentieth century. First published in 1975, when it was praised by The New Yorker for “encompassing . . . every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Here is a groundbreaking dramatic prose poem written in vivid and powerful language that resonates with unusual beauty in its fierce message to the world. 

“Extraordinary and wonderful . . . Ntozake Shange writes with such exquisite care and beauty that anyone can relate to her message.” ―THE NEW YORK TIMES

In a thrilling masterwork that will make you rethink your perceptions of life and death, New York Times bestselling author James Rollins takes you to the edge of medicine, genetics, and technology, revealing the next evolutionary leap forward: immortality.

Galilee, 1025. Infiltrating an ancient citadel, a Templar knight uncovers a holy treasure long hidden within the fortress's labyrinth: the Bachal Isu -- the staff of Jesus Christ -- a priceless icon that holds a mysterious and terrifying power that promises to change humankind forever. 

A millennium later, Somali pirates hijack a yacht off the coast of the Horn of Africa, kidnapping a young pregnant American woman. Commander Gray Pierce is enlisted for a covert rescue mission into the African jungle. The woman is no rich tourist: she's Amanda Gant-Bennett, daughter of the U.S. president. 

Suspicious that the kidnapping masks a far more nefarious plot, Gray must confront a shadowy cabal which has been manipulating events throughout history...and now challenges the current presidency.  

For this unique mission, SIGMA is aided by a pair of special operatives with unique talents: former Army Ranger Captain Tucker Wayne and his military war dog, Kane. But what should be a straightforward rescue turns into a fiery ambush and a deadly act of betrayal, as Gray and his team discover that the hostage is a pawn in a shattering act of terrorism with dark repercussions. And the danger is only beginning... 

Halfway around the world, a firebombing at a fertility clinic in South Carolina exposes a conspiracy that goes back centuries...a scheme that lies within our genetic code. With time against them, SIGMA must race to save an innocent unborn baby whose very existence raises questions about the nature of humanity, asking: 

Could you live forever? 

Would you live forever?

"Prepare to fall in love with Binti." ―Neil Gaiman

Winner of the Hugo Award and the Nebula Award for Best Novella!

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.

Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.

If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself ― but first she has to make it there, alive.

PRAISE FOR BINTI

"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" ― Wanuri Kahiu, award-winning Kenyan film director of Punzi and From a Whisper

Thirty years ago in the attic of an old estate in Massachusetts, John Hanson Mitchell discovered over two thousand antique glass plate negatives. He was told that the photographs had been taken by nineteenth-century ornithologist and conservationist William Brewster, but as a result of a tip from a Harvard research assistant, he began to suspect that the images were actually the work of Brewster's African American assistant, Robert A. Gilbert.

So begins the author's journey. From the maze-like archives at Harvard's Museum of Comparative Zoology to the Virginia countryside and haunts of American expats in 1920s Paris, as well as the rich cultural world of blacks in nineteenth-century Boston, Mitchell brings sharp focus to the figure of Mr. Gilbert, a quiet, unassuming Renaissance man who succeeded as best as he could beneath the iron ceiling of American racism. Told with Mitchell's trademark grace and style, the fascinating story of this "invisible man" deepens our understanding of the African American past as well as the history of American photography.

National Book Critics Circle Award Winner
New York Times Bestseller
A New York Times Notable Book of the Year
A Washington Post Notable Nonfiction Book of the Year
A Boston Globe Best Book of 2016
A Chicago Review of Books Best Nonfiction Book of 2016

From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America--now in paperback with a new afterword by the author, acclaimed historian Carol Anderson.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in The Washington Post suggesting that this was, instead, "white rage at work. With so much attention on the flames," she argued, "everyone had ignored the kindling."

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate and relentless rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court's landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools; the Civil Rights Act of 1964 and Voting Rights Act of 1965 triggered a coded but powerful response, the so-called Southern Strategy and the War on Drugs that disenfranchised millions of African Americans while propelling presidents Nixon and Reagan into the White House, and then the election of America's first black President, led to the expression of white rage that has been as relentless as it has been brutal.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

Affectionately dubbed "the Nigerian Harry Potter," Akata Witch weaves together a heart-pounding tale of magic, mystery, and finding one's place in the world.

Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she's albino. She's a terrific athlete, but can't go out into the sun to play soccer. There seems to be no place where she fits in. And then she discovers something amazing—she is a "free agent" with latent magical power. Soon she's part of a quartet of magic students, studying the visible and invisible, learning to change reality. But will it be enough to help them when they are asked to catch a career criminal who knows magic too?

