Reincarnation is an idea that just won't go away, according to Zolar, who has enlightened millions of readers worldwide about the mysteries of dreams and astrology.

Included in this lively test is a history of the belief in reincarnation together with thorough, easy-to-follow instructions that will enable you to discover your own past lives as well as those of your family and friends.

Join Zolar on a fascinating journey back in time and discover the connections between the lives you once led and the life you lead today.

How do you tell your part in the biggest tale in history?

I ask because it's what I have to do. I'm Zoe Boutin Perry: A colonist stranded on a deadly pioneer world. Holy icon to a race of aliens. A player (and a pawn) in a interstellar chess match to save humanity, or to see it fall. Witness to history. Friend. Daughter. Human. Seventeen years old.

Everyone on Earth knows the tale I am part of. But you don't know my tale: How I did what I did ― how I did what I had to do ― not just to stay alive but to keep you alive, too. All of you. I'm going to tell it to you now, the only way I know how: not straight but true, the whole thing, to try to make you feel what I felt: the joy and terror and uncertainty, panic and wonder, despair and hope. Everything that happened, bringing us to Earth, and Earth out of its captivity. All through my eyes.

It's a story you know. But you don't know it all.

This ''darkly beautiful'' (Washington Post) novel has been hailed as Erickson's best.

On the same August day in 1969 that a crazed hippie ''family'' led by Charles Manson commits five savage murders in the canyons above Los Angeles, a young ex-communicated seminarian arrives with images of Elizabeth Taylor and Montgomery Clift - ''the two most beautiful people in the history of the movies'' - tattooed on his head. At once childlike and violent, Vikar is not a cineaste but ''cineautistic,'' sleeping at night in the Roosevelt Hotel where he's haunted by the ghost of D. W. Griffith. Vikar has stepped into the vortex of a culture in upheaval: strange drugs that frighten him, a strange sexuality that consumes him, a strange music he doesn't understand. Over the course of the seventies and into the eighties, he pursues his obsession with film from one screening to the next and through a series of cinema-besotted conversations and encounters with starlets, burglars, guerrillas, escorts, teenage punks, and veteran film editors, only to discover a secret whose clues lie in every film ever made.

Hollis Henry never intended to work for global marketing magnate Hubertus Bigend again. But now she’s broke, and Bigend has just the thing to get her back in the game...

Milgrim can disappear in almost any setting, and his Russian is perfectly idiomatic—so much so that he spoke it with his therapist in the secret Swiss clinic where Bigend paid for him to be cured of his addiction...

Garreth doesn't owe Bigend a thing. But he does have friends from whom he can call in the kinds of favors powerful people need when things go sideways...

They all have something Bigend wants as he finds himself outmaneuvered and adrift, after a Department of Defense contract for combat-wear turns out to be the gateway drug for arms dealers so shadowy they can out-Bigend Bigend himself.

“Zero History is [Gibson’s] best yet, a triumph of science fiction as social criticism and adventure.”—BoingBoing.net

The Story of a Ten-Minute Argument Between Two Great Philosophers

On October 25, 1946, in a crowded room in Cambridge, England, the great twentieth-century philosophers Ludwig Wittgenstein and Karl Popper came face to face for the first and only time. The meeting -- which lasted ten minutes -- did not go well. Their loud and aggressive confrontation became the stuff of instant legend, but precisely what happened during that brief confrontation remained for decades the subject of intense disagreement.

An engaging mix of philosophy, history, biography, and literary detection, Wittgenstein's Poker explores, through the Popper/Wittgenstein confrontation, the history of philosophy in the twentieth century. It evokes the tumult of fin-de-siécle Vienna, Wittgentein's and Popper's birthplace; the tragedy of the Nazi takeover of Austria; and postwar Cambridge University, with its eccentric set of philosophy dons, including Bertrand Russell. At the center of the story stand the two giants of philosophy themselves -- proud, irascible, larger than life -- and spoiling for a fight.

This is a look at American history dating back to the time of the Revolution.

About the Publisher

International News Books & Gifts publishes hundreds of thousands of rare and classic books.

