In his career, Dave Barry has done just about everything—written bestselling nonfiction, won a Pulitzer Prize, seen his life turned into a television series. And now, at last, he has joined the long list of literary figures from Jane Austen to Tolstoy who have made the transition from humor columnist to novelist—and done it with a style and inventiveness that establishes that, yes, he is very good at that, too.

In the city of Coconut Grove, Florida, these things happen: A struggling adman named Eliot Arnold drives home from a meeting with the Client From Hell. His teenage son, Matt, fills his Squirtmaster 9000 for his turn at a high school game called Killer. Matt's intended victim, Jenny Herk, sits down in front of the TV with her mom for what she hopes will be a peaceful evening—for once. Jenny's alcoholic and secretly embezzling stepfather, Arthur, emerges from the maid's room, angry at being rebuffed—again. Henry and Leonard, two hit men from New Jersey, pull up to the Herks' house for a real game of Killer—Arthur's embezzlement apparently not having been quite so secret to his employers after all. And a homeless man named Puggy settles down for the night in a treehouse just inside the Herks' yard.

In a few minutes, a chain of events that will change the lives of each and every one of them will begin, and will leave some of them wiser, some of them deader, and some of them definitely looking for a new line of work. With a wicked wit, razor-sharp observations, rich characters, and a plot with more twists than the Inland Waterway, Dave Barry makes his debut a complete and utter triumph.

Persuasion, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

In her final novel, as in her earlier ones, Jane Austen uses a love story to explore and gently satirize social pretensions and emotional confusion. Persuasion follows the romance of Anne Elliot and naval officer Frederick Wentworth. They were happily engaged until Anne’s friend, Lady Russell, persuaded her that Frederick was “unworthy.” Now, eight years later, Frederick returns, a wealthy captain in the navy, while Anne’s family teeters on the edge of bankruptcy. They still love each other, but their past mistakes threaten to keep them apart.

Austen may seem to paint on a small canvas, but her characters contain the full range of human passion and moral complexity, and the author’s generous spirit renders them all with understanding, compassion, and humor.

Susan Ostrov Weisser is a professor of English at Adelphi University, where she specializes in nineteenth-century literature and women’s studies. Weisser also wrote the introduction to the Barnes & Noble Classics edition of Jane Eyre.

Love is in the air when five sisters discover that a wealthy and eligible bachelor is suddenly within reach. But it is his friend, the haughty Mr. Darcy, who becomes smitten. Unfortunately for him, the object of his affection is not so easily swayed.

One of the most popular characters in English literature, Elizabeth Bennet is intelligent, witty, well-spoken and ahead of her time. If the terrible rumors about Mr. Darcy are true, he doesn’t stand a chance. Yet not all gossip is to be believed when marriage, money, and reputations are on the line. Will Elizabeth and Mr. Darcy circumvent her haste, his ego, and society’s expectations to find love?

Written more than two centuries ago, Jane Austen’s enduring story of manners, family, and love continues to delight new generations of readers.

With its high-interest adaptations of classic literature and plays, this series inspires reading success and further exploration for all students.These classics are skillfully adapted into concise, softcover books of 80-136 pages. Each retains the integrity and tone of the original book.

Interest Level: 5-12
Reading Level: 3-4

Anthropologist Moriah Mallory had always been the ugly duckling of her family. So when she accompanies her sisters on a Caribbean charter cruise, she doesn't expect their dashing captain to notice her. So why did Austen Blye seem to set his sails in her direction? Why was it that the only Mallory sister Austen wanted was the one who was ignoring him? Somehow, he'd have to maneuver Moriah's mutiny...and make her his first mate forever.

"Fanny Burney's first novel Evelina was the chick-lit novel of 1778 - all about a young girl's adventures in London, and one of the best of its kind ever written...the Oxford World's Classics edition has a knowledgeable preface by Edward A. Bloom" --Derwent May, the Times

About the Author

Frances Burney (Fanny Burney) was a British novelist who wrote four novels, eight plays, and one biography in her lifetime, and left behind 20 volumes of journals and letters after her death. Self-educated, Burney began writing at the age of 10, and published her first novel, Evelina, anonymously in 1778. Burney followed Evelina's success with Cecilia, Camilla, and The Wanderer, all of which explored the lives of English aristocrats and the role of women in society. Burney s novels were enormously popular during her lifetime, inspiring both Jane Austen and William Makepeace Thackeray, and her journals are recognized for their uncommonly accurate and candid portrayal of 18th-century England. Burney died in Bath, England, in 1840.