Ursula K. Le Guin and John Green are Nnedi Okorafor fans. As soon as you start reading Akata Witch, you will be, too!

Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order.

With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

ABOUT THE AUTHOR

“A magical writer—one of the greatest of the twentieth century.” —Margaret Atwood

Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbɛ/, born Albert Chinualumogu Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apart (1958) was considered his magnum opus, and is the most widely read book in modern African literature.

Raised by his parents in the Igbo town of Ogidi in South-Eastern Nigeria, Achebe excelled at school and won a scholarship for undergraduate studies. He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service (NBS) and soon moved to the metropolis of Lagos. He gained worldwide attention for Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe wrote his novels in English and defended the use of English, a "language of colonisers", in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad's Heart of Darkness featured a famous criticism of Joseph Conrad as "a thoroughgoing racist"; it was later published in The Massachusetts Review amid some controversy.

When the region of Biafra broke away from Nigeria in 1967, Achebe became a supporter of Biafran independence and acted as ambassador for the people of the new nation. The war ravaged the populace, and as starvation and violence took its toll, he appealed to the people of Europe and the Americas for aid. When the Nigerian government retook the region in 1970, he involved himself in political parties but soon resigned due to frustration over the corruption and elitism he witnessed. He lived in the United States for several years in the 1970s, and returned to the U.S. in 1990 after a car accident left him partially disabled.

A titled Igbo chieftain himself, Achebe's novels focus on the traditions of Igbo society, the effect of Christian influences, and the clash of Western and traditional African values during and after the colonial era. His style relies heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children's books, and essay collections. From 2009 until his death, he served as David and Marianna Fisher University Professor and Professor of Africana Studies at Brown.
Bio from Wikipedia, the free encyclopedia. [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY 3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by/3.0-2.5-2.0-1.0)], via Wikimedia Commons.

Journal of Sigma Tau Delta, the International English Honor Society Volume 6, 2009

Essays include:

• "Behind the Cotton Wool": The Social Unconscious in Mrs. Dalloway by Marion L. Quiriei
• Desire, Detour, and Disappointment in The Story of an African Farm by Dalglish Chew
• Writing Engagement: Textuality and Morality in The Quiet American by Dalglish Chew
• A Study in Success: Doyle's Depictions of Detectives and Mormons in A Study in Scarlet by Jamie Hauer
• The Captivity Narrative Monopoly: John Smith and Mary Rowlandson by Daniel Lifschitz
• "Leap From the Boat" : Moby Dick's Call for Rebellion by Jennifer Tota McGivney
• Narrative Contradictions in Margaret Atwood's Alias Grace by Erica Rosenfeld
• Lillian Hellman and Marxism : A Historical and Philosophical Approach to The Little Foxes by Joel Slater
• The Elusive Mirror : The City, The Gaze, and the Self in Edgar Allen Poe's The Man of the Crowd by Jennifer L. Statton
• From Subject to Subjectivity : Reconciling Postmodernism and Autobiography in Lyn Hejinian's My Life and Anne Carson's Autobiography of Red Lindsey Warren

Once in a great while a book comes along that changes the way we see the world and helps to fuel a nationwide social movement. The New Jim Crow is such a book. Praised by Harvard Law professor Lani Guinier as "brave and bold," this book directly challenges the notion that the election of Barack Obama signals a new era of colorblindness. With dazzling candor, legal scholar Michelle Alexander argues that "we have not ended racial caste in America; we have merely redesigned it." By targeting black men through the War on Drugs and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control—relegating millions to a permanent second-class status—even as it formally adheres to the principle of colorblindness. In the words of Benjamin Todd Jealous, president and CEO of the NAACP, this book is a "call to action."

Called "stunning" by Pulitzer Prize–winning historian David Levering Lewis, "invaluable" by the Daily Kos, "explosive" by Kirkus, and "profoundly necessary" by the Miami Herald, this updated and revised paperback edition of The New Jim Crow, now with a foreword by Cornel West, is a must-read for all people of conscience.

From Publishers Weekly

Starred Review. Contrary to the rosy picture of race embodied in Barack Obama's political success and Oprah Winfrey's financial success, legal scholar Alexander argues vigorously and persuasively that [w]e have not ended racial caste in America; we have merely redesigned it. Jim Crow and legal racial segregation has been replaced by mass incarceration as a system of social control (More African Americans are under correctional control today... than were enslaved in 1850). Alexander reviews American racial history from the colonies to the Clinton administration, delineating its transformation into the war on drugs. She offers an acute analysis of the effect of this mass incarceration upon former inmates who will be discriminated against, legally, for the rest of their lives, denied employment, housing, education, and public benefits. Most provocatively, she reveals how both the move toward colorblindness and affirmative action may blur our vision of injustice: most Americans know and don't know the truth about mass incarceration—but her carefully researched, deeply engaging, and thoroughly readable book should change that.
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The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial boundaries that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today.

An unflinching look at nineteenth- and twentieth-century African American leaders and their visionary legacies.

In an accessible, conversational format, Cornel West, with distinguished scholar Christa Buschendorf, provides a fresh perspective on six revolutionary African American leaders: Frederick Douglass, W. E. B. Du Bois, Martin Luther King Jr., Ella Baker, Malcolm X, and Ida B. Wells. In dialogue with Buschendorf, West examines the impact of these men and women on their own eras and across the decades. He not only rediscovers the integrity and commitment within these passionate advocates but also their fault lines. 

West, in these illuminating conversations with the German scholar and thinker Christa Buschendorf, describes Douglass as a complex man who is both “the towering Black freedom fighter of the nineteenth century” and a product of his time who lost sight of the fight for civil rights after the emancipation. He calls Du Bois “undeniably the most important Black intellectual of the twentieth century” and explores the more radical aspects of his thinking in order to understand his uncompromising critique of the United States, which has been omitted from the American collective memory. West argues that our selective memory has sanitized and even “Santaclausified” Martin Luther King Jr., rendering him less radical, and has marginalized Ella Baker, who embodies the grassroots organizing of the civil rights movement. The controversial Malcolm X, who is often seen as a proponent of reverse racism, hatred, and violence, has been demonized in a false opposition with King, while the appeal of his rhetoric and sincerity to students has been sidelined. Ida B. Wells, West argues, shares Malcolm X’s radical spirit and fearless speech, but has “often become the victim of public amnesia.”

By providing new insights that humanize all of these well-known figures, in the engrossing dialogue with Buschendorf, and in his insightful introduction and powerful closing essay, Cornel West takes an important step in rekindling the Black prophetic fire so essential in the age of Obama.

About the Authors

Cornel West is a prominent and provocative democratic intellectual. A current professor at Union Theological Seminary, he has also taught at Yale, Harvard, and Princeton. The recipient of more than twenty honorary degrees, he has written many important books, including Race Matters and Democracy Matters. He appears frequently on Real Time with Bill Maher, The Colbert Report, Democracy Now, CNN, C-SPAN, and other national and international media. He lives in New York City.
 
Christa Buschendorf is a professor and the chair of American Studies at Goethe-Universität Frankfurt am Main. She has published on the transatlantic history of ideas and on African American literature.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

A sweeping, authoritative history of the expansion of slavery in America, showing how forced migrations radically altered the nation's economic, political, and cultural landscape.

"The overwhelming power of the stories that Baptist recounts, and the plantation-level statistics he's compiled, give his book the power of truth and revelation."―Los Angeles Times

Americans tend to cast slavery as a pre-modern institution--the nation's original sin, perhaps, but isolated in time and divorced from America's later success. But to do so robs the millions who suffered in bondage of their full legacy. As historian Edward E. Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy.

Told through intimate slave narratives, plantation records, newspapers, and the words of politicians, entrepreneurs, and escaped slaves, The Half Has Never Been Told offers a radical new interpretation of American history.

"Thoughtful, unsettling.... Baptist turns the long-accepted argument that slavery was economically inefficient on its head, and argues that it was an integral part of America's economic rise."―Daily Beast

Winner of the 2015 Avery O. Craven Prize from the Organization of American Historians

Winner of the 2015 Sidney Hillman Prize

Bloomberg View Top Ten Nonfiction Books of 2014

Daily Beast Best Nonfiction Books of 2014

"Wonderful.... Baptist provides meticulous, extensive, and comprehensive evidence that capitalism and the wealth it created was absolutely dependent on the forced labor of Africans and African-Americans, downplaying culturalist arguments for Western prosperity."―Nation

"By far the finest account of the deep interplay of the slave trade...and the development of the U.S. economy."―Stephen L. Carter

"Baptist has a knack for explaining complex financial matters in lucid prose.... The Half Has Never Been Told's underlying argument is persuasive."―New York Times Book Review