“Shriver is one of the sharpest talents around.” —USA Today
Acclaimed author Lionel Shriver—author of the National Book Award finalist So Much for That, The Post-Birthday World, and the vivid psychological novel We Need to Talk About Kevin, now a major motion picture—probes the mystery of charisma in a razor-sharp new novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present.
“Shriver is a master of the misanthrope. . . . [A] viciously smart writer.” —Time
Ostracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he's been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about their beloved "Bear," who is no longer lighting up their work lives.
Yet all is not as it appears. Os Soldados Ousados de Barba—"The Daring Soldiers of Barba"—have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn't give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the "SOB" suddenly dry up?
A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What's their secret? And in the end, who has the better life—the admired, or the admirer?
“[Shriver’s] whip-smart observations—about relationships, the role of the media, the cult of personality are funny and on the mark.” —People
“In her latest novel, Lionel Shriver pays homage to Joseph Conrad—examining terrorism, media bloodlust, and the cult of personality through an unexpected lens of satire.” —Marie Claire, Four New Page-Turners to Keep Bedside
“A very funny book, but the laughs are embedded in a deeply disturbing subject.” —NPR, "Weekend Edition"
“Shriver is cursed with knowing the human animal all too well. The New Republic is satire of a Shriver kind, that is to say biting.” —Miami Herald