This book is a reproduction of an important historical work. International News Books & Gifts uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A classic in its field. Why Nations Go to War engages readers in a dialogue about the human truth behind the mechanistic forces of war. Stoessinger examines the characters and personalities of leaders who have taken their countries into battle, showing how misjudgments and misperceptions affected the course of history. The seven case studies provide a solid historical background on twentieth-century warfare, while the compelling narrative keeps the readers involved. The seventh edition has been thoroughly updated and includes a new case study on Bosnia and the war over the remains of Yugoslavia.

About the Author

Dr. John G. Stoessinger is an internationally recognized political analyst and a prize-winning author of ten leading books on world politics. He holds a Ph.D. from Harvard and has taught at Harvard, M.I.T., Columbia and Princeton. From 1967-1974, he served as acting director of the political affairs division at the United Nations. He is a member of the Council on Foreign Relations and lectures extensively throughout the world. On the eve of World War II, Dr. Stoessinger fled from Nazi-occupied Austria to Czechoslovakia. Three years later, he fled again via Siberia to China, where he lived for seven years in Shanghai. He has been the recipient of numerous honors and awards, including the Bancroft Prize. He presently serves as Distinguished Professor of Global Diplomacy at the University of San Diego, and has been listed in WHO'S WHO IN AMERICA and WHO'S WHO IN THE WORLD since 2002 to the present.

An award-winning literary author enters the world of magical realism with her World Fantasy Award-winning novel of a remarkable woman in post-apocalyptic Africa.

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means "Who fears death?" in an ancient language.

It doesn't take long for Onye to understand that she is physically and socially marked by the circumstances of her conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by her community. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer and to understand her own nature, she embarks on a journey in which she grapples with nature, tradition, history, true love, and the spiritual mysteries of her culture, and ultimately learns why she was given the name she bears: Who Fears Death.

The New York Times Bestseller, with a new preface from the author

“This estimable book rides into the summer doldrums like rural electrification. . . . It deals in the truths that matter.”—Dwight Garner, The New York Times

“This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.”—O, The Oprah Magazine

“White Trash will change the way we think about our past and present.”
—T. J. Stiles, Pulitzer Prize-winning author of Custer’s Trials

In her groundbreaking  bestselling history of the class system in America, Nancy Isenberg, #4 on the 2016 Politico 50 list, takes on our comforting myths about equality, uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash.

“When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters that put Trump in the White House have been a permanent part of our American fabric, argues Isenberg.

The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds.

Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity.

We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music and Delta Mississippi Blues.


"An incisive meditation on race, privilege and music. Spanning decades, this novel brings alive the history of old-time blues and America’s racial conscience."—Rabeea Saleem, Chicago Review of Books

Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation.

Resounding praise for Hari Kunzru and White Tears

"White Tears is distinguished by a knowledge of blues at its deepest, a gift for observation at its most penetrating and stretches of plain old marvelous writing, some swallowing up the pages around them the way a single song . . . swallows up the side of an album. . . . Kunzru brings a canny and original insight to his American subject. . . . [His] awareness and discernment have particular value in an America of the moment where nothing less than the country’s meaning is at stake.”—Steve Erickson, The New York Times Book Review
 
"White Tears is a book that everyone should be reading right now. . . . The reverberations of [this book] echo long after it's done. Part ghost story, part travelogue, White Tears is a drugged-out, spoiled-rotten treatise on race, class and poverty of the soul."—Claire Howorth, TIME
 
"[White Tears is] a novel that's as brave as it is brutal, and it lets nothing and nobody off the hook. . . . Stunning [and] audacious . . . an urgent novel that's as challenging as it is terrifying. . . . completely impossible to put down . . . [Kunzru’s] writing is propulsive, clear and bright, whether he's describing an old blues song or a shocking act of violence. . . . [White Tears] will shock you, horrify you, unsettle you, and that's exactly the point."—Michael Schaub, NPR
 
"[A] truly impressive novel. . . . White Tears is Kunzru’s best book yet."—Anthony Domestico, The Boston Globe
 
"Captivating. . . . Kunzru’s graceful writing is exquisitely attuned to his material. . . . [White Tears is] neither a clever Time and Again story of time travel nor a tricky Westworld sort of past-present parallel. White Tears is a profoundly darker and more complex story of a haunting that elucidates the iniquitous history of white appropriation of black culture."—Katharine Weber, The Washington Post
 
"Simply extraordinary. . . . Kunzru is a master storyteller and this is both a thrillingly written ghost story and an exploration of race conflict in America which is surely one of the best books you will read this year. Don’t miss it."—Alice O’Keeffe, The Bookseller (Book of the Month pick)

National Book Critics Circle Award Winner
New York Times Bestseller
A New York Times Notable Book of the Year
A Washington Post Notable Nonfiction Book of the Year
A Boston Globe Best Book of 2016
A Chicago Review of Books Best Nonfiction Book of 2016

From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America--now in paperback with a new afterword by the author, acclaimed historian Carol Anderson.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in The Washington Post suggesting that this was, instead, "white rage at work. With so much attention on the flames," she argued, "everyone had ignored the kindling."

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate and relentless rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court's landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools; the Civil Rights Act of 1964 and Voting Rights Act of 1965 triggered a coded but powerful response, the so-called Southern Strategy and the War on Drugs that disenfranchised millions of African Americans while propelling presidents Nixon and Reagan into the White House, and then the election of America's first black President, led to the expression of white rage that has been as relentless as it has been brutal.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

Past and present collide as Special Agent Pendergast uncovers mysterious connections between a string of 19th century bear attacks in a Colorado mining town, a fabled, long-lost Sherlock Holmes story, and a deadly present-day arsonist.

In 1876, in a mining camp called Roaring Fork in the Colorado Rockies, eleven miners were killed by a rogue grizzly bear. Corrie Swanson has arranged to examine the miners' remains. When she makes a shocking discovery, town leaders try to stop her from exposing their community's dark and bloody past.

Just as Special Agent Pendergast of the FBI arrives to rescue his protege, the town comes under siege by a murderous arsonist who-with brutal precision-begins burning down multimillion-dollar mansions with the families locked inside. Drawn deeper into the investigation, Pendergast discovers a long-lost Sherlock Holmes story that may be the key to solving both the mystery of the long-dead miners and the modern-day killings as well.

Now, with the ski resort snowed in and under savage attack-and Corrie's life suddenly in grave danger-Pendergast must solve the enigma of the past before the town of the present goes up in flames.

The #1 New York Times bestselling coauthor of A Patriot's History of the United States examines ten current challenges.

America is at a crossroads. We face two options: continue our descent toward big government, higher taxes, less individual liberty, and more debt or pull our country back on the path our Founding Fathers planned for us. But that path isn't always so easy to see.

Following the success of his previous books, conservative historian Larry Schweikart tackles some of the key issues confronting our nation today: education, government bailouts, gun control, health care, the environment, and more. For each he asks, "What would the founders say?" and sets out to explore our history and offer wisdom to help us get back on track. What would really be compatible with the vision that Washington, Jefferson, Madison, and the other founders had for America?

Written in Schweikart's informal yet informative style, What Would the Founders Say? is sure to delight his fans and anyone looking for a little clarity on tough issues.

"This very valuable book reports the results of a large-scale and complex survey aimed at understanding the preferences of employees regarding workplace governance and their attitudes toward the three key institutions in the labor market: unions, government, and firms. . . . The findings are . . . sophisticated and convincing. . . . This is a terrifically useful book that contains a wealth of information."―Labor History

"What Workers Want is one of the most ambitious efforts ever undertaken to determine the attitudes of employees about the American workplace. . . . An extremely important contribution to the long and often heated debates that swirl around these issues."―Ralph Nader

"What Workers Want is a sharply focused study of how American workers think about workplace participation. This book is a message about workplace democracy that union leaders would do well to build into their organizing strategies."―Dissent

"This is easily one of the most readable books on industrial relations matters written by academics in recent times. The authors are able simultaneously to engage the reader in an almost folksy manner, while also being quite rigorous in their presentation of data. There should be more such books."―Journal of Industrial Relations

How would a typical American workplace be structured if the employees could design it? According to Richard B. Freeman and Joel Rogers, it would be an organization run jointly by employees and their supervisors, one where disputes between labor and management would be resolved through independent arbitration. Their groundbreaking book provides a comprehensive account of employees' attitudes about participation, representation, and regulation on the job.

For the updated edition, the authors have added an introduction showing how recent data have confirmed and strengthened their basic argument. A new concluding chapter lays out the model of "open source unionism" that they propose for rebuilding unionism in the United States, making this updated edition essential for anyone thinking about what labor should be doing to move forward.

A new edition of the innovative, emotionally complex novel.

After her parents’ bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie—solitary, observant, and wise beyond her years—is drawn into an increasingly entangled adult world of intrigue and sexual betrayal until she is finally compelled to choose her own future. Published in 1897 as Henry James was experimenting with narrative technique and fascinated by the idea of the child’s-eye view, What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Henry James (1843-1916), born in New York City, was the son of noted religious philosopher Henry James, Sr., and brother of eminent psychologist and philosopher William James. He spent his early life in America and studied in Geneva, London and Paris during his adolescence to gain the worldly experience so prized by his father. He lived in Newport, went briefly to Harvard Law School, and in 1864 began to contribute both criticism and tales to magazines.

In 1869, and then in 1872-74, he paid visits to Europe and began his first novel, Roderick Hudson. Late in 1875 he settled in Paris, where he met Turgenev, Flaubert, and Zola, and wrote The American (1877). In December 1876 he moved to London, where two years later he achieved international fame with Daisy Miller. Other famous works include Washington Square (1880), The Portrait of a Lady (1881), The Princess Casamassima (1886), The Aspern Papers (1888), The Turn of the Screw (1898), and three large novels of the new century, The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904). In 1905 he revisited the United States and wrote The American Scene (1907).

During his career he also wrote many works of criticism and travel. Although old and ailing, he threw himself into war work in 1914, and in 1915, a few months before his death, he became a British subject. In 1916 King George V conferred the Order of Merit on him. He died in London in February 1916.

In these “urgently relevant essays,”* the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump.

New York Times Bestseller • One of Time’s Top 10 Non-Fiction Books of the Year • One of USA Today’s top 10 books of the year • A New York Times Notable Book

“We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.”

“Essential . . . Coates’s probing essays about race, politics, and history became necessary ballast for this nation’s gravity-defying moment.” —The Boston Globe

But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president.

“Ta-Nehisi Coates has published a collection of the major magazine essays he wrote throughout the Obama years. . . . But Coates adds an unexpected element that renders We Were Eight Years in Power both new and revealing. Interspersed among the essays are introductory personal reflections. . . . Together, these introspections are the inside story of a writer at work, with all the fears, insecurities, influences, insights and blind spots that the craft demands. . . . I would have continued reading Coates during a Hillary Clinton administration, hoping in particular that he’d finally write the great Civil War history already scattered throughout his work. Yet reading him now feels more urgent, with the bar set higher.”—Carlos Lozada, The Washington Post

We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

“Essential . . . Coates’s probing essays about race, politics, and history became necessary ballast for this nation’s gravity-defying moment.”—The Boston Globe 

“Biting cultural and political analysis from the award-winning journalist . . . [Ta-Nehisi Coates] reflects on race, Barack Obama’s presidency and its jarring aftermath, and his own evolution as a writer in eight stunningly incisive essays. . . . He contextualizes each piece with candid personal revelations, making the volume a melding of memoir and critique. . . . Emotionally charged, deftly crafted, and urgently relevant.”—Kirkus Reviews (starred review)

About the Author

Ta-Nehisi Coates is a national correspondent for The Atlantic. His book Between the World and Me won the National Book Award in 2015. Coates is the recipient of a MacArthur Fellowship. He lives in New York City with his wife and son.

In an alternate world where the mere presence of American superheroes changed history, the US won the Vietnam War, Nixon is still president, and the cold war is in full effect!

"WATCHMEN is peerless."—Rolling Stone

Watchmen begins as a murder-mystery, but soon unfolds into a planet-altering conspiracy. As the resolution comes to a head, the unlikely group of reunited heroes--Rorschach, Nite Owl, Silk Spectre, Dr. Manhattan and Ozymandias--have to test the limits of their convictions and ask themselves where the true line is between good and evil.

"Groundbreaking."—USA Today

In the mid-eighties, Alan Moore and Dave Gibbons created Watchmen, changing the course of comics' history and essentially remaking how popular culture perceived the genre. Popularly cited as the point where comics came of age, Watchmen's sophisticated take on superheroes has been universally acclaimed for its psychological depth and realism.

"The greatest piece of popular fiction ever produced."—LOST co-creator Damon Lindelof

Watchmen is collected here in deluxe hardcover, with sketches, extra bonus material and a new introduction by series artist Dave Gibbons.

Brother against brother, family against family, in a long, drawn out, numbing, never-ending surge of battlefield drama - this was the American Civil War.  At Gettysburg, "the enemy came on yelling and running with the fixed bayonet charge which few troops can withstand; but the patriots did not waver . . . it was a melee, a carnival of death."

Now many carnivals of death spring to life in one of wargaming's greatest actions.  Here is everything the wargamer could possibly want:  meticulous descriptions of Confederate and Union uniforms, artillery, cavalry units, rifles, and colorful battle flags, plus authentic terrain maps, combat photographs, rundowns on the strategies and tactics of such crucial battles as Vicksburg, Antietam, and Bull Run - even evaluations of army commanders for charisma, reliability, and aggression (Grant scored 22 out of a possible 30, Lee 28).

In a Union cavalry, raid, see how campaigns are successful if objectives and aims are clearly defined and how the battles are won or lost by master manoeuvres or crucial failures.

The history, panoply, and roaring destruction of the Civil War, tabletop-style, are here.  Charge!

In this book, Peter Dennis sets the paper soldiers of the 19th century marching again across the war games tables of the 21st. All the troop types of the wars are represented in full color in a format designed to create stands of soldiers which can be used to re-fight these epic struggles for the control of Britain. Although the figures can be used with any of the commercial sets of war-game rules, an introduction to war-gaming and a simple set of rules by veteran war gamer Andy Callan is included, along with buildings, trees and even Viking ships to transport Harald Hardrada’s men to meet their fate at Stamford Bridge.

“… The main rules are sufficiently simple to be easily intelligible by players who don’t possess extensive knowledge of the period and yet have sufficient ‘period atmosphere’ to enable them to recreate the style of fighting in the Wars of the Roses battles without being complex or requiring much mental arithmetic. They will also provide an enjoyable game for more experienced players… Highly recommended for anyone teaching, or contemplating wargaming, the struggle for the English throne in the fifteenth century.” --Wargames Illustrated

“ … looks like a great way to quickly build playable, good looking armies for the tabletop … I think you could build an impressive army very quickly.” --miniaturewargaming.com

In this series renowned historical illustrator Peter Dennis breathes life into the 19th Century paper soldier and invites the reader to re-fight the wars that surged across the nation of Britain. All the artwork needed to make historically- accurate armies is presented in a source-book format, copyright free for personal use. In this first title, the Horse, Foot and Dragoons of King and Parliament, along with period buildings can be made, using traditional skills with scissors and glue. Simple 'one sheet' rules by veteran wargamer Andy Callan enable the maker to stage battles limited only by the size of the player's available table-space.

“ … Another wargame book filled with beautifully painted troops… Highly recommended for anyone teaching, or contemplating wargaming, the struggle for the English throne in 1066.” --Wargames Illustrated

“ … looks like a great way to quickly build playable, good looking armies for the tabletop … I think you could build an impressive army very quickly.” --miniaturewargaming.com

In these books, Peter Dennis sets the paper soldiers of the 19th century marching again across the war games tables of the 21st. All the troop types of the wars are represented in full color in a format designed to create stands of soldiers which can be used to re-fight these epic struggles for the control of Britain. Although the figures can be used with any of the commercial sets of war-game rules, an introduction to war-gaming and a simple set of rules by veteran war gamer Andy Callan is included, along with buildings, trees and even Viking ships to transport Harald Hardrada’s men to meet their fate at Stamford Bridge.