From Library Journal

A resurgence of interest in Austen, combined with a vivacious reading by British actress Amanda Root, makes this a timely audio selection. Usually considered Austen's earliest completed novel, this posthumously published work is a delightful parody of gothic novels. Heroine Catherine Moreland is introduced to the social whirl of Bath by a new friend, Isabella Thorpe. Alas, Catherine is disappointed by this disloyal lass and departs to spend time at the ancestral home of her true friend, Eleanor Tilney, and Eleanor's charming brother Henry. Meanwhile, Isabella's brother John, whose romantic overtures have been rejected by Catherine, is almost successful in his schemes to cause the Tilneys to reject our heroine. An excellent acquisition for public libraries.

Linda Bredengerd, Univ. of Pittsburgh, Bradford, Pa.

Copyright 1997 Cahners Business Information, Inc.

Lynn Shepherd’s first acclaimed novel of historical suspense, Murder at Mansfield Park, brilliantly reimagined the time of Jane Austen. Now, in this spellbinding new triumph, she introduces an unforgettable duo of detectives into the gaslit world of Dickens.

 London, 1850. Charles Maddox had been an up-and-coming officer for the Metropolitan police until a charge of insubordination abruptly ended his career. Now he works alone, struggling to eke out a living by tracking down criminals. Whenever he needs it, he has the help of his great-uncle Maddox, a legendary “thief taker,” a detective as brilliant and intuitive as they come.

On Charles’s latest case, he’ll need all the assistance he can get.

To his shock, Charles has been approached by Edward Tulkinghorn, the shadowy and feared attorney, who offers him a handsome price to do some sleuthing for a client. Powerful financier Sir Julius Cremorne has been receiving threatening letters, and Tulkinghorn wants Charles to—discreetly—find and stop whoever is responsible.

But what starts as a simple, open-and-shut case swiftly escalates into something bigger and much darker. As he cascades toward a collision with an unspeakable truth, Charles can only be aided so far by Maddox. The old man shows signs of forgetfulness and anger, symptoms of an age-related ailment that has yet to be named.

Intricately plotted and intellectually ambitious, The Solitary House is an ingenious novel that does more than spin an enthralling tale: it plumbs the mysteries of the human mind.

Praise for The Solitary House

“A Victorian tour de force . . . a must-read.”—Kirkus Reviews (starred review) 

“Dickens fans will rejoice. . . . [Lynn] Shepherd leaves the reader spellbound.”—Booklist (starred review)

“The star of Lynn Shepherd’s intriguing mystery novel is mid-century Victorian London. . . . Her suspenseful story and winning prose ably serve her literary conceit.”—Associated Press

“Intellectually enthralling, with dark twists at every turn . . . a haunting novel that will have you guessing until the last pages.”—Historical Novels Review

“Lynn Shepherd has a knack for setting literary murder puzzles. . . . This literary magpie-ism is a treat for book lovers, a little nudge-and-a-wink here and there which delights fans of these other works without alienating those who haven’t read them yet. . . . An intelligent, gripping and beautifully written novel.”—The Scotsman

“The reader is plunged into a complex but comprehensible labyrinth of deception.”—Publishers Weekly(starred review)

Jane Austen teased readers with the idea of a 'heroine whom no one but myself will much like', but Emma is irresistible. 'Handsome, clever, and rich', Emma is also an 'imaginist', 'on fire with speculation and foresight'. She sees the signs of romance all around her, but thinks she will never be married. Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.

Jane Austen's first published work, meticulously constructed and sparkling with her unique wit

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

We’ve all come across those suave, confident, and all-so-knowing books that tell us precisely what to drink with which dish, how to swirl, sniff, slosh, and pronounce on our wine, and, above all, how to impress our friends and business associates with our expertise.

Well, this is not one of those books. Is This Bottle Corked? is something different: a book that poses–and answers–the really important questions about wine.

•What was Falstaff drinking when he called for more sack?

•What was actually drunk at Plato’s Symposium?

•When is rot "noble"?

•Who was the first American connoisseur of wine–it wasn’t George Washington, but speaking of the general, what was his favorite wine?

•Why on earth do wine connoisseurs talk like that?

•Was Pliny the Elder the first Robert Parker?

•Why do we drink to forget–and why doesn’t it work?

These and many other intriguing, amusing, and curious questions are answered within, guaranteeing the reader a "Yes, but did you know . . .?" for every occasion at which a cork is drawn.

Best read with a glass of aged German riesling, or perhaps a soft, consoling Constantia (recommended by Jane Austen for heartbreak and, to boot, gout) or maybe even a glass of St. Anne’s Rhubarb and Ginger Wine, this book is as much for bon vivants and those of us who just enjoy a good bottle or two as for the committed oenophile.

Simply open, pour, and relax.

How to Read Novels Like a Professor : A Jaunty Exploration of the World’s Favorite Literary Form by Thomas C Foster

Of all the literary forms, the novel is arguably the most discussed . . . and fretted over. From Miguel de Cervantes's Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history.

Thomas C. Foster--the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor--now examines the grammar of the popular novel. Exploring how authors' choices about structure--point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity--create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading.