The only bros for me are the mad awesome ones, the ones who are mad to chug, mad to party, mad to bone, mad to get hammered, desirous of all the chicks at Buffalo Wild Wings, the ones who never turn down a Natty Light, but chug, chug, chug like f*cking awesome players exploding like spiders across an Ed Hardy shirt and in the middle you see the silver skull pop and everybody goes, "Awww, sh*t" Set to the beat of an 808, On the Bro'd spins the Axed-out tale of one fresh-as-hell player looking to up his game and put some perspective on shit (for real) while capturing the tumultuous times of the oh-tens and defining the spirit of the Beast Generation. It's pretty epic.

ABOUT THE AUTHOR

Mike Lacher (New York, NY) writes and designs funny things on the Internet. His work has been featured in McSweeney's, The New York Times Magazine, New York Magazine, and on WIRED.COM. But that doesn't matter 'cause he has a totally weak alcohol tolerance and can only hold a kegstand for like two seconds.

HENRY VIII: WOLFMAN

DIVORCED. BEHEADED. DIED. MAULED. SAVAGED. SURVIVED? 

Henry VIII was the best and bloodiest King ever to have sat on the throne of England. This fast-paced, exciting, gory, inventive and just plain gross retelling of his reign will bring to light the real man behind the myth. When it came to his size, Henry VIII was known for being larger-than-life, with a fearsome temper and bloodthirsty reputation to match; more beast than human, some might say...Be dragged kicking and screaming back 500 years into Tudor England...

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.

Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.

The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

From Publishers Weekly

Danielewski's eccentric and sometimes brilliant debut novel is really two novels, hooked together by the Nabokovian trick of running one narrative in footnotes to the other. One-the horror story-is a tour-de-force. Zampano, a blind Angelino recluse, dies, leaving behind the notes to a manuscript that's an account of a film called The Navidson Report. In the Report, Pulitzer Prize-winning news photographer Will Navidson and his girlfriend move with their two children to a house in an unnamed Virginia town in an attempt to save their relationship. One day, Will discovers that the interior of the house measures more than its exterior. More ominously, a closet appears, then a hallway. Out of this intellectual paradox, Danielewski constructs a viscerally frightening experience. Will contacts a number of people, including explorer Holloway Roberts, who mounts an expedition with his two-man crew. They discover a vast stairway and countless halls. The whole structure occasionally groans, and the space reconfigures, driving Holloway into a murderous frenzy. The story of the house is stitched together from disparate accounts, until the experience becomes somewhat like stumbling into Borges's Library of Babel. This potentially cumbersome device actually enhances the horror of the tale, rather than distracting from it. Less successful, however, is the second story unfolding in footnotes, that of the manuscript's editor, (and the novel's narrator), Johnny Truant. Johnny, who discovered Zampano's body and took his papers, works in a tattoo parlor. He tracks down and beds most of the women who assisted Zampano in preparing his manuscript. But soon Johnny is crippled by panic attacks, bringing him close to psychosis. In the Truant sections, Danielewski attempts an Infinite Jest-like feat of ventriloquism, but where Wallace is a master of voices, Danielewski is not. His strength is parodying a certain academic tone and harnessing that to pop culture tropes. Nevertheless, the novel is a surreal palimpsest of terror and erudition, surely destined for cult status.
Copyright 2000 Reed Business Information, Inc.

From Library Journal

A resurgence of interest in Austen, combined with a vivacious reading by British actress Amanda Root, makes this a timely audio selection. Usually considered Austen's earliest completed novel, this posthumously published work is a delightful parody of gothic novels. Heroine Catherine Moreland is introduced to the social whirl of Bath by a new friend, Isabella Thorpe. Alas, Catherine is disappointed by this disloyal lass and departs to spend time at the ancestral home of her true friend, Eleanor Tilney, and Eleanor's charming brother Henry. Meanwhile, Isabella's brother John, whose romantic overtures have been rejected by Catherine, is almost successful in his schemes to cause the Tilneys to reject our heroine. An excellent acquisition for public libraries.

Linda Bredengerd, Univ. of Pittsburgh, Bradford, Pa.

Copyright 1997 Cahners Business Information, Inc.