“ … Another wargame book filled with beautifully painted troops… Highly recommended for anyone teaching, or contemplating wargaming, the struggle for the English throne in 1066.” --Wargames Illustrated

“ … looks like a great way to quickly build playable, good looking armies for the tabletop … I think you could build an impressive army very quickly.” --miniaturewargaming.com

Viva Jacquelina! : Being an Account of the Further Adventures of Jacky Faber, Over the Hills and Far Away (Bloody Jack Adventures Book 10) by L. A. Meyer

The vivacious Jacky Faber returns in the tenth tale in L. A. Meyer's Bloody Jack Adventures, a rip-roaring young adult series applauded for its alluring combination of adventure, romance, history, and humor. Once again under the thumb of British Intelligence, Jacky is sent to Spain to spy for the Crown during the early days of the nineteenth-century Peninsular War. She finds herself in the company of guerrilla freedom fighters, poses for the famous artist Goya, runs with the bulls, is kidnapped by the Spanish Inquisition, and travels with a caravan of gypsies . . . all while hoping to one day reunite with her beloved Jaimy Fletcher.

Angelo Pellegrini is one of America's favorite writers on the pleasures of food, wine and good company. This collection of his finest work represents the experiences of a long, full lifetime.

From Publishers Weekly

A celebrated cook, winemaker and gardener, Pellegrini ( The Food Lover's Garden ) was born in Tuscany in 1904 and immigrated with his family to the U.S. at the age of nine, settling in the small Washington town of McCleary. In this anthology of brief essays, of which several are being published for the first time, Pellegrini describes the difficult existence of his peasant family in Italy, the decision to move to America, and the beginning of a new life in the Pacific Northwest. In later essays he discusses educating his children and grandchildren in the appreciation of food and wine, and gives some favorite recipes, such as one for a fish sauce using the herb puleggio. Pellegrini's style is sincere and affectionate, whether his subject is his family or a vintage bottle of homemade wine. But he often lapses into an awkward or sentimentalized prose--Freud is "the presiding deity of the brotherhood of Shrinkers," while in another essay, he writes that "as a community working together and intent on the same ends, we are, at any moment in our history, more likely to be what we had intended to become than to be something else."
Copyright 1991 Reed Business Information, Inc.

Vineland, a zone of blessed anarchy in northern California, is the last refuge of hippiedom, a culture devastated by the sobriety epidemic, Reaganomics, and the Tube. Here, in an Orwellian 1984, Zoyd Wheeler and his daughter Prairie search for Prairie's long-lost mother, a Sixties radical who ran off with a narc. Vineland is vintage Pynchon, full of quasi-allegorical characters, elaborate unresolved subplots, corny songs ("Floozy with an Uzi"), movie spoofs (Pee-wee Herman in The Robert Musil Story), and illicit sex (including a macho variation on the infamous sportscar scene in V.).

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

How do we decide what is "good" and what is "bad"? According to the ethical theory of Utilitarianism, to do good is to "always perform that act, of those available, that will bring the most happiness or the least unhappiness." By far the most widely read introduction to this theory, John Stuart Mill's Utilitarianism is one of the most important and controversial works of moral philosophy ever written.

In this major contribution to ethical history, Mill's treatise defends the view that all human action should produce the greatest happiness overall, and that happiness itself is made up of "higher pleasures," such as the cultural, intellectual, and spiritual, and "lower pleasures," such as the physical. The relationship of utilitarian theory to other ethical systems, and powerful arguments in its favor — especially when concerning justice — are brilliantly discussed. How do we weigh options to maximize happiness for self and for those around us? From common-day dilemmas to large-scale social decisions, this exposition remains as relevant today as it was to intellectual and moral dilemmas of the nineteenth century.

It has been said that dreams are the windows to the soul -- andnow those windows can be opened wide! The book you hold in your hands is a concise compendium of prescriptive information, an easy-to-use reference guide to the meanings and import of the remarkable visions that visit us while we sleep.

Here in one volume are the essential keys to unlocking themysteries of the subconscious -- and to putting the power of dreams at your fingertips!

• The meaning behind more than 800 dream symbols
• The history of dream interpretation
• Lucid, repetitive, and sequential dreams
• Sleep patterns and the workings of the unconscious mind
• How to keep a "dream diary"

The arrival of two newcomers in the quiet village of Mellstock arouses a bitter feud and leaves a convoluted love affair in its wake. While the Reverend Maybold creates a furore among the village's musicians with his decision to abolish the church's traditional "string choir" and replace it with a modern mechanical organ, the new schoolteacher, Fancy Day, causes an upheaval of a more romantic nature, winning the hearts of three very different men—a local farmer, a church musician and Maybold himself. Under the Greenwood Tree follows the ensuing maze of intrigue and passion with gentle humour and sympathy, deftly evoking the richness of village life, yet tinged with melancholy for a rural world that Hardy saw fast disappearing.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The arrival of two newcomers in the quiet village of Mellstock arouses a bitter feud and leaves a convoluted love affair in its wake. While the Reverend Maybold creates a furore among the village's musicians with his decision to abolish the church's traditional "string choir" and replace it with a modern mechanical organ, the new schoolteacher, Fancy Day, causes an upheaval of a more romantic nature, winning the hearts of three very different men—a local farmer, a church musician and Maybold himself. Under the Greenwood Tree follows the ensuing maze of intrigue and passion with gentle humour and sympathy, deftly evoking the richness of village life, yet tinged with melancholy for a rural world that Hardy saw fast disappearing.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Patricia Ingham is a Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. she is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.

A challenging, clear-eyed, and authoritative history of American conservatism and its grave effect on our country's foreign policy

In this compelling and sometimes alarming analysis, J. Peter Scoblic, executive editor of The New Republic, traces the history of American foreign policy and how it has evolved from the Cold War conservatism of the 1950s to today. The belligerence, intransigence, and disinclination for diplomacy that mars the right wing once brought us to the brink of nuclear war with the Soviet Union. More recently it has failed to meet the post-9/11 challenges posed by Iraq, Iran, and North Korea. Scoblic argues forcefully that the only way to face these new threats practically and seriously is by adopting an approach exactly opposite to that suggested by conservatism. By diagnosing the origins of Bush's foreign policy, U.S. vs. Them illuminates the path to renewed American leadership in the twenty-first century as the most serious danger ever faced looms before us: nuclear terrorism.

A stunning new archaeological thriller by the New York Times bestselling co-author of Brimstone and Relic.

A moon rock missing for thirty years...
Five buckets of blood-soaked sand found in a New Mexico canyon...
A scientist with ambition enough to kill...
A monk who will redeem the world...
A dark agency with a deadly mission...
The greatest scientific discovery of all time...
What fire bolt from the galactic dark shattered the Earth eons ago, and now hides in that remote cleft in the southwest U.S. known as Tyrannosaur Canyon?

Tyrannosaur Canyon is a stunning novel from acclaimed bestselling author Douglas Preston, hailed by Publishers Weekly as "better than Crichton."

During World War II, a 15-year-old girl meets a young Jewish refugee in a New York shelter and soon learns the history behind her city through interaction with her new friend, as well as the barriers that exist when different cultures unite. Winner of the Scott O'Dell Award for Historical Fiction.

"Bat-Ami realistically frames questions about tolerance and its absence," said Publishers Weekly of this novel set in 1944 Oswego, N.Y., where America's only refugee camp is set up to accommodate Jews fleeing Europe. Adam, a 15-year-old Yugoslav Jew, begins a romance with a local girl. Ages 12-up.

Copyright 2001 Cahners Business Information, Inc.

In this tale of star-crossed love, Hardy sets the emotional lives of his two lovers against the background of the stellar universe. The unhappily married Lady Constantine breaks all the rules of social decorum when she falls in love with Swithin St. Cleeve, an astronomer who is ten years her junior. Her husband's death leaves the lovers free to marry, but the discovery of a legacy forces them apart. This is Hardy's most complete treatment of the theme of love across the class and age divide and the fullest expression of his fascination with science and astronomy.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Patricia Ingham is a Senior Research Fellow and Reader at St Anne's College, Oxford. She has written on the Victorian novel and on Hardy in particular. she is the General Editor of all of Hardy's fiction in the Penguin Classics and has edited Gaskell's North and South for the series.